PARISIAN MEN IN 1852. 3: The enthusiasts' bench. －A view taken at the opera

PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 4: A benefit day [at the theatre]: Having paid ten francs for their seats

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 2: A gentleman who bursts into flames in every season

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 10: Posing as appraisers of good theatre

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 7: Conjugal tenderness: － an intimate scene on the 1st of January of each year, the solemn day of New Year's gifts

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 5: I like her a lot, that little lady there... although she looks like my wife!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 1: The new Talma cape, thus named because it gives to him who wears it an utterly comic appearance

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF SUMMER 7: View taken of a refreshment room in a bath-house on the Seine

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMIES ON THE RAILWAYS 2: Platform for the Brussels line. － A view taken on a day of difficult selling-off at the Stock-Exchange

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Courtesan in front of a Fence, right sheet of the triptych View of the Raijinmon Gate at Asakusa

Van Gogh Museum

Van Gogh Museum Online Collection

PARISIAN IN 1848. 3: －Yes, citizen, I demand the most complete abolition of factions!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN IN 1848. 3: －Yes, citizen, I demand the most complete abolition of factions!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. － Sir, I wish you a good and happy one. The proprieter. － Very good, thank you! The door-keeper. － Good and happy for the man who wrings your neck, you miserable old skinflint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN SKETCHES 7: In contemplation before the opera's ship, － at least it is not before that of the porte St. Martin, － nor indeed that of the ambigu [sic], － anyway, what is certain is that they are gazing upon a vessel

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

“Act II, Scene 5: At the Opera in Paris,” from the series The Strange Tale of the Castaways: A Western Kabuki

Metropolitan Museum of Art

The Metropolitan Museum of Art Open Access CSV

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: －make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 6: － [May] I introduce to you my son Théodule, scarely out of college and he's already made a multitude of victims... al the young women wish to marry him! － The bad boy!... he takes after his father!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Emotions 38: The origin of Bedouins in Paris

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Two Women in a Covered Boat, left sheet of the triptych View of Evening Cool at Azuma Bridge

Van Gogh Museum

Van Gogh Museum Online Collection

Rustic Genji Holding a Fan, left sheet of the triptych View of Genji at Akashi Bay in Different Writing Styles

Van Gogh Museum

Van Gogh Museum Online Collection

MUSICAL SKETCHES 1: Parisian music lovers taking advantage of Rossini's sojourn in Italy to allow themselves to perform a bit of William Tell

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ORIENTAL-PORCELIAN-VASE-MANIA 8: A fake vase from Japan causing admiration in three genuine blokes

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Boating Men 14: A man in to the sea: －Harpoon him more vigorously... we won’t get him without! －And you, hold his legs in the air, that’s the important thing!... nothing gives you a cold more than getting the soles of your feet wet!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[NEWS 140]: A USEFUL APPLICATION FOR THE HYPNOTISING DIAMOND － My wife is well hyponotised!... I can quietly clear off to the opera ball... sleep soundly duckie!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan