14. The Black Composition Turned Itself into a White One before Our Eyes [from "From Nine Dreams"]

A Black Composition Changed into a White Composition in a Moment･･･

Museum of Modern Art, Saitama

MoMAS Collection

13. It Transformed Itself into the Wings of a Black Insect Which Ran Along the Surface of the Water... [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

9. It Crossed the Dark Tunnel of My Iris Reflected Before My Very Eyes [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

8. It Was Primal Turmoil-Formless Matter Was Attempting to Give Itself Form. [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

7. The Stoop, Black, Expressionless Old Man Seemed to Crouch Deep Underground [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

4. The Thing at the Entrance to the Other World was Smooth and Flat, and from It ... [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

12. Toward the Edge of Expansive Blackness, Near the Jaw was Something which [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

3. It Was Impossible to See the Face of the Mysterious Man, Hidden Beyond His Shoulder... [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

11. And then Suddenly the Sky Was Filled with a Huge Black Hole That Resembled the Wide-opened Jaws of a Whale Raising Its Head from the Water [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

10. The Huge Palm with Coarse Hair, Long Nails and Stubby Fingers Suddenly Moved above the Left Edge [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Shinbunetoki 00008-00030kenbutsu ni muchuu ni nari hiiki no kyougenshi ni kimono o nagetsukeru

東大近代日本法政史料C（明治新聞雑誌文庫）

ARC Ukiyo-e Portal Database

Shinbunetoki 00008-00030kenbutsu ni muchuu ni nari hiiki no kyougenshi ni kimono o nagetsukeru

東大近代日本法政史料C（明治新聞雑誌文庫）

ARC Ukiyo-e Portal Database

NEWS: CHINA CIVILISING HERSELF. －Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes? *

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 3: Achilles in his tent. In tears, remembering the charms of Briseis / The hero enjoys his dismal sadness. / And in vain, Patrocles, polishing his weapons / Tries to awaken his burning courage. (Secret translation by President P.) This precious bas-relief was discovered in the ruins of the ancient Boule rouge [Red Ball] (Montmartre suburb) by our indefatigable traveller, Mr. Charles Texier. According to Mr. Ingres, only Phidias could have been its maker

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

A Black Composition Changed into a White Composition in a Moment･･･

Museum of Modern Art, Saitama

MoMAS Collection

柿叟

National Institute of Japanese Literature

Collectors'Seals Database

W

National Institute of Japanese Literature

Collectors'Seals Database

［松］

National Institute of Japanese Literature

Collectors'Seals Database

12. Toward the Edge of Expansive Blackness, Near the Jaw was Something which [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

［松］

National Institute of Japanese Literature

Collectors'Seals Database

徳

National Institute of Japanese Literature

Collectors'Seals Database

［絵印］

National Institute of Japanese Literature

Collectors'Seals Database

Neko no koi zu

Kyushu University Collections

Kyushu University Collections

［鳥］

National Institute of Japanese Literature

Collectors'Seals Database

十

National Institute of Japanese Literature

Collectors'Seals Database

逍遥

National Institute of Japanese Literature

Collectors'Seals Database

Work(39)

Museum of Modern Art, Saitama

MoMAS Collection

三馬

National Institute of Japanese Literature

Collectors'Seals Database

文

National Institute of Japanese Literature

Collectors'Seals Database

［花］

National Institute of Japanese Literature

Collectors'Seals Database

三馬

National Institute of Japanese Literature

Collectors'Seals Database

■

National Institute of Japanese Literature

Collectors'Seals Database

Poster for the Exposition Internationale des Arts Décoratifs et Industriels Modernes

Tokyo Metropolitan Teien Art Museum

Tokyo Museum Collection

改

National Institute of Japanese Literature

Collectors'Seals Database

CHAINREACTION-WATER

Museum of Modern Art, Saitama

MoMAS Collection

Work

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

八

National Institute of Japanese Literature

Collectors'Seals Database