Apocalypse de Saint Jean (12)<C'est moi, Jean, qui ai vu et qui ai ouï ces choses.(XXII.8)>

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Apocalypse: C'est moi, Jean, qui ai vu et qui ai ouï ces choses

Apocalypse: C'est moi, Jean, qui ai vu et qui ai ouï ces choses

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean , 12 lithographes avec une couverture

Apocalypse de Saint Jean , 12 lithographes avec une couverture

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (3)<…et celui qui était monté dessus se nommait la Mort,(Ⅵ.8)>

Apocalypse de Saint Jean (3)<…et celui qui était monté dessus se nommait la Mort,(Ⅵ.8)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (9)<…et le lia pour mille ans;(XX.2)

Apocalypse de Saint Jean (9)<…et le lia pour mille ans;(XX.2)

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cité, la nouvelle jérusalem, qui descendait du Ciel d'auprès de Dieu(XXI.2)>

Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cité, la nouvelle jérusalem, qui descendait du Ciel d'auprès de Dieu(XXI.2)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse: Et moi, Jean, je vis la sainte cité, la nouvelle Jérusalem, qui descendait du ciel, d’auprès de Dieu

Apocalypse: Et moi, Jean, je vis la sainte cité, la nouvelle Jérusalem, qui descendait du ciel, d’auprès de Dieu

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean (10)<-Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et la faux prophéte;(XX.10)>

Apocalypse de Saint Jean (10)<-Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et la faux prophéte;(XX.10)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (8)<Après cela, je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaîne en sa main;(XX.1)>

Apocalypse de Saint Jean (8)<Après cela, je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaîne en sa main;(XX.1)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (5)<et il tomba du ciel grande étoile, ardente comme un flambeau.(Ⅷ.10)>

Apocalypse de Saint Jean (5)<et il tomba du ciel grande étoile, ardente comme un flambeau.(Ⅷ.10)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (7)<Et un autre ange sortit du temple qui est en ciel, ayant lui aussi une faucille tranchante.(XIV.17)>

Apocalypse de Saint Jean (7)<Et un autre ange sortit du temple qui est en ciel, ayant lui aussi une faucille tranchante.(XIV.17)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (2)<-Puis je vis dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux.(V.1)>

Apocalypse de Saint Jean (2)<-Puis je vis dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux.(V.1)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aigüe à deux tranchants.(I.16)>

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aigüe à deux tranchants.(I.16)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse: Et le diable qui les séduisant, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète

Apocalypse: Et le diable qui les séduisant, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Proverbs and Maxims 12: There's a sucker! personally, I agree with the proverb: “What's good to take is good to keep.”

Proverbs and Maxims 12: There's a sucker! personally, I agree with the proverb: “What's good to take is good to keep.”

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 59: THE INCONVENIENCE OF DINING WITH A SCHOLAR WHO LIKES MAKING CHEMISTRY AND OTHER EXPERIMENTS. - Well now, without your wuestioning it, I have just make you all eat fritillary... I'm curious to know positively if it's a safe food able to replace the potato or if it's poison

NEWS 59: THE INCONVENIENCE OF DINING WITH A SCHOLAR WHO LIKES MAKING CHEMISTRY AND OTHER EXPERIMENTS. - Well now, without your wuestioning it, I have just make you all eat fritillary... I'm curious to know positively if it's a safe food able to replace the potato or if it's poison

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2023-05-25

Uploaded: 2026-03-24