Administrative execution day. A woman who wraps a chain around her body and resists

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The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

Tokyo Photographic Art Museum

Tokyo Museum Collection

WHEN YOU'RE UNLUCKY 2: And not even a bit of powder!..

WHEN YOU'RE UNLUCKY 2: And not even a bit of powder!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Zenshinsei jiko meneki shikkan ni okeru jiko koutai no hyouteki bunshi to sono Bsaibou outou ni tsuite no kenkyuu

Zenshinsei jiko meneki shikkan ni okeru jiko koutai no hyouteki bunshi to sono Bsaibou outou ni tsuite no kenkyuu

NDL Digital Collections

NDL Digital Collections

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. - Sir, I wish you a good and happy one. The proprieter. - Very good, thank you! The door-keeper. - Good and happy for the man who wrings your neck, you miserable old skinflint!..

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. - Sir, I wish you a good and happy one. The proprieter. - Very good, thank you! The door-keeper. - Good and happy for the man who wrings your neck, you miserable old skinflint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain.  The Gaolor- Don't you believe any of it, on the contrary,he's a  demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain. The Gaolor- Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PRACTICES OF THE MERCHANTS OF PARIS 6: She does make a fuss, that stuck up woman from the fifth floor, Wearing a hat! and two cups of milk for a sou! Damnation! Ma Capitaine, it's because we've got visitors this morning

PRACTICES OF THE MERCHANTS OF PARIS 6: She does make a fuss, that stuck up woman from the fifth floor, Wearing a hat! and two cups of milk for a sou! Damnation! Ma Capitaine, it's because we've got visitors this morning

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 40: Calypso's despair. In the vain hope of forgetting / The ungrateful man for whom her heart bleeds, / This nymphe in her grotto has / Had hung very pretty paper (Fenélon Variant of L[ine] XI)

Ancient History 40: Calypso's despair. In the vain hope of forgetting / The ungrateful man for whom her heart bleeds, / This nymphe in her grotto has / Had hung very pretty paper (Fenélon Variant of L[ine] XI)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)

Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 13: - Sir, excuse me if I inconvenience you a little... but you understand that I’m now writing a new novel, and I need to consult a multitude of old authors!...  -(The Gentleman, aside) Old authors!... Heavens, she should have consulted them while they were alive, for she must have been their contemporary!..

The Blue-stockings 13: - Sir, excuse me if I inconvenience you a little... but you understand that I’m now writing a new novel, and I need to consult a multitude of old authors!... -(The Gentleman, aside) Old authors!... Heavens, she should have consulted them while they were alive, for she must have been their contemporary!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 11: A DINNER AT VÉRY’S: So! I've just dined as a bachelor!... yes! but my wife entrusted me with a louis and I've got left... sixty centimes!

LIFE'S HAPPY DAYS 11: A DINNER AT VÉRY’S: So! I've just dined as a bachelor!... yes! but my wife entrusted me with a louis and I've got left... sixty centimes!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 33: A SAINT’S DAY AND DAY OF BRACES: -Here my sweetheart... on the occasion of my Saint’s day I’ve embroidered these braces!... -(The gentleman, aside.) Good God I’ve already got eleven pairs of them in my drawer... I won’t get away with it this time for less than fifty crowns!... women really take too great an advantage of our wearing trousers, so as to make us wear braces!..

LIFE'S HAPPY DAYS 33: A SAINT’S DAY AND DAY OF BRACES: -Here my sweetheart... on the occasion of my Saint’s day I’ve embroidered these braces!... -(The gentleman, aside.) Good God I’ve already got eleven pairs of them in my drawer... I won’t get away with it this time for less than fifty crowns!... women really take too great an advantage of our wearing trousers, so as to make us wear braces!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 15: Aeneas and Dido: A protective fog obscured the heavens; / And as they found themselves without an umbrella, / Leading his friend into a dark cave, / Aeneas on that beautiful day saw his ardours consummated (Aeneid. corrected by Mr. Villemain)

Ancient History 15: Aeneas and Dido: A protective fog obscured the heavens; / And as they found themselves without an umbrella, / Leading his friend into a dark cave, / Aeneas on that beautiful day saw his ardours consummated (Aeneid. corrected by Mr. Villemain)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 6: CHINESE PROPRIETY. In this country they have a singular idea of propriety!... the most chaste young girl, the most upstanding woman do not blush, by a prodigious exaggeration of forms, to call attention to a certain quarter to which they give the appearance of a veritable air-balloon... they call that a bustle..

JOURNEY TO CHINA 6: CHINESE PROPRIETY. In this country they have a singular idea of propriety!... the most chaste young girl, the most upstanding woman do not blush, by a prodigious exaggeration of forms, to call attention to a certain quarter to which they give the appearance of a veritable air-balloon... they call that a bustle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parliamentary Scenes 7: The elector’s family    We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parliamentary Scenes 7: The elector’s family    We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Conjugal Manners 37: The well of Grenelle. And these rogues of chemists who say that it does some good to bathe children in the well of Grenelle; here's poor Dodophe who's gone greener than an apple; I don't know whether my son's a lizard or a toad!!

Conjugal Manners 37: The well of Grenelle. And these rogues of chemists who say that it does some good to bathe children in the well of Grenelle; here's poor Dodophe who's gone greener than an apple; I don't know whether my son's a lizard or a toad!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Last Updated: 2021-09-07

Uploaded: 2022-03-17