A job at last (employment security office, Iidabashi)

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Gaze at advertisement for help (employment security office, Iidabashi)

Gaze at advertisement for help (employment security office, Iidabashi)

Tokyo Photographic Art Museum

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Line without break (employment security office, Iidabashi)

Line without break (employment security office, Iidabashi)

Tokyo Photographic Art Museum

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BOHEMIANS OF PARIS 17: THE WORKER FOR A LABOUR EXCHANGE: Employed at fifteen sous a day, as a secret bill-poster, what a fate! They're asking for a replacement, by Jove, as are my hat and my clothes, and above all my last night's supper's asking for a replacement!

BOHEMIANS OF PARIS 17: THE WORKER FOR A LABOUR EXCHANGE: Employed at fifteen sous a day, as a secret bill-poster, what a fate! They're asking for a replacement, by Jove, as are my hat and my clothes, and above all my last night's supper's asking for a replacement!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

周旋料を公定 : 悪くなった職業紹介所 : 不真目な求人求職 : 公に出来た紹介所の影響

周旋料を公定 : 悪くなった職業紹介所 : 不真目な求人求職 : 公に出来た紹介所の影響

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

Tokyo Photographic Art Museum

Tokyo Museum Collection

Ancient History 14: Ulysses and Penelope. Chastely stretched on their bashful marriage-bed; / This noble married couple find themselves at last. / And when Ulysees snores, from his charming mouth / Penelope steals a loving kiss (Trifling work by Mr. Vatout)

Ancient History 14: Ulysses and Penelope. Chastely stretched on their bashful marriage-bed; / This noble married couple find themselves at last. / And when Ulysees snores, from his charming mouth / Penelope steals a loving kiss (Trifling work by Mr. Vatout)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine!  (aside) and his wife who is waiting for me at home!

TRIVIAL THINGS 7: -Come to dinner, my wife dines in town: we will be fellows together. -Ah,deuce,I have a migraine! (aside) and his wife who is waiting for me at home!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

府の社会事業協会へ安田家から百万円寄付 : 失業問題解決の為めに近く全国の失業者を調査し統計を作って職業紹介所の拡張

府の社会事業協会へ安田家から百万円寄付 : 失業問題解決の為めに近く全国の失業者を調査し統計を作って職業紹介所の拡張

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

不景気風に募る労働不安 : 今春来働かず金を貰って居た外人会社職工解雇条件設定を馘首されぬ前にと要求

不景気風に募る労働不安 : 今春来働かず金を貰って居た外人会社職工解雇条件設定を馘首されぬ前にと要求

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

PASTORALS 34: --Will you shut up with your Cock-a doodle-doos...there's no point in coming to the country to sleep peacefully, -I'm woken everyday at three o'clock in the morning... I slept better in Paris, even when my wife was alive!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved  for the homeless and poodles without papers!..

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 24: Cabs as stocks: It's not going well, my horse is failing, expenses consume me, I'm dying of hunger. -My poor Bertrand, how stupid you are! Exchange your turkey-hen for a thoroughbred, your old 1200 quid carriage for a tilbury, your livery misery of a jockey's silk, go to it... Capital thrrrrrree hundred thousand francs!  Doughty deeds, random tricks, will increase your out-goings, lessen your gains, you'll recoup your losses in abundance!! -In abundance of what? -In abundance of shares, fool!!

Caricaturana 24: Cabs as stocks: It's not going well, my horse is failing, expenses consume me, I'm dying of hunger. -My poor Bertrand, how stupid you are! Exchange your turkey-hen for a thoroughbred, your old 1200 quid carriage for a tilbury, your livery misery of a jockey's silk, go to it... Capital thrrrrrree hundred thousand francs! Doughty deeds, random tricks, will increase your out-goings, lessen your gains, you'll recoup your losses in abundance!! -In abundance of what? -In abundance of shares, fool!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 10: THE CHIEF ADMINISTRATOR OF THE EMPIRE: Deuce, deuce! I've taken advantage of Véry, Véfour, the Café Anglais, I've disappeared without paying, on the pretext of an important post I'm waiting for... here am I descended to 32 sous dinners and they give me my bill... I shall have to change my standing... I'm going to play the banker who's forgotten his purse

BOHEMIANS OF PARIS 10: THE CHIEF ADMINISTRATOR OF THE EMPIRE: Deuce, deuce! I've taken advantage of Véry, Véfour, the Café Anglais, I've disappeared without paying, on the pretext of an important post I'm waiting for... here am I descended to 32 sous dinners and they give me my bill... I shall have to change my standing... I'm going to play the banker who's forgotten his purse

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25