Sturdy steel gates installed at a residence in Saigon, where fierce conflicts wereconstant

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The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

Tokyo Photographic Art Museum

Tokyo Museum Collection

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 11: SEVEN O'CLOCK: Mr. Coquelet goes home... my word! dear chap, with honourable intentions. a neighbour 45 years old; a very pleasant little widow; but the heart has no part in it:..

THE BACHELOR'S DAY 11: SEVEN O'CLOCK: Mr. Coquelet goes home... my word! dear chap, with honourable intentions. a neighbour 45 years old; a very pleasant little widow; but the heart has no part in it:..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 11: A little trip by omnibus: -Are you going to the exhibition?... -Yes, Sir... look at our notice yourself... at the faubourg St. Jacques you take a connecting [omnibus] which takes you to the Jardin des Plantes... from there you go to Belleville from where they take you directly to the Champs-Élysées

Strangers in Paris 11: A little trip by omnibus: -Are you going to the exhibition?... -Yes, Sir... look at our notice yourself... at the faubourg St. Jacques you take a connecting [omnibus] which takes you to the Jardin des Plantes... from there you go to Belleville from where they take you directly to the Champs-Élysées

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Musicians of Paris 5: “Where could we be better off (repeat.)” “Than in the bosom of the family - ” There three artists would find themselves better off in the bosom of the tavern, and their young associate in the bosom of a game of marbles

Musicians of Paris 5: “Where could we be better off (repeat.)” “Than in the bosom of the family - ” There three artists would find themselves better off in the bosom of the tavern, and their young associate in the bosom of a game of marbles

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine!  (aside) and his wife who is waiting for me at home!

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine! (aside) and his wife who is waiting for me at home!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved  for the homeless and poodles without papers!..

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ADVERTISING AND PUBLICITY 2: THEY MAKE THIS POOR PUBLIC SWALLOW THIS!! The Rubber Clyso-Trompe occupies, within the large family of emollients, the place which the gentle flute holds among wind instruments. The Clyso-Trompe refreshes ideas, destroys bugs, calms nervous irritation, opens up intelligence, purifies the Conscience of remorse, inspires Dithyrambs upon the museum of Versailles, but does not at all relieve colic. The lights of the ox in early infacy have received the commendation of all crowned heads. This admirable Pectoral cures Dim-sightedness, Corns, Whitlows, freckles, the mania for maknig dramas. etc. etc. etc. This velvet paste is most particularly suitable for everyone. It relieves hoarseness as if by hand. Duprez is indebted to it from 553 feet above sealevel, where he has never been. It even gives children in the best of health Whooping-cough

ADVERTISING AND PUBLICITY 2: THEY MAKE THIS POOR PUBLIC SWALLOW THIS!! The Rubber Clyso-Trompe occupies, within the large family of emollients, the place which the gentle flute holds among wind instruments. The Clyso-Trompe refreshes ideas, destroys bugs, calms nervous irritation, opens up intelligence, purifies the Conscience of remorse, inspires Dithyrambs upon the museum of Versailles, but does not at all relieve colic. The lights of the ox in early infacy have received the commendation of all crowned heads. This admirable Pectoral cures Dim-sightedness, Corns, Whitlows, freckles, the mania for maknig dramas. etc. etc. etc. This velvet paste is most particularly suitable for everyone. It relieves hoarseness as if by hand. Duprez is indebted to it from 553 feet above sealevel, where he has never been. It even gives children in the best of health Whooping-cough

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon  your arms: I die or I cling

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25