TRAGEDY 2: “Come, worthy upholders of Roman grandeur,” “Approach, Caesar’s comrades!...” (The Death of Caesar)

Painting of Rome: The Death of Sapphira

Painting of Rome: The Death of St. Benedict

La Tauromaquia [The Bullfight]: Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon

La Tauromaquia [The Bullfight]: The unlucky death of Pepe Illo in the ring at Madrid

A Roman View of the Ruins of the Temple of Venus and Rome with the Colosseum and the Arch of Constantine

The Life of the Virgin in Emblems: The Doe Lamenting the Death of Her Fawn

The Death of the Virgin (after Pieter Bruegel)

The Dance of Death: An den Mond

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: － Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

Tsukiji Small Theater: 42nd Performance “The Death of Tintagiles/The Blinds/The Wolves”

PARISIAN MEN IN 1852. 8: A Parisian man [who has] remained faithful to the cult of Tragedy

NEWS 388: Mr. Hume dispensing with the fantasy of having his boots polished by Julius Caesar

NEWS 97: The soothsayers of Empire prepare themselves to consult the entrails of sacred ducks before Caesar chooses other ministers

NEWS 97: The soothsayers of Empire prepare themselves to consult the entrails of sacred ducks before Caesar chooses other ministers

The Dance of Death: Zur Gespenstersonate von A. Strindberg

The Masque of the Red Death from Series of Copperplates "A Homage to Edgar Allan Poe"

TRAGEDY 1: “What pains has this charming face cost me!...” (Phèdre)

The Fall and Salvation of Mankind through the Life and Passion of Christ: (38) Death of the Virgin

The Large Miseries of War: Dying Soldiers by the Roadside

Ancient History 44: The death of Anacreon

Ancient History 49: The death of Sappho

The Disasters of War: Collection of corpses

After "Where Do We Come From?" from "The Earth of Light"

News 40: － It is not true that this tragedy contains beauties of the first order... and yet it was refused by the committee of the Théâtre Français and even by that of the Odéon... there is only one thing left: I am going to leave my manuscript with the caretaker of the Gymnasium, without giving my name!