South Vietnamese soldiers after escaping Laos and retreating to the base at KheSanh. South Vietnam

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South Vietnamese government soldiers dropped into rice paddies from a helicopter

South Vietnamese government soldiers dropped into rice paddies from a helicopter

Tokyo Photographic Art Museum

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<The Large Landscapes>: Soldiers at Rest (after Pieter Bruegel the Elder)

<The Large Landscapes>: Soldiers at Rest (after Pieter Bruegel the Elder)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

A South Vietnamese army unit, which spent three weeks reaching a point 25kilometers beyond the Laotian border, eat lunch while watching the thundering

A South Vietnamese army unit, which spent three weeks reaching a point 25kilometers beyond the Laotian border, eat lunch while watching the thundering

Tokyo Photographic Art Museum

Tokyo Museum Collection

The remains of the victims are recovered and placed coffins to be taken away. ANAHaneda Bay crash

The remains of the victims are recovered and placed coffins to be taken away. ANAHaneda Bay crash

Tokyo Photographic Art Museum

Tokyo Museum Collection

Villagers sewing Senninbari (one thousand stitches belt) praying for the safety of soldiers heading to the battlefield

Villagers sewing Senninbari (one thousand stitches belt) praying for the safety of soldiers heading to the battlefield

Tokyo Photographic Art Museum

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NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SMALL-SCALE SPECULATORS 3: -And to think that we're forbidden from going in there to do our little bits of business too... those men! no respect at all for the fair sex!..

SMALL-SCALE SPECULATORS 3: -And to think that we're forbidden from going in there to do our little bits of business too... those men! no respect at all for the fair sex!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

A Biafran soldier suffering from "shell shock," post-traumatic stress disorder caused by the exposure to being shelled and other wartime experiences

A Biafran soldier suffering from "shell shock," post-traumatic stress disorder caused by the exposure to being shelled and other wartime experiences

Tokyo Photographic Art Museum

Tokyo Museum Collection

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

Tokyo Photographic Art Museum

Tokyo Museum Collection

Parliamentary Scenes 7: The elector’s family    We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parliamentary Scenes 7: The elector’s family    We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 1: J. Martial Bineau: Portrait drawn from life at the moment when this terrible person gives himself up to his favourite passtime, which consists of slashing pictures and breaking those objects of art which fall under his hands

The Representatives Represented 1: J. Martial Bineau: Portrait drawn from life at the moment when this terrible person gives himself up to his favourite passtime, which consists of slashing pictures and breaking those objects of art which fall under his hands

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Reality of the Atomic Bombing, approximately 1.4 miles from the hypocenter. At the west end of Miyuki Bridge. Police officers provided first-aid treatment applying oil that they had brought from the provisions depot. shortly after 11:00 am, August 6, 1945

The Reality of the Atomic Bombing, approximately 1.4 miles from the hypocenter. At the west end of Miyuki Bridge. Police officers provided first-aid treatment applying oil that they had brought from the provisions depot. shortly after 11:00 am, August 6, 1945

所有者:中国新聞社。所蔵:日本写真保存センター

Photo Archive Japan Database

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 9: -Mr. Cabassol, how can you still take up arms, after having attended three meetings of the Peace Congress! -Precisely, I’m mounting guard to avoid being at war with my sergeant-major

NEWS 9: -Mr. Cabassol, how can you still take up arms, after having attended three meetings of the Peace Congress! -Precisely, I’m mounting guard to avoid being at war with my sergeant-major

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 163: THE NAPOLEONIC CONSTITUTIONNEL: The Constitutionnel places itself heroically at the head of the Frankish corps recruited from the rue de Valois and the rue de Poitiers to uphold the cause of Prince Louis

NEWS 163: THE NAPOLEONIC CONSTITUTIONNEL: The Constitutionnel places itself heroically at the head of the Frankish corps recruited from the rue de Valois and the rue de Poitiers to uphold the cause of Prince Louis

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 4: Ulysses' introduction to Nausicaa. At the sight of the hero soiled with black mud, / All flee, but Nausicaa, in her naïve modesty; / Blushingly says to him, without quitting her laundry: / Which God, noble stranger, leads you to my wash-house? (Unpublished translation by Mr. Casimir Delavigne)

Ancient History 4: Ulysses' introduction to Nausicaa. At the sight of the hero soiled with black mud, / All flee, but Nausicaa, in her naïve modesty; / Blushingly says to him, without quitting her laundry: / Which God, noble stranger, leads you to my wash-house? (Unpublished translation by Mr. Casimir Delavigne)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25