My Mother Today: as a Study for Félicité in "A Simple Heart" of Gustave Flaubert

My Mother at Age Twenty (from a Photograph): as a Study for Félicité in "A Simple Heart" of Gustave Flaubert

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Félicité Sleeping with Parrot: Illustration for "A Simple Heart" of Gustave Flaubert

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Geography Book (Félicité's Only View from Abroad): Illustration for "A Simple Heart" of Gustave Flaubert

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

NEWS 24: A RECONCILIATION (A scene from high comedy): －I embrace you, but still hold a grudge against you! － I press you to my heart, but you’ll pay for it!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 24: Cabs as stocks: It's not going well, my horse is failing, expenses consume me, I'm dying of hunger. －My poor Bertrand, how stupid you are! Exchange your turkey-hen for a thoroughbred, your old 1200 quid carriage for a tilbury, your livery misery of a jockey's silk, go to it... Capital thrrrrrree hundred thousand francs! Doughty deeds, random tricks, will increase your out-goings, lessen your gains, you'll recoup your losses in abundance!! －In abundance of what? －In abundance of shares, fool!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 184: AN UNLUCKY FIGHTER: See, here, my friend Léon, gulp this down for me... it's Argenteuil balsam...it's worked every time one of my men has been unwise enough to separate from my gang and has got a frightful beating up!...another time, don't go out alone against the majority!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MISADVENTURES AND DISAPPOINTMENT OF MR.GOGO 4: But my dear Gogo, you're joking, how can you leave in your business the three thousand francs my daughter brings you, and the two hundred thousand francs for which you are indebted to her?... do you consider that? to expose the fortune of my child to the risks of commerce!... and if you don't succeed,... if you die, my daughter will then be ruined?... not so, not so, if you please! you're going to marry according to dowry regulations, to put into a good mortgage,... Devil take it! I should foresee a separation, today you're a friend, tomorrow you're not, you see it all the time

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 4: This shows you a great battle which one may believe to be commanded by General Crunch Beet! It will not enter the historical Museum of Versailles and should serve as a pendant to the Battles of Cannes

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 25: Ferdinand Flocon; At first sight, you perhaps took this person for a Russian prince, slightly Cossack, which cannot have failed to afflict profoundly his quality as a watchful Republican. Ferdinand Flocon was for some weeks Minister of Agriculture, and one of his first acts was to shave his chin, formerly embellished with a full beard. He had even more excellent intentions, but lacked the time to carry them out

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 92: Sir, I despise the charlatanism of the poster, I despise the Puffs of the advertisement, I abhor everything which smells of the charalatan, the tumbler, the rope-dancer, and I limit myself to producing with all naivete and foolishness my merchandise. Read my catalogue! Scent of love, esteem and friendship, in phials from the Middle-Ages... Extract of the smile of infancy －Perfume of Adolphe's first steps－ Water of the peoples' alliance, for the handkerchief, with Beranger's song. Perfume of General Foy, a scent to strengthen the brain's fibre and to remind the French of their liberties and rights guaranteed by the constitutional charter. Surrounded by an oration given upon the tomb of the immortal deputy by one of his honourable colleagues. You see, it's impossible to be more simple

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 110: －Great Prince Muley, son of Muley, do you deign to place yourself in the shade beneath this object... the Englishman who had the kindness to make over this object to me for a hundred gold pieces told me that it was of excellent use in all the storms of life... －Let me be... it's useless... the day when the French took away my parasol, I caught sunstroke from which I shall never recover!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. －For his only food, Véron took at long intervals a light fragment of Regnauld pâté. －The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. －The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ADVERTISING AND PUBLICITY 2: THEY MAKE THIS POOR PUBLIC SWALLOW THIS!! The Rubber Clyso-Trompe occupies, within the large family of emollients, the place which the gentle flute holds among wind instruments. The Clyso-Trompe refreshes ideas, destroys bugs, calms nervous irritation, opens up intelligence, purifies the Conscience of remorse, inspires Dithyrambs upon the museum of Versailles, but does not at all relieve colic. The lights of the ox in early infacy have received the commendation of all crowned heads. This admirable Pectoral cures Dim-sightedness, Corns, Whitlows, freckles, the mania for maknig dramas. etc. etc. etc. This velvet paste is most particularly suitable for everyone. It relieves hoarseness as if by hand. Duprez is indebted to it from 553 feet above sealevel, where he has never been. It even gives children in the best of health Whooping-cough

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

My Mother at Age Twenty (from a Photograph): as a Study for Félicité in "A Simple Heart" of Gustave Flaubert

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Young Woman A

Museum of Modern Art, Saitama

MoMAS Collection

Donald Cribb

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

William Burroughs

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Figure (Sketch)

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

White Pear [from "Mixed Fruits"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Shadow

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

カラッチの肖像画法書

Kyushu National Museum

Integrated Collections Database of the National Museums, Japan

[Wooman's Face]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Young Woman B

Museum of Modern Art, Saitama

MoMAS Collection

Melancholy (Series of Portraits in the Classical Style)

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Nude No.1

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Shadow

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Profile

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

[1944.11.13]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Nude Woman Lying on a Bed

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

素描 女性像（『自暴自棄』扉絵）

Edo-Tokyo Museum

Tokyo Museum Collection

Self-Portrait

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Self-Portrait No.2

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Hanging

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

SAD〈ONE RIDDLE RIDDLED BY EIGHT RIDDLE-RIDDEN RIDDLES〉

Museum of Modern Art, Saitama

MoMAS Collection

5. I Gazed Backward Once Again [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Quiet Summer

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Drawing (Portrait of a Man)

Museum of Contemporary Art Tokyo

Tokyo Museum Collection