Coming down the mountain from a village together with more than 30 seriously ill people

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Walking along a road off the highway. According to estimates, more than 300,000 had died from starvation in Ethiopia by this time

Walking along a road off the highway. According to estimates, more than 300,000 had died from starvation in Ethiopia by this time

Tokyo Photographic Art Museum

Tokyo Museum Collection

A protest rally was held to remove the tower, and the riot police clashed violently with farmers and support students. Both sides injured more than 400 people

A protest rally was held to remove the tower, and the riot police clashed violently with farmers and support students. Both sides injured more than 400 people

Tokyo Photographic Art Museum

Tokyo Museum Collection

A protest rally was held to remove the tower, and the riot police clashed violently with farmers and support students. Both sides injured more than 400 people

A protest rally was held to remove the tower, and the riot police clashed violently with farmers and support students. Both sides injured more than 400 people

Tokyo Photographic Art Museum

Tokyo Museum Collection

Farmers and support students participate in the struggle for the first time, clashed with riot police at airport opposition rally at Narita Municipal Ground, 155 people were injured, including Chairman Tomura, and 10 people were arrested. From March 10th to 31st, more than 400 people were injured and more than 100 people were arrested

Farmers and support students participate in the struggle for the first time, clashed with riot police at airport opposition rally at Narita Municipal Ground, 155 people were injured, including Chairman Tomura, and 10 people were arrested. From March 10th to 31st, more than 400 people were injured and more than 100 people were arrested

Tokyo Photographic Art Museum

Tokyo Museum Collection

THE FEASTERS 4: Rifolaed was more charmed than ever at not having got himself killed in the June days, for that would have deprived him of the pleasure of walking in the streets of Boulogne under a rain of flowers

THE FEASTERS 4: Rifolaed was more charmed than ever at not having got himself killed in the June days, for that would have deprived him of the pleasure of walking in the streets of Boulogne under a rain of flowers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

In a village deep in the mountains, 22 kilometers by road from the shelters in the town of Gobi, the wind whistles through huts that were deserted whe

In a village deep in the mountains, 22 kilometers by road from the shelters in the town of Gobi, the wind whistles through huts that were deserted whe

Tokyo Photographic Art Museum

Tokyo Museum Collection

PEOPLE OF THE LAW 32: -Let them speak a little ill of you... let them say it... in just a moment I myself will insult your adversary's whole family!..

PEOPLE OF THE LAW 32: -Let them speak a little ill of you... let them say it... in just a moment I myself will insult your adversary's whole family!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE HUNT 6: -Here, I've just killed a magnificent gouse!... -But, wretched man!... that's Brahma the cock from the neighbouring farm..., a cock that'll perhaps cost you more than thirty francs... without counting the pitchfork blows!..

SKETCHES OF THE HUNT 6: -Here, I've just killed a magnificent gouse!... -But, wretched man!... that's Brahma the cock from the neighbouring farm..., a cock that'll perhaps cost you more than thirty francs... without counting the pitchfork blows!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[NEWS 137]: Still the marvels of the hyponotising diamond. - or the manner, in society, to make ladies take up poses not less tiring than awkward

[NEWS 137]: Still the marvels of the hyponotising diamond. - or the manner, in society, to make ladies take up poses not less tiring than awkward

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

重宝な人絹 : 知らぬ間に日用品として様々なものに使用され : 洗濯のきくものも出来た

重宝な人絹 : 知らぬ間に日用品として様々なものに使用され : 洗濯のきくものも出来た

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TENANTS AND LANDLORDS 30: -Look how they've ruined my walls with their chimney flues... tenants shouldn't be allowed to light fires!..

TENANTS AND LANDLORDS 30: -Look how they've ruined my walls with their chimney flues... tenants shouldn't be allowed to light fires!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PEOPLE OF THE LAW 24: -What a pity that charming little woman didn't ask me to defend her... how I would have argued that her husband is a rascal!..

PEOPLE OF THE LAW 24: -What a pity that charming little woman didn't ask me to defend her... how I would have argued that her husband is a rascal!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine!  (aside) and his wife who is waiting for me at home!

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine! (aside) and his wife who is waiting for me at home!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Emotions 1: Aren't they dreary!... see how they make off!... what it is not to live in property!!!... My little loves, when you come by again we should warn you, we'll burn pastilles from the Seraglio for you..

Parisian Emotions 1: Aren't they dreary!... see how they make off!... what it is not to live in property!!!... My little loves, when you come by again we should warn you, we'll burn pastilles from the Seraglio for you..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 4: THE GATHERER OF CIGAR BUTTS: They're not going to stop, those chaps there! they're bailiffs' clerks, they'll smoke them to ashes, and no means of getting plugs of tabacco from them

BOHEMIANS OF PARIS 4: THE GATHERER OF CIGAR BUTTS: They're not going to stop, those chaps there! they're bailiffs' clerks, they'll smoke them to ashes, and no means of getting plugs of tabacco from them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

PARISIANS TYPES 26: Yes, Sir, your respectable air encourages me: you see in me a first tenor who has lost his DO, but who still has his wife. With eighteen children, and nothing more! nooo... thing mmmm... ore; lend me fifteen pounds or so! -I've only got a forty franc piece on me! -I'll give it back to you!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-04-04

Uploaded: 2026-03-25