Resting his feet on a parking meter, a drunk sleeps it off on the hood of a car

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Passenger on the express train from Dublin to Belfast, reading The Dogs of Warby Frederick Forsyth and resting his left leg in a white cast on the sea

Passenger on the express train from Dublin to Belfast, reading The Dogs of Warby Frederick Forsyth and resting his left leg in a white cast on the sea

Tokyo Photographic Art Museum

Tokyo Museum Collection

NEWS 144: If a meter could be adapted to cannons as on cabs, perhaps the total would reflect the [army's] estimates [or,budgets]

NEWS 144: If a meter could be adapted to cannons as on cabs, perhaps the total would reflect the [army's] estimates [or,budgets]

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 4: Desolation of the Stock Exchange's Cossacks on the day when it was announced that the Turks had won a victory

NEWS 4: Desolation of the Stock Exchange's Cossacks on the day when it was announced that the Turks had won a victory

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF AUTUMN 1: -What... you're going to press grapes with your feet ?... -Well!...they're not at all dirty... anyway, I've taken care to take my shoes off!..

SKETCHES OF AUTUMN 1: -What... you're going to press grapes with your feet ?... -Well!...they're not at all dirty... anyway, I've taken care to take my shoes off!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMIES ON THE RAILWAYS 10: Invasion of the carriages, on a day when they run an excursion train from Paris to the seaside for five francs

PHYSIOGNOMIES ON THE RAILWAYS 10: Invasion of the carriages, on a day when they run an excursion train from Paris to the seaside for five francs

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 8: -Don't talk to me about it, it's pitiful:there's a man who's spent his week's money on strong drink, you should look after such unfortunates... -Well at least, pick him up!... -Certainly not... he didn't get drunk at my place!

TRIVIAL THINGS 8: -Don't talk to me about it, it's pitiful:there's a man who's spent his week's money on strong drink, you should look after such unfortunates... -Well at least, pick him up!... -Certainly not... he didn't get drunk at my place!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Boating Men 14: A man in to the sea: -Harpoon him more vigorously... we won’t get him without! -And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

Parisian Boating Men 14: A man in to the sea: -Harpoon him more vigorously... we won’t get him without! -And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 7: - It seems I spy over there a little dog which isn't muzzled!... - Fear nothing, Mr. Robichon; if it approaches, I'll throw my sniff-box in its eyes!

NEWS 7: - It seems I spy over there a little dog which isn't muzzled!... - Fear nothing, Mr. Robichon; if it approaches, I'll throw my sniff-box in its eyes!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 15: Aeneas and Dido: A protective fog obscured the heavens; / And as they found themselves without an umbrella, / Leading his friend into a dark cave, / Aeneas on that beautiful day saw his ardours consummated (Aeneid. corrected by Mr. Villemain)

Ancient History 15: Aeneas and Dido: A protective fog obscured the heavens; / And as they found themselves without an umbrella, / Leading his friend into a dark cave, / Aeneas on that beautiful day saw his ardours consummated (Aeneid. corrected by Mr. Villemain)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

On March 30, 1965, at 10:50 a.m., local time, a car bomb was detonated besidethe U.S. embassy. At least 10 Vietnamese and two Americans were killed an

On March 30, 1965, at 10:50 a.m., local time, a car bomb was detonated besidethe U.S. embassy. At least 10 Vietnamese and two Americans were killed an

Tokyo Photographic Art Museum

Tokyo Museum Collection

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 20: A NATIONAL HOLIDAY EVENING: It never fails... you go out to see the fire[works], and revel in nothing but water!..

LIFE'S HAPPY DAYS 20: A NATIONAL HOLIDAY EVENING: It never fails... you go out to see the fire[works], and revel in nothing but water!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 1: THE RUSSIAN QUESTION DEALT WITH ON A COUCH - Yes mister Coquardeau, the ambition of the Russian Colossus becomes insatiable... it is already not enough for him to have blown up the Black Sea and to have smashed all the seaports in the Levant, now today the same Colossus makes ready to seize the Dardanelles... I am of a mind to suffer none of it mister Coquardeau!

NEWS 1: THE RUSSIAN QUESTION DEALT WITH ON A COUCH - Yes mister Coquardeau, the ambition of the Russian Colossus becomes insatiable... it is already not enough for him to have blown up the Black Sea and to have smashed all the seaports in the Levant, now today the same Colossus makes ready to seize the Dardanelles... I am of a mind to suffer none of it mister Coquardeau!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 34: Vulcan's threads. This nasty metal-worker, knowing that his wife / Talked a little too closely with Mars, / Forged pitiless snares / Gripping both of them as they chatted on the lawn (A bachelor D. M. F. P.)

Ancient History 34: Vulcan's threads. This nasty metal-worker, knowing that his wife / Talked a little too closely with Mars, / Forged pitiless snares / Gripping both of them as they chatted on the lawn (A bachelor D. M. F. P.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 3: Yes, Sir, you see in me a victim of political hatreds... an outcast... I have been condemned Falsely and I have had to go into exile... I'm clearing off to Belgium in order to reach Spain where I count on taking up arms... (aside) if I can't take anything else

ROBERT MACAIRE. 2nd Series 3: Yes, Sir, you see in me a victim of political hatreds... an outcast... I have been condemned Falsely and I have had to go into exile... I'm clearing off to Belgium in order to reach Spain where I count on taking up arms... (aside) if I can't take anything else

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain.  The Gaolor- Don't you believe any of it, on the contrary,he's a  demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain. The Gaolor- Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 171: Messrs Victor Hugo and Emile Garardin seeking to elevate Prince Louis on a shield, that's not very stable!

NEWS 171: Messrs Victor Hugo and Emile Garardin seeking to elevate Prince Louis on a shield, that's not very stable!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Uploaded: 2026-03-25