PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy

PARISIAN MEN IN 1852. 2: A gentleman who bursts into flames in every season

PARISIAN MEN IN 1852. 10: Posing as appraisers of good theatre

PARISIAN MEN IN 1852. 3: The enthusiasts' bench. －A view taken at the opera

PARISIAN MEN IN 1852. 4: A benefit day [at the theatre]: Having paid ten francs for their seats

PARISIAN MEN IN 1852. 1: The new Talma cape, thus named because it gives to him who wears it an utterly comic appearance

PARISIAN MEN IN 1852. 5: I like her a lot, that little lady there... although she looks like my wife!..

TRAGEDY 3: “Yes! since I regain such a faithful friend”“My fortune will assume a new aspect” (Andromache)

PARISIAN MEN IN 1852. 7: Conjugal tenderness: － an intimate scene on the 1st of January of each year, the solemn day of New Year's gifts

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. － Sir, I wish you a good and happy one. The proprieter. － Very good, thank you! The door-keeper. － Good and happy for the man who wrings your neck, you miserable old skinflint!..

PARISIAN IN 1848. 2: That confounded Pigochard... always has to court the whiimen!..

PARISIAN IN 1848. 2: That confounded Pigochard... always has to court the whiimen!..

PARISIAN IN 1848. 2: That confounded Pigochard... always has to court the whiimen!..

PARISIAN SKETCHES 8: Modification of Parisian dress as a result of the new seafaring dramas which are now being played in all the boulevard theatres

PARISIAN MEN IN 1852. 6: － [May] I introduce to you my son Théodule, scarely out of college and he's already made a multitude of victims... al the young women wish to marry him! － The bad boy!... he takes after his father!

NEWS 43: Inconvenient for a Parisian aeronaut to conduct his descent in a country which is not inhabited by Scotsmen at all

MONOMANIACS 6: THE PARISIAN HUNTER: A benign being, above all harmless. A diligent hunter, leaving home after dawn, killing time rather than other things. His gun is no less philanthropic, no less a faithful observer of the 4th Commandement

Caricaturana 48: A candidate: Whom do you need?... A man of probity, conscientious, a serious man, a manufacturer, a man who doesn't need the government in order to become rich, a man familiar with the law, who knows it well, from experience, from long experience... A long experience of the law... You couldn't make a better choice, take my... take my honourable friend

JOURNEY TO CHINA 8: WOULD YOU MARRY... IN CHINA. A Chinese woman who brings nothing to her husband places the household in difficulties because her clothes are very costly. / A Chinese woman who brings something, places the household in embarrassing circumstances because her clothes cost more. / A Chinese woman who brings many things places the household in misery: her whims devour everything!

PARISIAN IN 1848. 1: －Well... I didn't recognise you... what moustaches!... －It's necessary... I've been made a corporal..

Parisian Boating Men 14: A man in to the sea: －Harpoon him more vigorously... we won’t get him without! －And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! －I've only got a forty franc piece on me! －I'll give it back to you!

SKETCHES OF THE THEATRE (7): The singer's mother. = And to think that that miserable old skinflint of a director sulks about giving sixty thousand francs a year to an angel who sings like That!

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

PARISIAN SKETCHES 7: In contemplation before the opera's ship, － at least it is not before that of the porte St. Martin, － nor indeed that of the ambigu [sic], － anyway, what is certain is that they are gazing upon a vessel