Some Villagers Commenting on How Pretty the Old Woman’s Legs Are, Kamiunten, Nakijin

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Man Earning a Living by Making Baskets and Getting Money from Villagers, Amesoko, Nakijin

Man Earning a Living by Making Baskets and Getting Money from Villagers, Amesoko, Nakijin

Tokyo Photographic Art Museum

Tokyo Museum Collection

THE EXHIBITION OF ANIMALS 3: - Look here, there are cows with a body but no legs!... - Another time they'll succeed in producing animals with legs byt no body!..

THE EXHIBITION OF ANIMALS 3: - Look here, there are cows with a body but no legs!... - Another time they'll succeed in producing animals with legs byt no body!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Very good! very good! you are behaving perfectly! we are going to take you to Beaulieu, to Poissy, to Bicêtre, I am pleased with you

Very good! very good! you are behaving perfectly! we are going to take you to Beaulieu, to Poissy, to Bicêtre, I am pleased with you

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN SKETCHES 33: - How late you are arriving at the Stock-Exchange... I'll warrant you've had a windfall?... scoundrel!... - What do you expect!... I'll settle down..., when I get old!..

PARISIAN SKETCHES 33: - How late you are arriving at the Stock-Exchange... I'll warrant you've had a windfall?... scoundrel!... - What do you expect!... I'll settle down..., when I get old!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Where are we going, where are we going?...We are walking on a volcano, the gulf of revolutions is open beneath our footsteps...the carriage of state has been halted by the flood of all these bad passions

Where are we going, where are we going?...We are walking on a volcano, the gulf of revolutions is open beneath our footsteps...the carriage of state has been halted by the flood of all these bad passions

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

News 399: The last week before the opening of the Salon: Chorus- Take courage, get to work; my friends are always there!..

News 399: The last week before the opening of the Salon: Chorus- Take courage, get to work; my friends are always there!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Bathers 7: You see, master, you are... of a strength

Bathers 7: You see, master, you are... of a strength

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

News 122: The last day for the submission of pictures:  -Heavens above! -we're already here and my picture isn’t finished... I’m annoyed at having hired my porter for the whole day, I would sooner have had him carry it by the hour!..

News 122: The last day for the submission of pictures: -Heavens above! -we're already here and my picture isn’t finished... I’m annoyed at having hired my porter for the whole day, I would sooner have had him carry it by the hour!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange!  [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 43: Œdipus at the Spinx's. This ugly animal with the head of an antiquary, / Said to him: Why, Sir, can you not count / On a pyramid? Then without hesitation / Œdipus replied: It's because they are near Cairo? You can be grateful for an old pun (Lesson by Mr. Raoul-Rochette)

Ancient History 43: Œdipus at the Spinx's. This ugly animal with the head of an antiquary, / Said to him: Why, Sir, can you not count / On a pyramid? Then without hesitation / Œdipus replied: It's because they are near Cairo? You can be grateful for an old pun (Lesson by Mr. Raoul-Rochette)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF EXPRESSIONS 19: (Aside)God! my poor boy how ugly you are! (Aloud) My respects to your wife. (Aside) When you've got a face like yours, you shouldn't go out during the day

SKETCHES OF EXPRESSIONS 19: (Aside)God! my poor boy how ugly you are! (Aloud) My respects to your wife. (Aside) When you've got a face like yours, you shouldn't go out during the day

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Boating Men 14: A man in to the sea: -Harpoon him more vigorously... we won’t get him without! -And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

Parisian Boating Men 14: A man in to the sea: -Harpoon him more vigorously... we won’t get him without! -And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 13: - Sir, excuse me if I inconvenience you a little... but you understand that I’m now writing a new novel, and I need to consult a multitude of old authors!...  -(The Gentleman, aside) Old authors!... Heavens, she should have consulted them while they were alive, for she must have been their contemporary!..

The Blue-stockings 13: - Sir, excuse me if I inconvenience you a little... but you understand that I’m now writing a new novel, and I need to consult a multitude of old authors!... -(The Gentleman, aside) Old authors!... Heavens, she should have consulted them while they were alive, for she must have been their contemporary!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE UNIVERSAL EXHIBITION 36: THE REFRESHMENT-ROOM WITH SEATING - Look here... all these people eating... so they feed you on days when you pay twenty sous admission... let's go in!... - No, missis Carpolet,... those are probably the memebers of the tasting jury in going about their duties... let's not disturb them!

THE UNIVERSAL EXHIBITION 36: THE REFRESHMENT-ROOM WITH SEATING - Look here... all these people eating... so they feed you on days when you pay twenty sous admission... let's go in!... - No, missis Carpolet,... those are probably the memebers of the tasting jury in going about their duties... let's not disturb them!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 9: What are called the seductions of Paris: A stall, see master... this evening you’ll hear Madame Dorus-Grasse and Mr. Bariolhé sing... an excellent stall in the pit... twelve francs...cheaper that at the [ticket] desk!

Strangers in Paris 9: What are called the seductions of Paris: A stall, see master... this evening you’ll hear Madame Dorus-Grasse and Mr. Bariolhé sing... an excellent stall in the pit... twelve francs...cheaper that at the [ticket] desk!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 28: - I told you just now that I wouldn't be annoyed if the Oriental affair put itself to rights. - Yes, and so? - Well, it's funny, but since I've drunk that Mars beer, I'd like it if we had a war

NEWS 28: - I told you just now that I wouldn't be annoyed if the Oriental affair put itself to rights. - Yes, and so? - Well, it's funny, but since I've drunk that Mars beer, I'd like it if we had a war

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Conjugal Manners 37: The well of Grenelle. And these rogues of chemists who say that it does some good to bathe children in the well of Grenelle; here's poor Dodophe who's gone greener than an apple; I don't know whether my son's a lizard or a toad!!

Conjugal Manners 37: The well of Grenelle. And these rogues of chemists who say that it does some good to bathe children in the well of Grenelle; here's poor Dodophe who's gone greener than an apple; I don't know whether my son's a lizard or a toad!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes

ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Uploaded: 2026-03-25