He Tore Himself in Two [from "Six Fairy Tales from the Brothers Grimm"]

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Mt. Fuji from Okitsu from "Thirty-six Views of Fuji, the Holy Mountain"

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The Railways 12: -Guard!... Guard!... stop in the name of heaven!... I've got stomack-ache!... -Impossible.. the management forbids it!... but in two and a quarter hours we’ll be in Orleans!..

The Railways 12: -Guard!... Guard!... stop in the name of heaven!... I've got stomack-ache!... -Impossible.. the management forbids it!... but in two and a quarter hours we’ll be in Orleans!..

The National Museum of Western Art, Tokyo

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PARLIAMENTARY IDYLLS 4: FLORA AND ZEPHYR (DE LA MEURTHE.): Lightly he balances himself / On a foot barely skimming the water's surface:/ Flora who admires him in silence / Says to herself. / Ah! God damn it all, how beautiful he is! (Translated from Anacreon by Ratapoil, retired police colonel, member of Châlons sur Marne society of literature and of the society of the Tenth-of-December in Paris)

PARLIAMENTARY IDYLLS 4: FLORA AND ZEPHYR (DE LA MEURTHE.): Lightly he balances himself / On a foot barely skimming the water's surface:/ Flora who admires him in silence / Says to herself. / Ah! God damn it all, how beautiful he is! (Translated from Anacreon by Ratapoil, retired police colonel, member of Châlons sur Marne society of literature and of the society of the Tenth-of-December in Paris)

The National Museum of Western Art, Tokyo

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The Representatives Represented 5: Adolphe Crémieux (Minister in hopes) Great lover of change, nothing would be missing from his happiness if one day he changed his face!

The Representatives Represented 5: Adolphe Crémieux (Minister in hopes) Great lover of change, nothing would be missing from his happiness if one day he changed his face!

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The Representatives Represented 5: Adolphe Crémieux (Minister in hopes) Great lover of change, nothing would be missing from his happiness if one day he changed his face!

The Representatives Represented 5: Adolphe Crémieux (Minister in hopes) Great lover of change, nothing would be missing from his happiness if one day he changed his face!

The National Museum of Western Art, Tokyo

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6. When all My Five and Country Senses See from "The Green Fuse-A Collection of Poems and Wood Engravings"

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The National Museum of Modern Art, Tokyo

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Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

The National Museum of Western Art, Tokyo

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Parisian Freebooters 6: The Umbrella-trick: The freebooter takes advantage of the storm [,] going about it in the manner you see [here]... he pushes his umbrella into the face of a passer-by and seizes his victim's Watch, Purse or Pocket-book

Parisian Freebooters 6: The Umbrella-trick: The freebooter takes advantage of the storm [,] going about it in the manner you see [here]... he pushes his umbrella into the face of a passer-by and seizes his victim's Watch, Purse or Pocket-book

The National Museum of Western Art, Tokyo

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THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

THE BACHELOR'S DAY 5: 11 O'CLOCK IN THE MORNING: Mr. Coquelet wishing to offer a bouquet of violets to Miss Palissandre, reproaches himself for his prodigality; and washing his handkerchief with his own hands, clears his conscience by means of this economy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

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Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

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NEWS 27: -Yes, Mrs.Chaboulard, there're twenty four grocers who've joined together and taken the oath to murder president Dupin.  -The horror of it!... but also why doesn't the government watch the grocers better... I said it a long time ago, all grocers are scoundrels!... and to prove it, yesterday mine sold me mustard for two sous and he only gave me six liards' worth... I'm going to denounce him, he'll be one of the twenty four!..

NEWS 27: -Yes, Mrs.Chaboulard, there're twenty four grocers who've joined together and taken the oath to murder president Dupin. -The horror of it!... but also why doesn't the government watch the grocers better... I said it a long time ago, all grocers are scoundrels!... and to prove it, yesterday mine sold me mustard for two sous and he only gave me six liards' worth... I'm going to denounce him, he'll be one of the twenty four!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

PARLIAMENTARY IDYLLS 12: Cupid, a shrewd god, but full of vanity, / Bounds upon the table at the risk of a sprain, / In order to prove that his figure is wholly beautiful, / Between the two candlesticks he shows them his torso!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented / The Legislative Assembly 37: General Ducos de Lahitte: Portrait of this Minister of Foreign Affairs, as he appears to simple mortals, on those occasions - seldom less rare than solemn - when he comes forth in the tribune to show us his eloquence and his moustache. Above all, his moustache achieves the greater effect

The Representatives Represented / The Legislative Assembly 37: General Ducos de Lahitte: Portrait of this Minister of Foreign Affairs, as he appears to simple mortals, on those occasions - seldom less rare than solemn - when he comes forth in the tribune to show us his eloquence and his moustache. Above all, his moustache achieves the greater effect

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25