MUSICAL SKETCHES 17: The orchestra while a Tragedy is performed

MUSICAL SKETCHES 11: Orchestra at a middle-class dance

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: － Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

MUSICAL SKETCHES 14: A dreadful trio

MUSICAL SKETCHES 10: A difficult passage

MUSICAL SKETCHES 12: Amateurs of fashionable society

MUSICAL SKETCHES 16: Revelling the public of Carpentras

MUSICAL SKETCHES 9: Obligatory preludes to all amateur concerts

MUSICAL SKETCHES 4: Seeking to fascinate a rich heiress with his 'do' from the chest

MUSICAL SKETCHES 5: A gentleman managing to prove that he is able to sing and play the piano at the same time － which is a great discomfort

MUSICAL SKETCHES 18: In the act of charming an entire company with the ballad of Nicolas the Fair

MUSICAL SKETCHES 3: AT THE CHAMPS-ELYSEES. It has never been known whether it is the music which makes the beer go down, or the beer which makes one swallow the music

MUSICAL SKETCHES 13: A music-loving family beginning to rehearse from the morning the great piece which it will sing in the evening at the concert given at Mr. Coquardeau's

MUSICAL SKETCHES 1: Parisian music lovers taking advantage of Rossini's sojourn in Italy to allow themselves to perform a bit of William Tell

SKETCHES OF THE THEATRE BY DAUMIER 1: Below the upper vignette: The intermission in the café. Below the lower vignette: The intermission in the foyer

MUSICAL STUDIES, － BY H. DAUMIER. THE HARP, CELESTIAL INSTURUMENT. (Dictionary of music.)

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy

MUSICAL SKETCHES 18: The first act of a café-concert, singing from seven o'clock until midnight, with or without trills, according to the taste of the consumers

SKETCHES OF THE THEATRE BY DAUMIER 4: Below the upper vignette: Dances of the superior school. Below the lower vignette: Pose of a yet more elevated school

PARISIAN SKETCHES 8: Modification of Parisian dress as a result of the new seafaring dramas which are now being played in all the boulevard theatres

PARISIAN SKETCHES 7: In contemplation before the opera's ship, － at least it is not before that of the porte St. Martin, － nor indeed that of the ambigu [sic], － anyway, what is certain is that they are gazing upon a vessel

SKETCHES OF THE THEATRE 15: That which proves to us why it is pertfectly useless to spout gracious compliments to the public, in the play's final couplet

NEWS 51: Physiognomies of the audience at the Porte-St-Martin during a production of Richard III