Scenes from the Studios 2: A Frenchman painted by himself

Scenes from the Studios 1: Madam, I am greatly honoured!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Self-portrait Painted on a Mirror

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Scenes of Europe: Building by a River (2) (No. 266)

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

A pair of Six-fold Byobu with Pictures of Various Backstage Scenes from the Osaka Theatre

The Tsubouchi Memorial Theatre Museum, Waseda University

Theatre Museum Meihin Selection

Thirty-Two Daily Scenes: 'Looks Impatient', Mannerisms of a Fireman's Wife from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Curious', Mannerisms of a Senior Maid from the Tenpo Period

Edo-Tokyo Museum

Tokyo Museum Collection

“Plum Blossoms by a Stream in the Second Month” from the Series Elegant Scenes Illustrating Poems of the Four Seasons by the Immortal Poets

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

Harbor Scenes, from a Series of Ten Collections of Prints from "Shoso," vol. 2 (8 works)

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Thirty-Two Daily Scenes: 'Looks Heavy', Mannerisms of a Fukugawa Waitress from the Tenpo Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Amused', Mannerisms of a Lady-in-Waiting from the Bunsei Period

Edo-Tokyo Museum

Tokyo Museum Collection

"A Portrait of the Poet as a Young Man" written by Sei Ito. View of Yoichi City

Tokyo Photographic Art Museum

Tokyo Museum Collection

One Hundred Scenes from Great Tokyo Metropolis in the Showa Era : No. 73, Nerima Landscape at Itabashiku

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Thirsty', Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Parliamentary Scenes 5: At the Tribune

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

One Hundred Scenes from Great Tokyo Metropolis in the Showa Era : No. 90, View of Ueno, Hyokeikan and Museum of Art

Edo-Tokyo Museum

Tokyo Museum Collection

2. Especially when the October Wind from "The Green Fuse－A Collection of Poems and Wood Engravings"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Metropolitan Museum of Art

The Metropolitan Museum of Art Open Access CSV

THE BACHELOR'S DAY 2: 8 O'CLOCK IN THE MORNING: (Housework): The spectable of nature liftes the soul! Mr. Coquelet, in order to divert himself from the cares of housework, comes to his window to seek out the scent of flowers and the song of the ... canary

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricatures of the Day: The bourgeois at the Salon: Let's see... What's that?... (reading from his catalogue) "No. 387. Portrait of Mr. B*** stock-broker"... well... well!... oh! how stupid I am... 386 is the portrait of Mr. B***, this is a portrait of a bull by Mr. Bracassat... I'd also say... that the idea of having yourself painted with horns as big as that... after that, you can't refuse a stock-broker anything

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Affectation 2: I said to myself: do they think we're from the rue des Lombards?... There's a little air about you which is not that of a confectioner at all

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad －(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. －(The Nephew, aside)Things are going well, I'm going to inherit from him

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 4: Below the upper vignette: Counsels by the tribunal of commerce in all the majesty of their costume. Below the lower vignette: A raiser of business not disdaining to trouble himself over a mere length of neckerchief

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan