PL.2 Snail (Image of the Poet Participating in the Print-Verse Folio) [from "And They Called It Hanka (Envoi)"]

PL.3 Small Bird (Image of the Etcher Participating in the Print-Verse Folio) [from "And They Called It Hanka (Envoi)"]

PL.12 And They Called it Hanka [from "And They Called It Hanka (Envoi)"]

PL.1 Portrait of a Poet [from "And They Called It Hanka (Envoi)"]

PL.14 [from "And They Called It Hanka (Envoi)"]

PL.5 Requiem [from "And They Called It Hanka (Envoi)"]

PL.11 Etching [from "And They Called It Hanka (Envoi)"]

PL.13 Pruning [from "And They Called It Hanka (Envoi)"]

Cover for "And They Called It Hanka (Envoi)" [from "And They Called It Hanka (Envoi)"]

PL.7 Evening Shower [from "And They Called It Hanka (Envoi)"]

PL.8 Evening Shower [from "And They Called It Hanka (Envoi)"]

PL.15 Little Dog [from "And They Called It Hanka (Envoi)"]

Pl.6 On Aging [from "And They Called It Hanka (Envoi)"]

PL.9 In the Kitchen [from "And They Called It Hanka (Envoi)"]

PL.4 A Poem of Lingering Snow [from "And They Called It Hanka (Envoi)"]

PL.10 At the Table, the End of Summer [from "And They Called It Hanka (Envoi)"]

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing