Apocalypse de Saint Jean (3)<…et celui qui e(´)tait monte(´) dessus se nommait la Mort,(Ⅵ.8)>

Apocalypse: ... et celui qui état monté déssus se nommait la Mort

Apocalypse de Saint Jean (12)<C'est moi, Jean, qui ai vu et qui ai oui(¨) ces choses.(XXII.8)>

Apocalypse: C'est moi, Jean, qui ai vu et qui ai ouï ces choses

Apocalypse de Saint Jean (4)<Puis l'ange prit l'encensoir.(Ⅷ.3)>

Apocalypse de Saint Jean (10)<-Et le diable qui les se(´)duisait, fut jete(´) dans l'e(´)tang de feu et de soufre, ou(｀) est la be(＾)te et la faux prophe(´)te;(XX.10)>

Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cite(´), la nouvelle je(´)rusalem, qui descendait du Ciel d'aupre(`)s de Dieu(XXI.2)>

Apocalypse de Saint Jean (2)<-Puis je vis dans la main droite de celui qui e(´)tait assis sur le tro(＾)ne, un livre e(´)crit dedans et dehors, scelle(´) de sept sceaux.(V.1)>

Apocalypse de Saint Jean (6)<…une femme reve(＾)tue de Soleil,(XII.1)>

Apocalypse de Saint Jean (9)<…et le lia pour mille ans;(XX.2)

Apocalypse: Et moi, Jean, je vis la sainte cité, la nouvelle Jérusalem, qui descendait du ciel, d’auprès de Dieu

Apocalypse de Saint Jean (7)<Et un autre ange sortit du temple qui est en ciel, ayant lui aussi une faucilletranchante.(XIV.17)>

Apocalypse de Saint Jean (8)<Apre(｀)s cela, je vis descendre du ciel un ange qui avait la clef de l'abi(＾)me, et une grande chai(＾)ne en sa main;(XX.1)>

Apocalypse: Puis je vis dans la main droite de celui qui état assis sur le trône, un livre écrit dedans et dehors, scelle de sept sceaux

Apocalypse de Saint Jean (5)<et il tomba du ciel grande e(´)toile, ardente comme un flambeau.(Ⅷ.10)>

Apocalypse: Et le diable qui les séduisant, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept e(´)toiles, et de sa bouche sortait une e(´)pe(´)e aigu(¨)e a(｀) deux tranchants.(I.16)>

Apocalypse: Aprés cela je vis descendre du ciel un ange qui avait la cléf de l'abîme, et une grande chaise en sa main

Tentation de Saint-Antoine (1st series): C'est une tête de mort, avec une couronne de roses. Elle domine un torse de femme d'une blancheur nacrée

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

MONOMANIACS 3: THE EXPERT: There are Experts and Experts, as there are Uncouth Peolple and Uncouth People. Firtly [there is] the Expert who knows (this is the rarest type); then the Expert who knows nothing, or knows stupid and useless things, that is to say, less than nothing. The Expert of these different categories passes for a profound, serious man; he is in a very good position, and makes a reputation in the world, like all who are hollow. He passes his days full of pleasures and free from failings, except that he is subject to the Cross of Honoour and the Academy

MONOMANIACS 3: THE EXPERT: There are Experts and Experts, as there are Uncouth Peolple and Uncouth People. Firtly [there is] the Expert who knows (this is the rarest type); then the Expert who knows nothing, or knows stupid and useless things, that is to say, less than nothing. The Expert of these different categories passes for a profound, serious man; he is in a very good position, and makes a reputation in the world, like all who are hollow. He passes his days full of pleasures and free from failings, except that he is subject to the Cross of Honoour and the Academy

Strangers in Paris 3: What is called dining in a restaurant: －Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! －There now, Sir... there there now, there there!!!

[Le pêcheur au carrelet] : [estampe] (3ème état, tiré à 4, n° 1) / H. Guérard

Snowy landscape

[歴民カード_考古] 甕形土器（破片）

[歴民カード_考古] 土壙墓

Apocalypse de Saint Jean (4)<Puis l'ange prit l'encensoir.(Ⅷ.3)>

A Zen sage looking up

Face of an Old Man (Study of Toyotomi Hideyoshi)

三森峠

Zittende vrouw bekijkt een prent of tekening, voor haar een prentstandaard

Summer landscape

portrait from "Travels of a Naturalist in Japan and Manchuria"

Bildnis (Ada Nolde)

[歴民カード_考古] 須恵器　坏（ヘラ書き）

[歴民カード_考古] 深鉢形土器（破片）

[歴民カード_考古] 縄文式土器破片

[歴民カード_歴史] 板野蔵佐谷の瓦経

絵ハガキ（幽玄極りなき仙境　国立公園十和田湖奥入瀬渓流）

[Epaves dans la cale du Pollet, Dieppe] : [estampe] (1er état, tiré à 2, n° 1) / H. Guérard

[歴民カード_考古] 甕棺

[歴民カード_考古] 深鉢形土器

Pohled z paluby

[歴民カード_考古] 蛇身装飾把手付深鉢形土器

Rushing Train

青森駅前周辺の露店と市場・八戸工業港と漁連ドック