THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

THE BACHELOR'S DAY No.12: 9 O'CLOCK IN THE EVENING: Mr Coquelet snuffing out his light finishes a day which, resembling yesterday and tomorrow, describes the exact picture of the bachelor's life!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 1: 7 O'CLOCK IN THE MORNING: Mr. Coquelet's awakening: Minette and Azor argue over the paternal kiss Mr. Coquelet smiles at this touching rivalry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 3: Mister Coquelet remaining a batchelor through selfishness shares his frugal breakfast with Azor and Minette

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 11: SEVEN O'CLOCK: Mr. Coquelet goes home... my word! dear chap, with honourable intentions. a neighbour 45 years old; a very pleasant little widow; but the heart has no part in it:..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 9: THREE O'CLOCK: Mister Coquelet at the court of petty sessions; he admires this institution which shelters impudent people and the undertakings of corrupt beings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 9: THREE O'CLOCK: Mister Coquelet at the court of petty sessions; he admires this institution which shelters impudent people and the undertakings of corrupt beings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 2: 8 O'CLOCK IN THE MORNING: (Housework): The spectable of nature liftes the soul! Mr. Coquelet, in order to divert himself from the cares of housework, comes to his window to seek out the scent of flowers and the song of the ... canary

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 10: 5 O'CLOCK IN THE AFTERNOON: Mr Coquelet you're an unsociable being, d'you understand with your dog; that's twice when I've had 149, he jumps on the table and jumbles it all up. Your dog's and accomplice!... and you're an old cheat

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 4: 10 O'CLOCK IN THE MORNING: Mr. Coquelet having met in the Botanical Gardens Miss Palissandre to whom he had the honour of offering a pink pompon on the 1st of May 1804, has secured a meeting, and having gone to the expense of a pair of gloves for 29 sous, glances into his mirror before setting out on the amourous adventure

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 2: THE GLEANER: What, not a needle,... not a handkerchief!... there's no longer any means of doing your job... it's the banker's wives, they don't leave anything lying around!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 6: － Without doubt Mr. Riflot the right to petition is sacred, but is abused! witness that which you're talking to us about: to tax bachelors for being useless to the population! I'am angry about it for married people; but it has to be said that of [bachelors] there is no one, more than I Coquelet, who has helped the population

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 18: The way in which you go on one can clearly see that money means nothing to you! if I left you to your own devices, my money would soon be squandered... －Bah! father, it's not for yourself that you accumulate money... －Do you think perhaps it is for you, no, no, with the kind of life you lead I will live longer than you... －My dear father, you only have unpleasant things to say to me..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 108: BERNARD LÉON (in the role of Mignot in Marie Mignot): ... if only you knew how you wrong a cook when you disturb his timetables! ..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 7: ONE O'CLOCK: A walk in the Luxembourg: Go on scoundrel. gulp it down! you'll see what it's like to be thrown into the water by a r... r... r... ras... scal like you!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: －Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! －Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 8: －Don't talk to me about it, it's pitiful:there's a man who's spent his week's money on strong drink, you should look after such unfortunates... －Well at least, pick him up!... －Certainly not... he didn't get drunk at my place!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

We have the same gestures, even though Ayesha was not born from my stomach

Tokyo Photographic Art Museum

Tokyo Museum Collection

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Affectation 2: I said to myself: do they think we're from the rue des Lombards?... There's a little air about you which is not that of a confectioner at all

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

WHEN YOU'RE UNLUCKY 1: －To think that I've not been able to fire a single shot since this morning!... －Oh! different from me... I've killed my dog!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan