Scenes from the Studios 1: Madam, I am greatly honoured!..

Scenes from the Studios 2: A Frenchman painted by himself

View from the hill top #1

SKETCHES OF SUMMER 7: －Mister Prudhomme..., I'm drowning!... －Very well!... madam, I am going to collect... －My person..., oh! thank you... －No, madam..., not being able to swim at all, I am going to collect your last will and testament... I can do no more!..

Entrance to the Toshogu Shrine I (No.1 of "Views of Nikko, the National Park")

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Parliamentary Scenes 1: The electoral visit Until tomorrow, dear Mr.Filochard...besides, if I am not elected I will have as my consolation the fact that my candidature has brought me the pleasure of making your acquaintance!...－ Oh,Sir!...Oh,Sir!..

TENANTS AND LANDLOADS 5: －Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

The Blue-stockings 3: Goodbye, my dear, I am going to my editors’..

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

Thirty-Two Daily Scenes: 'Looks Heavy', Mannerisms of a Fukugawa Waitress from the Tenpo Period

Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad －(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. －(The Nephew, aside)Things are going well, I'm going to inherit from him

NEWS 6: Remove yourself from there so I can get in

THE PORTERS OF PARIS 1: It's no use my letting you see my apartment... we don't let to mothers of families who have children!..

NEWS 1: I didn’t tell you to go and make yourself into... sugar! I told you to go and cook yourself!

11/1号 越谷のれきし せんべいの手焼き風景

Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..

Parliamentary Scenes 5: At the Tribune

総合グリーンセンター・県史編さん風景・へき地中核病院(小浜） (1)

開かれた区政へ「こんにちは1日区長室」開催

Conjugal Manners 34: I should have bet on it ... instead of taking him to see Séraphin, you take him to play ... It's already bad enough for grown-ups; poor little dear! ... －－ Don't worry, Madam, that's the way children amuse themselves!

TRAGICO-CLASSICAL PHYSIOGNOMIES 9: Hidden far from this place, Madam, I will see you; Conceal your love in the depths of your soul! (Britannius.) [sic]

PARISIAN IN 1848. 1: －Well... I didn't recognise you... what moustaches!... －It's necessary... I've been made a corporal..

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... －What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... －Bertrand! You're as thick as a plank... Do what I say and you'll see