Seven-Syllable Quatrain by Yanagawa Seigan

Seven-Syllable Quatrain by Yanagawa Seigan

Five-Syllable Stanza by Yanagawa Seigan

Seven-Syllable Quatrain by Rai Shiho

Seven-Syllable Quatrain by Ikeno Taiga

Seven-Syllable Quatrain by Rai Kyohei

Seven-syllable Quatrain by Konoe Iehiro

Seven-Syllable Quatrain by Takamori Saigan

Seven-Syllable Quatrain by Nawa Kassho

Seven-Syllable Quatrain by Karasumaru Mitsuhiro

Seven-Syllable Quatrain by Sato Issai

Seven-Syllable Quatrain by Nawa Kassho

Seven-Syllable Quatrain by Karasumaru Mitsuhiro

Seven-Syllable Quatrain by Kameda Bosai

Seven-Syllable Quatrain by Takamori Saigan

Seven-Syllable Quatrain by Rai Mikisaburo

Seven-Syllable Quatrain by Minagawa Kien

Seven-Syllable Stanza by Kan Chazan

Five-Syllable Quatrain by Kan Tenju

Seven-Syllable Stanza by Ogyu Sorai

Five-Syllable Quatrain by Matsudaira Sadanobu

Five-Syllable Quatrain by Fujita Toko

Five-Syllable Quatrain by Hosoi Kotaku

Seven Syllable Couplet by Ishikawa Jozan

Seven-Syllable Couplet by Ikeno Taiga

Waka by Matsudaira Sadanobu

世論憐佗多苦辛　生民誰是不王臣　鮑[魴]魚赬尾政壇事　吾仰帝家万歳春 　　　　 帝室論稿成　諭

Seven-Syllable Two-Line Poem by Yamaoka Tesshu

Seven-Syllable Quatrain by Yanagawa Seigan

世論は憐む佗（か）の苦辛の多きを　生民誰か是れ王臣ならざる　鮑[魴]魚赬尾（ほうぎょていび）は政壇の事　吾は仰ぐ帝家万歳の春を 　 帝室論稿成る　諭

福翁六十今四を加う　活動尚お能く手もて自（みずか）ら舂（うすづ）く　巨臼却って嗤（わら）う山に似て静かなるを　衰朽に堪えずして五たび容（かたち）を新たにす　 丁酉[明治30年]春　第五の米臼を新調す

福翁六十今加四　活動尚能手自舂　巨臼却嗤似山静　不堪衰朽五新容 丁酉春新調第五米臼

Rain Over the Stream

黒雲吐明月　霖雨報晴天　天変与人事 由来不偶然

日出之東日没西　春風万里五雲斉　帝京朝賀人已散　台北台南鶏未啼 丙申元旦

日出の東、日没の西　春風万里五雲斉（ひと）し　帝京の朝賀、人已（すで）に散ずるも　台北台南、鶏未だ啼（な）かず 丙申[明治29年]元旦

無所思還有所思　半生心事笑吾非　兎烏五十等閑去　天命如何尚不知　　　諭 癸未元旦

Double-line Calligraphy by Yamaoka Tesshu

Four-Syllable Quatrain by Totoki Baigai

思う所無く還（ま）た思う所有り　半生の心事吾が非を笑う　兎烏五十等閑に去って　天命如何尚お知らず　　諭 癸未[明治16年]元旦

吾是十方世界身　由来到処物相親　人言聞去皆称善　耳順何期六十春 年六十戯賦

鄙事多能少年日　立身自笑却壊身　浴余閑坐肌全浄　曾是綿糸縫瘃人 明治十五年七月為森君

Comment on Snow, Moon and Flower by Tani Buncho

Chinese-style Couplet in Seven-character Phrases

土宜法龍･葉書

Calligraphy of a Poem

鄙事多能少年日　立身自笑却壊身　浴余閑坐肌全浄　曾是綿糸縫瘃人 （以下小字） 諭吉少小事母而執家事灌園採薪凡百力役無所不為冬日或有手足生皹瘃不堪疼痛則綿糸縫瘃裂之創口而灌以熱油創亦輙癒当時身体之屈強可知今則不然頃日浴後偶記感

吾は是れ十方世界の身　由来到る処　に物と相親しむ　人言聞き去りて皆善と称す　耳順何ぞ期せん六十の春 年六十戯れに賦す

Large Calligraphy in Cursive Script