SKETCHES OF AUTUMN by DAUMIER 5: -Look here the sparrow was perching in that tree, it's very easy to shoot. -Yes, but if I kill it, we'll no longer have the opportunity to hunt tomorrow... it's the last one in our garden

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EVERYTHING YOU COULD WANT 40: -For three months, your grace has been posing always like that... now the portrait's no longer a likeness... it's no longer that!..

EVERYTHING YOU COULD WANT 40: -For three months, your grace has been posing always like that... now the portrait's no longer a likeness... it's no longer that!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 2: THE GLEANER: What, not a needle,... not a handkerchief!... there's no longer any means of doing your job... it's the banker's wives, they don't leave anything lying around!..

BOHEMIANS OF PARIS 2: THE GLEANER: What, not a needle,... not a handkerchief!... there's no longer any means of doing your job... it's the banker's wives, they don't leave anything lying around!..

The National Museum of Western Art, Tokyo

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The Blue-stockings 27: It's curious... many ideas come to me... that..

The Blue-stockings 27: It's curious... many ideas come to me... that..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THRILLS OF THE HUNT 13: -It's no use their having told me their guns are charged only with small shot, it's no less deeply upsetting to have my head aimed at like this for the next three hours!... I tremble in case they dream they meet a rabbit!..

THRILLS OF THE HUNT 13: -It's no use their having told me their guns are charged only with small shot, it's no less deeply upsetting to have my head aimed at like this for the next three hours!... I tremble in case they dream they meet a rabbit!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 77: Not surprising that it's long with as many crossings out as that

NEWS 77: Not surprising that it's long with as many crossings out as that

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 77: Not surprising that it's long with as many crossings out as that

NEWS 77: Not surprising that it's long with as many crossings out as that

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

It was indeed worth the trouble of having us killed!

It was indeed worth the trouble of having us killed!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 89: Well now!... they no longer seem to be troubling with me at all!

NEWS 89: Well now!... they no longer seem to be troubling with me at all!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

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THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 1: -Oh my god! they 've set fire to the neighbour's house!... don't look, Théodore, it'll hurt you too much!... -Why no... it's he who 's just lit up his window with three Chinese lanterns!..

THE ALARMISTS AND ALARMED. 1: -Oh my god! they 've set fire to the neighbour's house!... don't look, Théodore, it'll hurt you too much!... -Why no... it's he who 's just lit up his window with three Chinese lanterns!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN IN 1848. 1: -Well... I didn't recognise you... what moustaches!...  -It's necessary... I've been made a corporal..

PARISIAN IN 1848. 1: -Well... I didn't recognise you... what moustaches!... -It's necessary... I've been made a corporal..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 11: Again my creditors, always my creditors... it's em... thing!... What do those animals want form me?... would that they'd leave me in peace!... Me, do I ask anything of them

ROBERT MACAIRE. 2nd Series 11: Again my creditors, always my creditors... it's em... thing!... What do those animals want form me?... would that they'd leave me in peace!... Me, do I ask anything of them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Political Caricatures 69: There, there's a coconut! It's fresh..

Political Caricatures 69: There, there's a coconut! It's fresh..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 10: OH WELL! TOO BAD!...WE'LL PLEAD... I LIKE THAT BETTER!!..

PARISIANS TYPES 10: OH WELL! TOO BAD!...WE'LL PLEAD... I LIKE THAT BETTER!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 100: A FILIAL HOMMAGE: Yes, it's Leonidas... it's certainly Leonidas...(The happy father deems it necessary to become tender because he recognises Leonidas.)

LIFE'S HAPPY DAYS 100: A FILIAL HOMMAGE: Yes, it's Leonidas... it's certainly Leonidas...(The happy father deems it necessary to become tender because he recognises Leonidas.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE HUNT 5: -Well!... Are we going to continue our hunting, despite the vile weathe?... -No! absolutely not..., it's raining... the game fear the rain as much as we do..., they can't fail to come and shelter in this cottage, and we're going to bag lots of them!..

SKETCHES OF THE HUNT 5: -Well!... Are we going to continue our hunting, despite the vile weathe?... -No! absolutely not..., it's raining... the game fear the rain as much as we do..., they can't fail to come and shelter in this cottage, and we're going to bag lots of them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 184: AN UNLUCKY FIGHTER: See, here, my friend Léon, gulp this down for me... it's Argenteuil balsam...it's worked every time one of my men has been unwise enough to separate from my gang and has got a frightful beating up!...another  time, don't go out alone against the majority!..

NEWS 184: AN UNLUCKY FIGHTER: See, here, my friend Léon, gulp this down for me... it's Argenteuil balsam...it's worked every time one of my men has been unwise enough to separate from my gang and has got a frightful beating up!...another time, don't go out alone against the majority!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 167: Do you think perhaps it's a spectator... well not even that!... it's the director!!!

NEWS 167: Do you think perhaps it's a spectator... well not even that!... it's the director!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Uploaded: 2023-01-17