Shunkan watching enviously from Kikai island as Yasuyori in unexpectedly pardoned and returns to the capital

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Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu)

Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu)

Shunkan sozu Kikaigashima ni oite Tamatama Yasuyori no shamen ni ai kito o senbosu no zu

Shunkan sozu Kikaigashima ni oite Tamatama Yasuyori no shamen ni ai kito o senbosu no zu

BACK FROM ANTARCTICA: THE JAPANESE EXPEDITION UNEXPECTEDLY RETURNS TO WELLINGTON

BACK FROM ANTARCTICA: THE JAPANESE EXPEDITION UNEXPECTEDLY RETURNS TO WELLINGTON

The Actors Sawamura Sojuro II as the priest Shunkan and Azuma Tozo II as Oyasu in the play "Hime Komatsu Ne no Hi Asobi (Outing to Pick Pine Seedlings on the Rat-Day of the New Year)"

The Actors Sawamura Sojuro II as the priest Shunkan and Azuma Tozo II as Oyasu in the play "Hime Komatsu Ne no Hi Asobi (Outing to Pick Pine Seedlings on the Rat-Day of the New Year)"

AT IMPOSING VIEW OF AUCKLAND CITY AND THE WAITEMATA: THE HARBOUR AS SEEN FROM THE TOP OF RANGITOTO ISLAND, S...

AT IMPOSING VIEW OF AUCKLAND CITY AND THE WAITEMATA: THE HARBOUR AS SEEN FROM THE TOP OF RANGITOTO ISLAND, S...

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)

The Suma oriental of Tomé Pires : an account of the East from the Red Sea to Japan, written in Malacca and India in 1512-1515; and, The Book of Francisco Rodrigues, rutter of a voyage in the Red Sea, nautical rules, almanack and maps written and drawn in the East before 1515 (Map in pocket of vol.2: The east, from the Red Sea to Japan, as known to Francisco Rodrigques)

The Suma oriental of Tomé Pires : an account of the East from the Red Sea to Japan, written in Malacca and India in 1512-1515; and, The Book of Francisco Rodrigues, rutter of a voyage in the Red Sea, nautical rules, almanack and maps written and drawn in the East before 1515 (Map in pocket of vol.2: The east, from the Red Sea to Japan, as known to Francisco Rodrigques)

Court Exh. No. 3578: Certificate of TERAOKA, Kohei, Chief of Personnel Section, Foreign Minister's Secretariat, dated 14 Oct 1946, testifying to appointment of ARITA, Hachiro, as Ambassador to Belgium in 1933 and his transfer from there to China in 1936

Court Exh. No. 3578: Certificate of TERAOKA, Kohei, Chief of Personnel Section, Foreign Minister's Secretariat, dated 14 Oct 1946, testifying to appointment of ARITA, Hachiro, as Ambassador to Belgium in 1933 and his transfer from there to China in 1936

Court Exh. No. 3578: Certificate of TERAOKA, Kohei, Chief of Personnel Section, Foreign Minister's Secretariat, dated 14 Oct 1946, testifying to appointment of ARITA, Hachiro, as Ambassador to Belgium in 1933 and his transfer from there to China in 1936

Court Exh. No. 3578: Certificate of TERAOKA, Kohei, Chief of Personnel Section, Foreign Minister's Secretariat, dated 14 Oct 1946, testifying to appointment of ARITA, Hachiro, as Ambassador to Belgium in 1933 and his transfer from there to China in 1936

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776

Haruka and Haruji of the Kadotamaya as Soga no Goro and Asaina Saburo in the armor-pulling scene, from the series "Comic Performances by the Entertainers of the Pleasure Quarters at the Niwaka Festival (Seiro geiko niwaka kyogen zukushi)"

Haruka and Haruji of the Kadotamaya as Soga no Goro and Asaina Saburo in the armor-pulling scene, from the series "Comic Performances by the Entertainers of the Pleasure Quarters at the Niwaka Festival (Seiro geiko niwaka kyogen zukushi)"

The Actors Sawamura Kijuro I as Ikazuchi Shinno, Prince of Thunder (far left), Ichikawa Danjuro V as the Buddhist Deity Fudo (second from left), Nakamura Sukegoro II as Seitaka Doji (second from right), and Bando Mitsugoro I as Kongara Doji (far right), in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Performed at the Morita Theater in the Eleventh Month, 1771

The Actors Sawamura Kijuro I as Ikazuchi Shinno, Prince of Thunder (far left), Ichikawa Danjuro V as the Buddhist Deity Fudo (second from left), Nakamura Sukegoro II as Seitaka Doji (second from right), and Bando Mitsugoro I as Kongara Doji (far right), in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Performed at the Morita Theater in the Eleventh Month, 1771

The Oriental navigator, or, Directions for sailing to, from, and upon the coasts of, the East-Indies, China, Australia...To the work are prefixed a series of ... tables of the determined positions of all the principle points and places from the British seas to Cape Horn, the Cape of Good Hope, and thence to the islands of Japan, by John Purdy. (Plan of Chatham Island, &c. Whittle & Laurie, London, 1815.)

