Apocalypse de Saint Jean (3)<…et celui qui était monté dessus se nommait la Mort,(Ⅵ.8)>

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Apocalypse: ... et celui qui état monté déssus se nommait la Mort

Apocalypse: ... et celui qui état monté déssus se nommait la Mort

The National Museum of Western Art, Tokyo

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Apocalypse de Saint Jean (12)<C'est moi, Jean, qui ai vu et qui ai ouï ces choses.(XXII.8)>

Apocalypse de Saint Jean (12)<C'est moi, Jean, qui ai vu et qui ai ouï ces choses.(XXII.8)>

Mie Prefectural Art Museum

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Apocalypse: C'est moi, Jean, qui ai vu et qui ai ouï ces choses

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Apocalypse de Saint Jean (4)<Puis l'ange prit l'encensoir.(Ⅷ.3)>

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Mie Prefectural Art Museum

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Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cité, la nouvelle jérusalem, qui descendait du Ciel d'auprès de Dieu(XXI.2)>

Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cité, la nouvelle jérusalem, qui descendait du Ciel d'auprès de Dieu(XXI.2)>

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (6)<…une femme revêtue de Soleil,(XII.1)>

Apocalypse de Saint Jean (6)<…une femme revêtue de Soleil,(XII.1)>

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (10)<-Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et la faux prophéte;(XX.10)>

Apocalypse de Saint Jean (10)<-Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et la faux prophéte;(XX.10)>

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (9)<…et le lia pour mille ans;(XX.2)

Apocalypse de Saint Jean (9)<…et le lia pour mille ans;(XX.2)

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (2)<-Puis je vis dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux.(V.1)>

Apocalypse de Saint Jean (2)<-Puis je vis dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux.(V.1)>

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (8)<Après cela, je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaîne en sa main;(XX.1)>

Apocalypse de Saint Jean (8)<Après cela, je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaîne en sa main;(XX.1)>

Mie Prefectural Art Museum

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Apocalypse: Et moi, Jean, je vis la sainte cité, la nouvelle Jérusalem, qui descendait du ciel, d’auprès de Dieu

Apocalypse: Et moi, Jean, je vis la sainte cité, la nouvelle Jérusalem, qui descendait du ciel, d’auprès de Dieu

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean (7)<Et un autre ange sortit du temple qui est en ciel, ayant lui aussi une faucille tranchante.(XIV.17)>

Apocalypse de Saint Jean (7)<Et un autre ange sortit du temple qui est en ciel, ayant lui aussi une faucille tranchante.(XIV.17)>

Mie Prefectural Art Museum

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Apocalypse de Saint Jean (5)<et il tomba du ciel grande étoile, ardente comme un flambeau.(Ⅷ.10)>

Apocalypse de Saint Jean (5)<et il tomba du ciel grande étoile, ardente comme un flambeau.(Ⅷ.10)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse: Et le diable qui les séduisant, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète

Apocalypse: Et le diable qui les séduisant, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aigüe à deux tranchants.(I.16)>

Apocalypse de Saint Jean (1)<-Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aigüe à deux tranchants.(I.16)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Apocalypse: Aprés cela je vis descendre du ciel un ange qui avait la cléf de l'abîme, et une grande chaise en sa main

Apocalypse: Aprés cela je vis descendre du ciel un ange qui avait la cléf de l'abîme, et une grande chaise en sa main

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2023-05-25

Uploaded: 2026-03-24