Great Kanto Earthquake Illustration: Person Attempting to Rebuild, I Came to the Fire Devastation and These are Now My Only Assets, Courage to These Two Arms

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ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon  your arms: I die or I cling

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

TODAY'S PHILANTHROPISTS 15: -Come closer, friends, do not be ashamed... you see that it is only I myself!... you are five hundred... good... today I am going to distribute these twenty three bunches of faggots and this pot-full of broth, broth in which each week I pour the best part of my fortune!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 3: Achilles in his tent. In tears, remembering the charms of Briseis / The hero enjoys his dismal sadness. / And in vain, Patrocles, polishing his weapons / Tries to awaken his burning courage. (Secret translation by President P.) This precious bas-relief was discovered in the ruins of the ancient Boule rouge [Red Ball] (Montmartre suburb) by our indefatigable traveller, Mr. Charles Texier. According to Mr. Ingres, only Phidias could have been its maker

Ancient History 3: Achilles in his tent. In tears, remembering the charms of Briseis / The hero enjoys his dismal sadness. / And in vain, Patrocles, polishing his weapons / Tries to awaken his burning courage. (Secret translation by President P.) This precious bas-relief was discovered in the ruins of the ancient Boule rouge [Red Ball] (Montmartre suburb) by our indefatigable traveller, Mr. Charles Texier. According to Mr. Ingres, only Phidias could have been its maker

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-27

Uploaded: 2026-03-25