Certificate of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

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Certificate of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Certificate of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Certificate of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Certificate of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Certificates of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Certificates of Swordsmanship Awarded to Sakamoto Ryoma from the Oguri School

Letter from Sakamoto Ryoma to Sakamoto Gonbei on the 9th Day of the10th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to Sakamoto Gonbei on the 9th Day of the10th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to his Sister Otome on the 20th Day of the 3rd Month of Bunkyu 3 (1863)

Letter from Sakamoto Ryoma to his Sister Otome on the 20th Day of the 3rd Month of Bunkyu 3 (1863)

Letter from Sakamoto Ryoma to Nagaoka Kenkichi on the 5th Day of the 8th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to Nagaoka Kenkichi on the 5th Day of the 8th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to his Sister Otome in the First Half of the 4th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to his Sister Otome in the First Half of the 4th Month of Keio 3 (1867)

Letter from Sakamoto Ryoma to his Sister Otome on the 29th Day of the 6th Month of Bunkyu 3 (1863)

Letter from Sakamoto Ryoma to his Sister Otome on the 29th Day of the 6th Month of Bunkyu 3 (1863)

Letter from Kido Takayoshi to Sakamoto Ryoma on the 22nd Day of the 2nd Month of Keio 2 (1866)

Letter from Kido Takayoshi to Sakamoto Ryoma on the 22nd Day of the 2nd Month of Keio 2 (1866)

Letter from Sakamoto Ryoma to his Sister Otome and Wet Nurse Oyabe on the 24th Day of the 6th Month

Letter from Sakamoto Ryoma to his Sister Otome and Wet Nurse Oyabe on the 24th Day of the 6th Month

Letter from Sakamoto Ryoma to his Sister Otome on the 4th Day of the 12th Month of Keio 2 (1866)

Letter from Sakamoto Ryoma to his Sister Otome on the 4th Day of the 12th Month of Keio 2 (1866)

「小栗流和兵法事目録」 (中傳)

「小栗流和兵法事目録」 (中傳)

Letter from Sakamoto Ryoma to his Sister Otome and Wet Nurse Oyabe on the 9th Day of the 9th Month o

Letter from Sakamoto Ryoma to his Sister Otome and Wet Nurse Oyabe on the 9th Day of the 9th Month o

Certificate From a Master of the Hiki School of Archery to a Disciple in 1623 (Hiki-ryū kyūjutsu yurushi-jō)

Certificate From a Master of the Hiki School of Archery to a Disciple in 1623 (Hiki-ryū kyūjutsu yurushi-jō)

Kanze school secret transmission of the 8th year of the meiwa era - short noh chant collection - hanaya illustrated edition

Kanze school secret transmission of the 8th year of the meiwa era - short noh chant collection - hanaya illustrated edition

Hanaōgi of the Ōgiya Brothel from the Series Allusion to the Three Deities of Waka Poetry

Hanaōgi of the Ōgiya Brothel from the Series Allusion to the Three Deities of Waka Poetry

"The Sound of Waves" written by Yukio Mishima. The view of port from an elementary school hill at the back

"The Sound of Waves" written by Yukio Mishima. The view of port from an elementary school hill at the back

Shirai Gonpachi and Miuraya Komurasaki from the Series Competition of Devotees to Love

Shirai Gonpachi and Miuraya Komurasaki from the Series Competition of Devotees to Love

Tapes are thrown to see the soldiers off on the 8th Sadomaru in the 12th Year of Showa

Tapes are thrown to see the soldiers off on the 8th Sadomaru in the 12th Year of Showa

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)

Caricaturana 50: Abuse of article 214 of the civil code: My lady wife, you leave me without anything, you only give me a miserable annuity of three thousand quid, you leave me at your door like a beggar, and furthermore, you want to distance me from Paris, to expatriate me, to deport me!... No,no, I shall not leave Frrrrrance!.. No,no!!... Listen. I owe 10,000 f[rancs] to my friend Bertrand, it's a gentleman debt, I owe the keeper of the cheap eating house 525 and ten francs to my lodging house, total 10,535 f[rancs]; give me a few thousand francs more to distract me from my domestic sorrows and I'll leave you in peace, word of honour!

Caricaturana 50: Abuse of article 214 of the civil code: My lady wife, you leave me without anything, you only give me a miserable annuity of three thousand quid, you leave me at your door like a beggar, and furthermore, you want to distance me from Paris, to expatriate me, to deport me!... No,no, I shall not leave Frrrrrance!.. No,no!!... Listen. I owe 10,000 f[rancs] to my friend Bertrand, it's a gentleman debt, I owe the keeper of the cheap eating house 525 and ten francs to my lodging house, total 10,535 f[rancs]; give me a few thousand francs more to distract me from my domestic sorrows and I'll leave you in peace, word of honour!

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

ROBERT MACAIRE. 2nd Series 19: Macaire inheritor-philanthropist. -You see, Bertrand, my wife is dead, my rights to the inheritance are contestable; I'll offer a third of it to the poor, on condition that they immediately advance me the rest... they'll never touch a brass farthing!... that's how I manipulate legacies!! -Well done, dear fellow! If you don't pick up the Manthyon prize, you'll have been robbed!

ROBERT MACAIRE. 2nd Series 19: Macaire inheritor-philanthropist. -You see, Bertrand, my wife is dead, my rights to the inheritance are contestable; I'll offer a third of it to the poor, on condition that they immediately advance me the rest... they'll never touch a brass farthing!... that's how I manipulate legacies!! -Well done, dear fellow! If you don't pick up the Manthyon prize, you'll have been robbed!

Seichuugishishijuushichikonozou

Seichuugishishijuushichikonozou

Last Updated: 2025-07-22T01:06:05

Uploaded: 2025-07-23