a pottery produced by five potters at once (silent attempt)

A predation attempt by an Oriental Cuckoo on Asian Stubtail nestlings

Osaka Museum of Natural History

Movie Archives of Animal Behavior

Kyuusokuna kamishimeji ni mitomerareru koukin no dousazen silent period ni tsuite

NDL Digital Collections

NDL Digital Collections

Head of an old man --one of five exprimental etchings on one plate by Daumier; Henri Harpignies; Felician Rops; and Taiee

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

In the dark nest, a red-flanked bushrobin host attempting twice to place food onto the wing patch of the Horsfield's hawk cuckoo chick by mistake

Osaka Museum of Natural History

Movie Archives of Animal Behavior

People Entering into the Imperial Palace by Standing in a Line (Looking at the Imperial Palace Square)

Tokyo Photographic Art Museum

Tokyo Museum Collection

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town

Tokyo Photographic Art Museum

Tokyo Museum Collection

透明度をもつ独特な磁器生る : 白雲陶器を改良して国立瀬戸試験場の誇り

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

THE UNIVERSAL EXHIBITION [15]: THE TURNSTILE: A new machine invented by an enemy of crinolin skirts

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 18: Today's witticism. What is Diogenes doing with a lantern? / Said the elegantly turnd-out Dandies to themselves. / Sirs, I am looking for a man, and with my slow, dim eye. / I can't see him; said he: those words really annoyed them (Attempt at poetry by Mr. de Rambuteau)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: －Twenty four hours to pay the interest at twelve per cent!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

回覧(ごみ容器による定時収集作業実施のお知らせにつき)

Edo-Tokyo Museum

Tokyo Museum Collection

Teachers and Rascals 9: The foolhardy young who allow themselves to be carried away by a point of honour, and who snap their fingers at the checks of the highest Appeal Court in the land

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 17: THE WORKER FOR A LABOUR EXCHANGE: Employed at fifteen sous a day, as a secret bill-poster, what a fate! They're asking for a replacement, by Jove, as are my hat and my clothes, and above all my last night's supper's asking for a replacement!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCH OF THE DAY 28: You know the fat deputy from opposite, who's a representative at 25 francs a day, well, this morning I read off the newspaper that they'd given him a commission! －A commission pays generally seventy five centimes without even a written decision... on that day he should've made 25 francs 15 sous, what luck!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Chagamadentoukougeishioikawatetsushimizusawashihadachougendainonanbutekkinodaihyousakunohitotsudearu

Photo Archive Japan

Photo Archive Japan Database

MEMORIES OF THE PEACE CONGRESS 1: Victor Hugo, in a lecture of three points, demonstrates the futility of military glory, and proves by example that the crown of laurels could be replaced to advantage by a crown of roses! this gives him the advantage of making a novel effect of his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Sketches Taken by Daumier at the Exhibition 4: －Personally, what I like in the sculpture room is that you can always find somewhere to sit down!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play －Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: －Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. －The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 47: Pygmalion. Oh triumph of arts! what was your surprise, / Great scupltor, when you saw your marble come alive, / And with a chaste and gentle manner lean forward / To ask for a pinch [of snuff]. (Count Siméon)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Sketch Taken by Daumier at the Salon 1(but numbered: “2”) : －This year yet more Venuses... always Venuses!... as if there were women made like that!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 6: CHINESE PROPRIETY. In this country they have a singular idea of propriety!... the most chaste young girl, the most upstanding woman do not blush, by a prodigious exaggeration of forms, to call attention to a certain quarter to which they give the appearance of a veritable air-balloon... they call that a bustle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 17: Shops of greater and greater enormity －Can you show me, please, where the counter for cotton bonnets is?... －At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... －Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARLIAMENTARY IDYLLS 9: Come to play in the field, /A roguish urchin said to him; / Barrot, from good humour / Does not suspect until too late! / In vain he strives, / But once you have allowed yourself to be deceived / There, as elsewhere, a lost position, / Is difficult to regain! Moral stanzas By General d'Hautpoul. (cultivating the Muses in secret.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan