Tapes are thrown to see the soldiers off on the 8th Sadomaru in the 12th Year of Showa

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Sazanami Iwaya, alumni of Germany Society School, becomes a pioneer in children's stories. Sees off the 8th Sadomaru

Sazanami Iwaya, alumni of Germany Society School, becomes a pioneer in children's stories. Sees off the 8th Sadomaru

Tokyo Photographic Art Museum

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The start of the Sino-Japanese war. Islanders enthusiastically send off the first "Okesa-maru" ship carrying soldiers heading to war

The start of the Sino-Japanese war. Islanders enthusiastically send off the first "Okesa-maru" ship carrying soldiers heading to war

Tokyo Photographic Art Museum

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Women of Kanazawa Village's folk song group "Aranamikai" - founded in the 12th Year of Taisho - dance the Aikawa Ondo

Women of Kanazawa Village's folk song group "Aranamikai" - founded in the 12th Year of Taisho - dance the Aikawa Ondo

Tokyo Photographic Art Museum

Tokyo Museum Collection

His Imperial Highness (Showa Emperor) is carried to the Imperial Flagship "Ikoma" on his royal visit to Sado on July 9, 15th year of Taisho

His Imperial Highness (Showa Emperor) is carried to the Imperial Flagship "Ikoma" on his royal visit to Sado on July 9, 15th year of Taisho

Tokyo Photographic Art Museum

Tokyo Museum Collection

Strangers in Paris 9: What are called the seductions of Paris: A stall, see master... this evening you’ll hear Madame Dorus-Grasse and Mr. Bariolhé sing... an excellent stall in the pit... twelve francs...cheaper that at the [ticket] desk!

Strangers in Paris 9: What are called the seductions of Paris: A stall, see master... this evening you’ll hear Madame Dorus-Grasse and Mr. Bariolhé sing... an excellent stall in the pit... twelve francs...cheaper that at the [ticket] desk!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Happy times at Sado Shayukai photo session held near Gobannami in the summer of 11th Year of Taisho

Happy times at Sado Shayukai photo session held near Gobannami in the summer of 11th Year of Taisho

Tokyo Photographic Art Museum

Tokyo Museum Collection

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

IN CHINA 13: -Here, look at that case..., it contains the American envoys who are going to Peking!... -You'd think that that carriage contained curious animals... -To be sure! if they are curious..., too bad for them, because they won't see much of the country they're travelling through!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Proverbs and Maxims 12: There's a sucker! personally, I agree with the proverb: “What's good to take is good to keep.”

Proverbs and Maxims 12: There's a sucker! personally, I agree with the proverb: “What's good to take is good to keep.”

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 33: Robert-Macaire the Journalist:  I'm bringing you an article about the new law. I've slated it in a joking way, you see!  -What are you thinking of, Mister Macaire, we shouldn't be attacking that law, we should defend it. - Ah,indeed, indeed, I'll rework it and make a frothy article in favour of the aforesaid law

Caricaturana 33: Robert-Macaire the Journalist: I'm bringing you an article about the new law. I've slated it in a joking way, you see! -What are you thinking of, Mister Macaire, we shouldn't be attacking that law, we should defend it. - Ah,indeed, indeed, I'll rework it and make a frothy article in favour of the aforesaid law

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 12: What's the matter with you, Robert? you seem full of care. -Yes I'm vexed... Those devils of Shareholders have tormented me so much, tormented me so much that I gave them a dividend. -Deuce! a real dividend? -Yes, I gave it to them completely.. -What are you goin to do? -I'm going to try to get it back

ROBERT MACAIRE. 2nd Series 12: What's the matter with you, Robert? you seem full of care. -Yes I'm vexed... Those devils of Shareholders have tormented me so much, tormented me so much that I gave them a dividend. -Deuce! a real dividend? -Yes, I gave it to them completely.. -What are you goin to do? -I'm going to try to get it back

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Emotions 1: Aren't they dreary!... see how they make off!... what it is not to live in property!!!... My little loves, when you come by again we should warn you, we'll burn pastilles from the Seraglio for you..

Parisian Emotions 1: Aren't they dreary!... see how they make off!... what it is not to live in property!!!... My little loves, when you come by again we should warn you, we'll burn pastilles from the Seraglio for you..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 20: TO ALL THOSE PEOPLE WHO HAVE CAPITAL TO LOSE; For one hundred francs, one and a quarter centimes, in order to eat every twelve hours... THERE'S AN INVESTMENT!! / New principles. We divide the interest in centimes and by the hour... THERE'S A TRICK!!!  Guarantees offered to shareholders. The manager takes the society's money and puts some of it in the bank... THERE'S A BANK!!!!  Capital...We won't tell you, you've got to see it to believe it...  IF YOU WANT BUSINESS, HERE IT IS!!!!!!!!

Caricaturana 20: TO ALL THOSE PEOPLE WHO HAVE CAPITAL TO LOSE; For one hundred francs, one and a quarter centimes, in order to eat every twelve hours... THERE'S AN INVESTMENT!! / New principles. We divide the interest in centimes and by the hour... THERE'S A TRICK!!! Guarantees offered to shareholders. The manager takes the society's money and puts some of it in the bank... THERE'S A BANK!!!! Capital...We won't tell you, you've got to see it to believe it... IF YOU WANT BUSINESS, HERE IT IS!!!!!!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 92: Sir, I despise the charlatanism of the poster, I despise the Puffs of the advertisement, I abhor everything which smells of the charalatan, the tumbler, the rope-dancer, and I limit myself to producing with all naivete and foolishness my merchandise. Read my catalogue! Scent of love, esteem and friendship, in phials from the Middle-Ages... Extract of the smile of infancy -Perfume of Adolphe's first steps- Water of the peoples' alliance, for the handkerchief, with Beranger's song. Perfume of General Foy, a scent to strengthen the brain's fibre and to remind the French of their liberties and rights guaranteed by the constitutional charter. Surrounded by an oration given upon the tomb of the immortal deputy by one of his honourable colleagues. You see, it's impossible to be more simple

Caricaturana 92: Sir, I despise the charlatanism of the poster, I despise the Puffs of the advertisement, I abhor everything which smells of the charalatan, the tumbler, the rope-dancer, and I limit myself to producing with all naivete and foolishness my merchandise. Read my catalogue! Scent of love, esteem and friendship, in phials from the Middle-Ages... Extract of the smile of infancy -Perfume of Adolphe's first steps- Water of the peoples' alliance, for the handkerchief, with Beranger's song. Perfume of General Foy, a scent to strengthen the brain's fibre and to remind the French of their liberties and rights guaranteed by the constitutional charter. Surrounded by an oration given upon the tomb of the immortal deputy by one of his honourable colleagues. You see, it's impossible to be more simple

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25