MUSICAL SKETCHES 17: The orchestra while a Tragedy is performed

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: － Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

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Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 14: A dreadful trio

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Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 10: A difficult passage

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Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 12: Amateurs of fashionable society

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 9: Obligatory preludes to all amateur concerts

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Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 5: A gentleman managing to prove that he is able to sing and play the piano at the same time － which is a great discomfort

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 1: Parisian music lovers taking advantage of Rossini's sojourn in Italy to allow themselves to perform a bit of William Tell

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 13: A music-loving family beginning to rehearse from the morning the great piece which it will sing in the evening at the concert given at Mr. Coquardeau's

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

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Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy

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Union Catalog of the Collections of the National Art Museums, Japan

MUSICAL SKETCHES 18: The first act of a café-concert, singing from seven o'clock until midnight, with or without trills, according to the taste of the consumers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN SKETCHES 7: In contemplation before the opera's ship, － at least it is not before that of the porte St. Martin, － nor indeed that of the ambigu [sic], － anyway, what is certain is that they are gazing upon a vessel

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE 15: That which proves to us why it is pertfectly useless to spout gracious compliments to the public, in the play's final couplet

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Union Catalog of the Collections of the National Art Museums, Japan

NEWS 51: Physiognomies of the audience at the Porte-St-Martin during a production of Richard III

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Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. －A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, －the least pretty of all known rings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE 4: THE-STAGE-MANAGER. － You play kings ineffectually, I'm going to hit you with a fine of not less than one franc fifty, for having missed your entry

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Union Catalog of the Collections of the National Art Museums, Japan

Musicians of Paris 4: Modern Paganini, burning his forelock in the fire of the performance!

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Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 17: (The pit at the Odéon) － The author!... the author!... the author!... － Gentlemen, your impatience will be satisfied... you wish to know who is the author of this play which has just received such a great, and I should say, such justifiable, success... the author... is meeeeee!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: －make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

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Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: －Sir, it's a three sou letter... －Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

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Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: －Sir, it's a three sou letter... －Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF EXPRESSIONS 17: Mistah Guguste and my mummy they wanted to go bye-byes, they were tired and..and...and what they said to me was...go and play in the garden, and I... and I...didn't make any noise and I played

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan