The Court Ball 2: Mr MONTAUGIBET, as a bad sauce-cook

The Court Ball 5: Mr OUMAAAANNN, as a woman from Alsace

The Court Ball 5: Mr OUMAAAANNN, as a woman from Alsace

The Court Ball 6: MADRIER-LONGEAU, as a simpleton

The Court Ball 1: Mr ROYER COLAS. as an aged Marchioness of the old court..

The Court Ball 4: SOUL as a choir-boy

The Court Ball 3: THE ABBÉ LOUP, as a smuggler

Cinderella (Ball in Court) [Aschenbrödel (Ball bei Höfe)]

THE FEASTERS 5: Rifolard opened the ball and performed [the step of] a single cavalier advancing which received general approbation

THE FEASTERS 5: Rifolard opened the ball and performed [the step of] a single cavalier advancing which received general approbation

THESE GOOD PARISIANS 8: THE NEW ENTERTAINMENT OF PARISIAN EVENING PARTIES. Mr. Hume's spirits shaving Mr. de St. Potard and undressing Mme. Coffignon's hair

Housing Situation: General report on housing conditions. Japan, as given by Mr. Kitaaka, Director of the Housing Corporation. Report No. 42d(5)(a), USSBS Index Section 2

Caricatures of the Day: The bourgeois at the Salon: Let's see... What's that?... (reading from his catalogue) "No. 387. Portrait of Mr. B*** stock-broker"... well... well!... oh! how stupid I am... 386 is the portrait of Mr. B***, this is a portrait of a bull by Mr. Bracassat... I'd also say... that the idea of having yourself painted with horns as big as that... after that, you can't refuse a stock-broker anything

Court Exh. No. 2878: Extract from memorandum of a conversation between Mr. Hamilton and others for the United States and Mr. Wikawa and others for Japan on 2 Jul 1941. Excerpt from Exhibit for identification No. 58

Court Exh. No. 2878: Extract from memorandum of a conversation between Mr. Hamilton and others for the United States and Mr. Wikawa and others for Japan on 2 Jul 1941. Excerpt from Exhibit for identification No. 58

A gathering for painter Hatsusaburo Yoshida at a restaurant in Shukunegi at Ogi Peninsula. (Tomio Kondo, second from left)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 15: Aeneas and Dido: A protective fog obscured the heavens; / And as they found themselves without an umbrella, / Leading his friend into a dark cave, / Aeneas on that beautiful day saw his ardours consummated (Aeneid. corrected by Mr. Villemain)

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

Ancient History 20: Alexander and Diogenes. The Sage who dressed in the simple appearance / Of a rascal smoking his short, thick pipe, / Said to the hero who surveyed him: / Scram out of my sunlight! (Song by Mr. Eugène Sue)

French Types 2: The tailor: He walks with an arched back, his shoulders like a coat-stand and his elbows turned outwards. His suits, cut in the latest fashion, often clash with his boots and hat, he nearly always has a very euphonical name such as Wahaterkermann or Pikprunmann

MONOMANIACS 2: THE EMBROIDERER: An example of the error that nature sometimes commits in labelling the sexes. Thus, in the same way that you see so-called women who sport trousers, a kind of moustache, play the cornet, the double-bass, or who compose humanitarian novels; so you see so-called men who pluck the harp, hem ties, embroider at the frame with their men's hands, and if need be, do a little cooking

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)