A top actress in Asakusa,Michiko Oh-e was so beautiful and yet of great dignity

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TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they  was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they  was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

A scene from the tense memorial rally for Michiko Kanba. At Hibiya Park in Tokyo

A scene from the tense memorial rally for Michiko Kanba. At Hibiya Park in Tokyo

Tokyo Photographic Art Museum

Tokyo Museum Collection

PASTORALS 40: -Needless to say, I've got to cross this devil of a small wood to get home... I'm angry at having stayed so late at neighbour Rigolard's so as to make a hundred at piquet... if I'd thought I'd have made only half a hundred

PASTORALS 40: -Needless to say, I've got to cross this devil of a small wood to get home... I'm angry at having stayed so late at neighbour Rigolard's so as to make a hundred at piquet... if I'd thought I'd have made only half a hundred

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 15: - These poor animals... they're so disfigured that you can't even recognise them... they who've been such good friends for five years!... oh! Mister Barbaroux, we're living in truly sad times!..

NEWS 15: - These poor animals... they're so disfigured that you can't even recognise them... they who've been such good friends for five years!... oh! Mister Barbaroux, we're living in truly sad times!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

FLUIDOMANIA 1: - So, sir, is it turning? - Not yet... but we're still only at the sixty third minute... go away, Madeleine, don't upset our fluid.

FLUIDOMANIA 1: - So, sir, is it turning? - Not yet... but we're still only at the sixty third minute... go away, Madeleine, don't upset our fluid.

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Pleasures of the Champs-Élysées 2: -Eh!...Eh!...but it seems that I'm very strong!...- Oh my God!... your dress-coat's  much less so... look, it’s ripped at the back!..

Pleasures of the Champs-Élysées 2: -Eh!...Eh!...but it seems that I'm very strong!...- Oh my God!... your dress-coat's much less so... look, it’s ripped at the back!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 29: Discomfort in talking to people who have a mania for putting thier story into action. -Yes dear Sir, do you think that the rrrrascal was allowed to laugh in my face. You know I won't stand for that. So, I punched him... there, like that, do you see, and I shook you... there, like that... vigorously

PARISIANS TYPES 29: Discomfort in talking to people who have a mania for putting thier story into action. -Yes dear Sir, do you think that the rrrrascal was allowed to laugh in my face. You know I won't stand for that. So, I punched him... there, like that, do you see, and I shook you... there, like that... vigorously

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 269: - Oh! Good Lord, my dear fellow, what a state you're in. - Hush! it's dodge I've devised for not giving New Year's presents

NEWS 269: - Oh! Good Lord, my dear fellow, what a state you're in. - Hush! it's dodge I've devised for not giving New Year's presents

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 12: What's the matter with you, Robert? you seem full of care. -Yes I'm vexed... Those devils of Shareholders have tormented me so much, tormented me so much that I gave them a dividend. -Deuce! a real dividend? -Yes, I gave it to them completely.. -What are you goin to do? -I'm going to try to get it back

ROBERT MACAIRE. 2nd Series 12: What's the matter with you, Robert? you seem full of care. -Yes I'm vexed... Those devils of Shareholders have tormented me so much, tormented me so much that I gave them a dividend. -Deuce! a real dividend? -Yes, I gave it to them completely.. -What are you goin to do? -I'm going to try to get it back

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Conjugal Manners 38: ミミ Oh! You think your wife doesn't look after you well enough, you rogue; when you spend everything, scoundrel!...Well, I'll make myself kiss-curls, rascal!... and I'll buy bonnets... and I'll make you eat corks, rascal... ミミ My angel, I'm wrong, you are a good housewife...but you're breaking everything

Conjugal Manners 38: ミミ Oh! You think your wife doesn't look after you well enough, you rogue; when you spend everything, scoundrel!...Well, I'll make myself kiss-curls, rascal!... and I'll buy bonnets... and I'll make you eat corks, rascal... ミミ My angel, I'm wrong, you are a good housewife...but you're breaking everything

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 4: This shows you a great battle which one may believe to be commanded by General Crunch Beet! It will not enter the historical Museum of Versailles and should serve as a pendant to the Battles of Cannes

NEWS 4: This shows you a great battle which one may believe to be commanded by General Crunch Beet! It will not enter the historical Museum of Versailles and should serve as a pendant to the Battles of Cannes

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 13: The rape of Helen. Paris,whom by love was seized up to the teeth, / Was hardly fit to smoke a cigar. / Helen knew this, and without giving warning,/ Carried Paris away in her sturdy arms (Aeneid)

Ancient History 13: The rape of Helen. Paris,whom by love was seized up to the teeth, / Was hardly fit to smoke a cigar. / Helen knew this, and without giving warning,/ Carried Paris away in her sturdy arms (Aeneid)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Uploaded: 2026-03-24