Workman up to his hips in the violent current of the Kitamatadani Ravine

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Upstream in the Kitamatadani Ravine

Upstream in the Kitamatadani Ravine

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Pool in the Kitamatadani Ravine

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The final narrow segment of the Kitamatadani Ravine

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NEWS 478: The Builder of the LEVIATHAN, finding, in a dream, the means to propel his boat forward

NEWS 478: The Builder of the LEVIATHAN, finding, in a dream, the means to propel his boat forward

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[NEWS 137]: Still the marvels of the hyponotising diamond. - or the manner, in society, to make ladies take up poses not less tiring than awkward

[NEWS 137]: Still the marvels of the hyponotising diamond. - or the manner, in society, to make ladies take up poses not less tiring than awkward

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General Schlagmann, imagining that the uniform gives courages, and wanting at any price also to secure zouaves, determines to dress up some of his Croats as Turks!..

General Schlagmann, imagining that the uniform gives courages, and wanting at any price also to secure zouaves, determines to dress up some of his Croats as Turks!..

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NEWS 88: IN GERMANY -Let's still pack [things] up! precaution is the mother of certainty

NEWS 88: IN GERMANY -Let's still pack [things] up! precaution is the mother of certainty

The National Museum of Western Art, Tokyo

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NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

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Strangers in Paris 2: The indispensable visit to the tailor of the Palais Royal

Strangers in Paris 2: The indispensable visit to the tailor of the Palais Royal

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To bless the newborn child, I am dancing in front of the house

To bless the newborn child, I am dancing in front of the house

Tokyo Photographic Art Museum

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An unpleasent role to play in the theatre at the present time, and particularly in Piedmont..

An unpleasent role to play in the theatre at the present time, and particularly in Piedmont..

The National Museum of Western Art, Tokyo

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THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

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JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

The National Museum of Western Art, Tokyo

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THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

The National Museum of Western Art, Tokyo

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Friends 4: Madame Cabassol goes for a sentimental walk in the Jardin des Plantes[?] with the youngest friend of her husband. An unforeseen meeting with the latter, not far from a deer

Friends 4: Madame Cabassol goes for a sentimental walk in the Jardin des Plantes[?] with the youngest friend of her husband. An unforeseen meeting with the latter, not far from a deer

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

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Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

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PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

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JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!

JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!

The National Museum of Western Art, Tokyo

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PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

The National Museum of Western Art, Tokyo

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Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved  for the homeless and poodles without papers!..

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

The National Museum of Western Art, Tokyo

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Last Updated: 2021-03-14

Uploaded: 2026-03-25