The Oriental navigator, or, Directions for sailing to, from, and upon the coasts of, the East-Indies, China, Australia...To the work are prefixed a series of ... tables of the determined positions of all the principle points and places from the British seas to Cape Horn, the Cape of Good Hope, and thence to the islands of Japan, by John Purdy. (Plan of Chatham Island, &c. Whittle & Laurie, London, 1815.)

Court Exh. No. 387: Excerpt from despatch dated 20 Mar. 1939, from the American Consulate General at Mukden, in regard to the Manchukuo budget for 1939. Described by Prosecution as "Shows the financial importance of the Opium and Narcotics Traffic to Government of Manchukuo, dated 16 May 1939"

Court Exh. No. 387: Excerpt from despatch dated 20 Mar. 1939, from the American Consulate General at Mukden, in regard to the Manchukuo budget for 1939. Described by Prosecution as "Shows the financial importance of the Opium and Narcotics Traffic to Government of Manchukuo, dated 16 May 1939"

Court Exh. No. 387: Excerpt from despatch dated 20 Mar. 1939, from the American Consulate General at Mukden, in regard to the Manchukuo budget for 1939. Described by Prosecution as "Shows the financial importance of the Opium and Narcotics Traffic to Government of Manchukuo, dated 16 May 1939"

Court Exh. No. 387: Excerpt from despatch dated 20 Mar. 1939, from the American Consulate General at Mukden, in regard to the Manchukuo budget for 1939. Described by Prosecution as "Shows the financial importance of the Opium and Narcotics Traffic to Government of Manchukuo, dated 16 May 1939"

The Actors Nakamura Nakazo I as Chinzei Hachiro Tametomo Disguised as a Pilgrim (left), and Ichikawa Danjuro V as Kazusa no Gorobei Tadamitsu (right), in the "Silent Encounter" Scene (Dammari) from the End of Part One of the Play Kitekaeru Nishiki no Wakayaka (Returning Home in Splendor), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1780

The Actors Nakamura Nakazo I as Chinzei Hachiro Tametomo Disguised as a Pilgrim (left), and Ichikawa Danjuro V as Kazusa no Gorobei Tadamitsu (right), in the "Silent Encounter" Scene (Dammari) from the End of Part One of the Play Kitekaeru Nishiki no Wakayaka (Returning Home in Splendor), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1780

Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet), Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet), unidentified actor as Koshimoto Kodemari, and Iwai Kumesaburō III as Ashikaga Jirō no kimi (left sheet)

Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet), Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet), unidentified actor as Koshimoto Kodemari, and Iwai Kumesaburō III as Ashikaga Jirō no kimi (left sheet)

The Actors Ichikawa Monnosuke II as Karigane Bunshichi, Bando Mitsugoro I as An no Heibei, Ichikawa Danjuro V as Gokuin Sen'emon, Nakamura Sukegoro II as Kaminari Shokuro, and Sakata Hangoro II as Hotei Ichiemon (right to left), in "Gonin Otoko" (Five Chivalrous Commoners), an Interlude in Part Two of the Play Hatsumombi Kuruwa Soga (A Soga Drama on the First Festival Day in the Pleasure District), Performed at the Nakamura Theater from the First Day of the Second Month, 1780

The Actors Ichikawa Monnosuke II as Karigane Bunshichi, Bando Mitsugoro I as An no Heibei, Ichikawa Danjuro V as Gokuin Sen'emon, Nakamura Sukegoro II as Kaminari Shokuro, and Sakata Hangoro II as Hotei Ichiemon (right to left), in "Gonin Otoko" (Five Chivalrous Commoners), an Interlude in Part Two of the Play Hatsumombi Kuruwa Soga (A Soga Drama on the First Festival Day in the Pleasure District), Performed at the Nakamura Theater from the First Day of the Second Month, 1780

Shōgi Chess Board, Chess Pieces and Spring Flowers in Blue-and-White Porcelain Pot/ Chess Pieces (Shōgi koma), from the series A Selection of Horses (Umazukushi), with poems by Shunshōtei Utsukushima and Shūchōdō Monoyana

Shōgi Chess Board, Chess Pieces and Spring Flowers in Blue-and-White Porcelain Pot/ Chess Pieces (Shōgi koma), from the series A Selection of Horses (Umazukushi), with poems by Shunshōtei Utsukushima and Shūchōdō Monoyana

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

[A man and a woman, seen from behind, are looking to where the man is pointing with his left arm, he holds a closed parasol in his right hand; the woman has her hands on her face, it is unclear whether she is peering into the distance or crying]

[A man and a woman, seen from behind, are looking to where the man is pointing with his left arm, he holds a closed parasol in his right hand; the woman has her hands on her face, it is unclear whether she is peering into the distance or crying]

最終更新日: 2019-12-12T18:33:12.449Z

登録日: 2020-12-17