Seven-Syllable Two-Line Poem by Yamaoka Tesshu

Double-line Calligraphy by Yamaoka Tesshu

Painting of a Bunkyu-Era Copper Coin and Poem Inscription by Yamaoka Tesshu

Seven Syllable Couplet by Ishikawa Jozan

Yamaoka tesshuu den

Koushi yamaoka tesshuu

Yamaoka tesshuu

Yamaoka tesshuu kojiden

Katsu kaishuu to yamaoka tesshuu

Seven-Syllable Couplet by Ikeno Taiga

Seven-Syllable Stanza by Kan Chazan

Yamaoka tesshuu : meisaku shousetsu

Two-Line Calligraphy

Seven-Syllable Couplet by Ichikawa Beian

Seven-Syllable Couplet by Nukina Kaioku

Seven-Syllable Couplet Calligraphed by Kameda Bosai

Double-line Calligraphy by Jakugon

Single-line Calligraphy by Katsuyama

Single-line Calligraphy by Okamoto Hansuke

Single-line Calligraphy by Okamoto Hansuke

One-Line Calligraphy by Okamoto Hansuke

One-Line Calligraphy by Okamoto Hansuke

One-Line Calligraphy by Okamoto Hansuke

Single-line Calligraphy by Hanaoka Seishu

Seven-Syllable Quatrain by Rai Shiho

Seven-Syllable Quatrain by Yanagawa Seigan

Waka by Matsudaira Sadanobu

Double-line Calligraphy by Yamaoka Tesshu

Seven-Syllable Quatrain by Yanagawa Seigan

日出之東日没西　春風万里五雲斉　帝京朝賀人已散　台北台南鶏未啼 丙申元旦

世論は憐む佗（か）の苦辛の多きを　生民誰か是れ王臣ならざる　鮑[魴]魚赬尾（ほうぎょていび）は政壇の事　吾は仰ぐ帝家万歳の春を 　 帝室論稿成る　諭

世論憐佗多苦辛　生民誰是不王臣　鮑[魴]魚赬尾政壇事　吾仰帝家万歳春 　　　　 帝室論稿成　諭

Calligraphy of a Poem

吾是十方世界身　由来到処物相親　人言聞去皆称善　耳順何期六十春 年六十戯賦

福翁六十今加四　活動尚能手自舂　巨臼却嗤似山静　不堪衰朽五新容 丁酉春新調第五米臼

日出の東、日没の西　春風万里五雲斉（ひと）し　帝京の朝賀、人已（すで）に散ずるも　台北台南、鶏未だ啼（な）かず 丙申[明治29年]元旦

鄙事多能少年日　立身自笑却壊身　浴余閑坐肌全浄　曾是綿糸縫瘃人 （以下小字） 諭吉少小事母而執家事灌園採薪凡百力役無所不為冬日或有手足生皹瘃不堪疼痛則綿糸縫瘃裂之創口而灌以熱油創亦輙癒当時身体之屈強可知今則不然頃日浴後偶記感

鄙事多能少年日　立身自笑却壊身　浴余閑坐肌全浄　曾是綿糸縫瘃人 明治十五年七月為森君

Seven-Syllable Quatrain by Takamori Saigan

Seven-Syllable Couplet by Ikeno Taiga

Chinese-style Couplet in Seven-character Phrases

Four-Syllable Quatrain by Totoki Baigai

Chinese-style Poem, “Maple Tree at Autumn Sunset”

福翁六十今四を加う　活動尚お能く手もて自（みずか）ら舂（うすづ）く　巨臼却って嗤（わら）う山に似て静かなるを　衰朽に堪えずして五たび容（かたち）を新たにす　 丁酉[明治30年]春　第五の米臼を新調す

Large Calligraphy in Cursive Script

土宜法龍･葉書

鄙事（ひじ）に多能なりき少年の日は　立身して自（みずか）ら笑う却って身を壊（やぶ）るを　浴余閑坐して肌は全く浄（きよ）し　曾て是れ綿糸もて瘃（あかぎれ）を縫いし人 （以下小字） 諭吉は少小にして母に事えて家事を執り園に灌ぎ薪を採り凡百の力役為さざる所無し。冬の日に或は手足に皹瘃（あかぎれ）を生じ疼痛に堪えざるもの有らば則ち綿糸もて瘃裂の創口を縫いて灌ぐに熱油を以てす。創も亦輙（すなわ）ち癒ゆ。当時身体の屈強なること知る可し。今は則ち然らず。頃日浴後偶（たまた）ま感を記す。

Single-line Calligraphy by Kameda Kyuraku

無所思還有所思　半生心事笑吾非　兎烏五十等閑去　天命如何尚不知　　　諭 癸未元旦