THE BACHELOR'S DAY 1: 7 O'CLOCK IN THE MORNING: Mr. Coquelet's awakening: Minette and Azor argue over the paternal kiss Mr. Coquelet smiles at this touching rivalry

THE BACHELOR'S DAY 3: Mister Coquelet remaining a batchelor through selfishness shares his frugal breakfast with Azor and Minette

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY No.12: 9 O'CLOCK IN THE EVENING: Mr Coquelet snuffing out his light finishes a day which, resembling yesterday and tomorrow, describes the exact picture of the bachelor's life!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 11: SEVEN O'CLOCK: Mr. Coquelet goes home... my word! dear chap, with honourable intentions. a neighbour 45 years old; a very pleasant little widow; but the heart has no part in it:..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 9: THREE O'CLOCK: Mister Coquelet at the court of petty sessions; he admires this institution which shelters impudent people and the undertakings of corrupt beings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 9: THREE O'CLOCK: Mister Coquelet at the court of petty sessions; he admires this institution which shelters impudent people and the undertakings of corrupt beings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 2: 8 O'CLOCK IN THE MORNING: (Housework): The spectable of nature liftes the soul! Mr. Coquelet, in order to divert himself from the cares of housework, comes to his window to seek out the scent of flowers and the song of the ... canary

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 10: 5 O'CLOCK IN THE AFTERNOON: Mr Coquelet you're an unsociable being, d'you understand with your dog; that's twice when I've had 149, he jumps on the table and jumbles it all up. Your dog's and accomplice!... and you're an old cheat

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 4: 10 O'CLOCK IN THE MORNING: Mr. Coquelet having met in the Botanical Gardens Miss Palissandre to whom he had the honour of offering a pink pompon on the 1st of May 1804, has secured a meeting, and having gone to the expense of a pair of gloves for 29 sous, glances into his mirror before setting out on the amourous adventure

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 8: 2 O'CLOCK: Azor's snack: What's the matter, dear chap, this animal has only me, you, you've got everyone

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 6: － Without doubt Mr. Riflot the right to petition is sacred, but is abused! witness that which you're talking to us about: to tax bachelors for being useless to the population! I'am angry about it for married people; but it has to be said that of [bachelors] there is no one, more than I Coquelet, who has helped the population

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Conjugal Manners 27: The first born

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Disasters of War: It suits you well here

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 18: The first act of a café-concert, singing from seven o'clock until midnight, with or without trills, according to the taste of the consumers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 116: An Autodafé in the 19th century: － a touching religious ceremony organised with the solicitude of the reverends Montalembert and Veuillot

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE MOUNTEBANKS: Oh, Master Bilboquet, we're done for, those buffoons there are going to take our public from us. －Fear nothing, Gringallet, there's no point in rivalry, that's high comedy!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 23: Below the upper vignette: Meeting at night; Below the lower vignette: After seven o'clock in the evening, the little ones daren't leave the room without the big ones

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 128: Mr. DUPIN IN HIS SMALL SHOES: Seeing that the law on electoral reform will be warmly discussed; Mr. Dupin thought that this was the moment to present himself... to Clamecy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 128: Mr. DUPIN IN HIS SMALL SHOES: Seeing that the law on electoral reform will be warmly discussed; Mr. Dupin thought that this was the moment to present himself... to Clamecy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricatures of the Day: The bourgeois at the Salon: Let's see... What's that?... (reading from his catalogue) "No. 387. Portrait of Mr. B*** stock-broker"... well... well!... oh! how stupid I am... 386 is the portrait of Mr. B***, this is a portrait of a bull by Mr. Bracassat... I'd also say... that the idea of having yourself painted with horns as big as that... after that, you can't refuse a stock-broker anything

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 34: What the Devil! Let us respect propriety! But steward, take care with your invitations!... You are missing out all the proprieties!... Why, you have on your list a Mr. Grippardin, a disreputable man!... A Mr. Durand, whose fortune comes from I don't know where!... What the Devil! Mr.Bertrand, if I'd let you do this, you'd end up by making me keep low company

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 15: Strangers stared out by those like themselves: The woman from Carpentras －It's odd...Parisian women are not as elegant as people say!... The woman from Quimper-Corentin －It's extraordinary... the women of the capital are not as daintily turned out as reputation has it!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan