PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy
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PARISIAN MEN IN 1852. 10: Posing as appraisers of good theatre
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![PARISIAN MEN IN 1852. 4: A benefit day [at the theatre]: Having paid ten francs for their seats](https://search.artmuseums.go.jp/jpeg/small/nmwa/0042690001.jpg)
PARISIAN MEN IN 1852. 4: A benefit day [at the theatre]: Having paid ten francs for their seats
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 1: The new Talma cape, thus named because it gives to him who wears it an utterly comic appearance
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

TRAGEDY 3: “Yes! since I regain such a faithful friend”“My fortune will assume a new aspect” (Andromache)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 7: Conjugal tenderness: - an intimate scene on the 1st of January of each year, the solemn day of New Year's gifts
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. - Sir, I wish you a good and happy one. The proprieter. - Very good, thank you! The door-keeper. - Good and happy for the man who wrings your neck, you miserable old skinflint!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN IN 1848. 2: That confounded Pigochard... always has to court the whiimen!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN IN 1848. 2: That confounded Pigochard... always has to court the whiimen!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![PARISIAN MEN IN 1852. 6: - [May] I introduce to you my son Théodule, scarely out of college and he's already made a multitude of victims... al the young women wish to marry him! - The bad boy!... he takes after his father!](https://search.artmuseums.go.jp/jpeg/small/nmwa/0042710001.jpg)
PARISIAN MEN IN 1852. 6: - [May] I introduce to you my son Théodule, scarely out of college and he's already made a multitude of victims... al the young women wish to marry him! - The bad boy!... he takes after his father!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

NEWS 43: Inconvenient for a Parisian aeronaut to conduct his descent in a country which is not inhabited by Scotsmen at all
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN IN 1848. 1: -Well... I didn't recognise you... what moustaches!... -It's necessary... I've been made a corporal..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parisian Boating Men 14: A man in to the sea: -Harpoon him more vigorously... we won’t get him without! -And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![PARISIAN SKETCHES 7: In contemplation before the opera's ship, - at least it is not before that of the porte St. Martin, - nor indeed that of the ambigu [sic], - anyway, what is certain is that they are gazing upon a vessel](https://search.artmuseums.go.jp/jpeg/small/nmwa/0042930001.jpg)
PARISIAN SKETCHES 7: In contemplation before the opera's ship, - at least it is not before that of the porte St. Martin, - nor indeed that of the ambigu [sic], - anyway, what is certain is that they are gazing upon a vessel
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

MONOMANIACS 8: THE COFFEE-LOVER: The half-cup easily becomes second nature; one finds a number of people who, like the lover above, have made themselves an immutable law to take their coffee, in order to facilitate digestion, even though their means do not allow them to dine. It is agreed that existence would be too bitter without chicory
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 29: Discomfort in talking to people who have a mania for putting thier story into action. -Yes dear Sir, do you think that the rrrrascal was allowed to laugh in my face. You know I won't stand for that. So, I punched him... there, like that, do you see, and I shook you... there, like that... vigorously
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![NEWS 552: OPENING OF THE HUNTING SEASON. THE POSE IN THE RAILWAY STATION. A Parisian firmly resolved this year to destroy all the hares infesting the plain of St. Denis..., with terrible new shot from Devismes[sic]](https://search.artmuseums.go.jp/jpeg/small/nmwa/0042620001.jpg)
NEWS 552: OPENING OF THE HUNTING SEASON. THE POSE IN THE RAILWAY STATION. A Parisian firmly resolved this year to destroy all the hares infesting the plain of St. Denis..., with terrible new shot from Devismes[sic]
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

MONOMANIACS 5: THE REGULATOR: The word regulator normally applying to a type of machine, may wall also be applied to the individual above. One finds in Paris, said to be the most spiritual town in the most spiritual country in the Universe, several dozen particular men whose sole intellectual occupation is to regulate, each day, their watch on the shot of midday from the canon of the Royal Palace. Here, gunpowder makes those happy who will never set the world on fire
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain. The Gaolor- Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Uploaded: 2023-01-17
![PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy](https://search.artmuseums.go.jp/jpeg/small/nmwa/0042730001.jpg)