Tentation de Saint-Antoine (1st series): C'est une tête de mort, avec une couronne de roses. Elle domine un torse de femme d'une blancheur nacrée

Tentation de Saint-Antoine (1st series): Couverture-Frontispice

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): Ensuite parait un être singuilier, ayant une tête d'homme sue un corps de poisson

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): C'est le diable, portant sous ses deux ailes les sept péchés capitaux..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): Il hausse le vase d'airain

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): Partout des prunelles flamboient

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): Et toutes sortes de bêtes effroyables surgissent

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): ...la Chimère aux yeux verts tournoie, aboie

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): ... et dans le disque même du soleil, rayonne la face de Jésus-Christ

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): .... d'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un chap avec deux chevaux blancs qui se cabrent

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): ...et un grand oiseaux qui descend du ciel vient s'abattre sur le sommet de sa chevelure..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean (3)<…et celui qui était monté dessus se nommait la Mort,(Ⅵ.8)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (12)<C'est moi, Jean, qui ai vu et qui ai ouï ces choses.(XXII.8)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (10)<-Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et la faux prophéte;(XX.10)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aigüe à deux tranchants.(I.16)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

The Representatives Represented / The Legislative Assembly 17: Félix Saint-Priest: Proof with letters. － de St. Priest is no less celebrated for his postal reforms than for his playful character. Since [the sending of] letters has been four sous, de St. Priest has not much to do; but, to keep himself busy, he has tried for some time to alter his blue spectacles; at least, that's what I conclude from the way he wears them!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. －For his only food, Véron took at long intervals a light fragment of Regnauld pâté. －The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. －The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan