Mi Fu's Rhapsody to a Heavenly Horse

Writing after Mi Fu's Thoughts on Calligraphy

Writing after the Copybook of Mi Fu

Hiten, a Heavenly Being

Hiten, a Heavenly Being

Deva, a Heavenly Being

Deva, a Heavenly Being

Washing a horse

Washing a horse

Pulling a Horse

Tenbafu

Horse in a Stable

Torso of a Horse

Man riding a horse

A Set of Horse Gear

Tenbafu kou

After Ike Taiga’s “Horse Market in a Mountain Village”

Woman Leading a Pack Horse

A Scroll Depicting a Horse-riding Show

Returning Horse on a Bridge

Heavenly Being Bearing a Wish-Granting Jewel

Replica of a farmer and a plough horse

Tenrai rin koju no fu

Beifutsu tenbafu

Clay Image (Horse from Heaven)

Calligraphy of a Proverb

Poem in Four Seven-Character Phrases

Calligraphy of a Poem

On Happiness

世論憐佗多苦辛　生民誰是不王臣　鮑[魴]魚赬尾政壇事　吾仰帝家万歳春 　　　　 帝室論稿成　諭

Five-Syllable Quatrain by Matsudaira Sadanobu

世論は憐む佗（か）の苦辛の多きを　生民誰か是れ王臣ならざる　鮑[魴]魚赬尾（ほうぎょていび）は政壇の事　吾は仰ぐ帝家万歳の春を 　 帝室論稿成る　諭

慶應義塾は単に一所の学塾として自から甘んするを得す其目的は我日本国中に於ける気品の泉源智徳の模範たらんことを期し之を実際にしては居家処世立国の本旨を明にして之を口に言ふのみにあらす躬行実践以て全社会の先導者たらんことを欲するものなり　 以上は曾て人に語りし所の一節なり　福澤諭吉書

Seven-Syllable Quatrain by Yanagawa Seigan

Seven-Syllable Two-Line Poem by Yamaoka Tesshu

Poems by Meng Haoran in Cursive Script

鄙事多能少年日　立身自笑却壊身　浴余閑坐肌全浄　曾是綿糸縫瘃人 明治十五年七月為森君

日出之東日没西　春風万里五雲斉　帝京朝賀人已散　台北台南鶏未啼 丙申元旦

Waka Kaishi by Imaki Tamechika

日出の東、日没の西　春風万里五雲斉（ひと）し　帝京の朝賀、人已（すで）に散ずるも　台北台南、鶏未だ啼（な）かず 丙申[明治29年]元旦

Buddhist Didactic Verse (Gatha)

思う所無く還（ま）た思う所有り　半生の心事吾が非を笑う　兎烏五十等閑に去って　天命如何尚お知らず　　諭 癸未[明治16年]元旦

Four-Syllable Quatrain by Totoki Baigai

Waka by Matsudaira Sadanobu

鄙事（ひじ）に多能なりき少年の日は　立身して自（みずか）ら笑う却って身を壊（やぶ）るを　浴余閑坐して肌は全く浄（きよ）し　曾て是れ綿糸もて瘃（あかぎれ）を縫いし人 明治十五年七月　森君の為

Kalligrafi, Bildkonst

Waka Kaishi by Princely priest Dohoh

吾是十方世界身　由来到処物相親　人言聞去皆称善　耳順何期六十春 年六十戯賦

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