The Tombstone that has Played Too Much is Hastily Returned to Original Position

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The Tombstone Changes its Position in the Evening

The Tombstone Changes its Position in the Evening

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

LIFE'S HAPPY DAYS 62: THE DAQY WHEN YOU HAVE TO DISPLAY GALLANTRY: -How much is that big bouquet?... -Ten francs -Good God!... and this little here? -Fifteen francs -Damnation!..

LIFE'S HAPPY DAYS 62: THE DAQY WHEN YOU HAVE TO DISPLAY GALLANTRY: -How much is that big bouquet?... -Ten francs -Good God!... and this little here? -Fifteen francs -Damnation!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 262: Commerce: - When then, gentlemen, are you going to finish playing that game... paying all tha costs of the party is beginning to annoy me!..

NEWS 262: Commerce: - When then, gentlemen, are you going to finish playing that game... paying all tha costs of the party is beginning to annoy me!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN SKETCHES 3: - Yes, my dear mister Coffignon, it would be difficult for me to count up the number of my conquests I've always had and today still have great success with women! - To be sure [,] as for me [,] I've only ever had mine [my woman] and I still find that it's too much!

PARISIAN SKETCHES 3: - Yes, my dear mister Coffignon, it would be difficult for me to count up the number of my conquests I've always had and today still have great success with women! - To be sure [,] as for me [,] I've only ever had mine [my woman] and I still find that it's too much!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MONOMANIACS 8: THE COFFEE-LOVER: The half-cup easily becomes second nature; one finds a number of people who, like the lover above, have made themselves an immutable law to take their coffee, in order to facilitate digestion, even though their means do not allow them to dine. It is agreed that existence would be too bitter without chicory

MONOMANIACS 8: THE COFFEE-LOVER: The half-cup easily becomes second nature; one finds a number of people who, like the lover above, have made themselves an immutable law to take their coffee, in order to facilitate digestion, even though their means do not allow them to dine. It is agreed that existence would be too bitter without chicory

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange!  [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 2: Below the upper vignette: SMALL-SCALE SPECULATORS. -Mrs. Chaffarou... I need to get out of MILITARY BEDS in order to get into the CRYSTAL PALACE... unless of course I get into the GAUDALQUIVIR. Below the lower vignette: OPENING OF THE STOCK EXCHANGE. How you can fall flat on your face by running too quickly after wealth

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 2: Below the upper vignette: SMALL-SCALE SPECULATORS. -Mrs. Chaffarou... I need to get out of MILITARY BEDS in order to get into the CRYSTAL PALACE... unless of course I get into the GAUDALQUIVIR. Below the lower vignette: OPENING OF THE STOCK EXCHANGE. How you can fall flat on your face by running too quickly after wealth

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARLIAMENTARY IDYLLS 2: THE INDISCREET FAUNS: Come, Cholë come my sister; / amenable to my entreaties, / The virgin with the golden quiver has rid these glades./ Of fauns and Taschereaus./ Thus speaks Nisa. Laughing between the boughs / Two hidden Taschereaus turn upon those hips. /The ardour of their treacherous gaze. (Short-lived Poems by Count de Mantalembert.)

PARLIAMENTARY IDYLLS 2: THE INDISCREET FAUNS: Come, Cholë come my sister; / amenable to my entreaties, / The virgin with the golden quiver has rid these glades./ Of fauns and Taschereaus./ Thus speaks Nisa. Laughing between the boughs / Two hidden Taschereaus turn upon those hips. /The ardour of their treacherous gaze. (Short-lived Poems by Count de Mantalembert.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ADVERTISING AND PUBLICITY 2: THEY MAKE THIS POOR PUBLIC SWALLOW THIS!! The Rubber Clyso-Trompe occupies, within the large family of emollients, the place which the gentle flute holds among wind instruments. The Clyso-Trompe refreshes ideas, destroys bugs, calms nervous irritation, opens up intelligence, purifies the Conscience of remorse, inspires Dithyrambs upon the museum of Versailles, but does not at all relieve colic. The lights of the ox in early infacy have received the commendation of all crowned heads. This admirable Pectoral cures Dim-sightedness, Corns, Whitlows, freckles, the mania for maknig dramas. etc. etc. etc. This velvet paste is most particularly suitable for everyone. It relieves hoarseness as if by hand. Duprez is indebted to it from 553 feet above sealevel, where he has never been. It even gives children in the best of health Whooping-cough

ADVERTISING AND PUBLICITY 2: THEY MAKE THIS POOR PUBLIC SWALLOW THIS!! The Rubber Clyso-Trompe occupies, within the large family of emollients, the place which the gentle flute holds among wind instruments. The Clyso-Trompe refreshes ideas, destroys bugs, calms nervous irritation, opens up intelligence, purifies the Conscience of remorse, inspires Dithyrambs upon the museum of Versailles, but does not at all relieve colic. The lights of the ox in early infacy have received the commendation of all crowned heads. This admirable Pectoral cures Dim-sightedness, Corns, Whitlows, freckles, the mania for maknig dramas. etc. etc. etc. This velvet paste is most particularly suitable for everyone. It relieves hoarseness as if by hand. Duprez is indebted to it from 553 feet above sealevel, where he has never been. It even gives children in the best of health Whooping-cough

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25