Stopping guarding by intruders after taking over in the hermit crab Pagurus minutus

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Arising from the ground with paper in left hand

Arising from the ground with paper in left hand

Tokyo Photographic Art Museum

Tokyo Museum Collection

In a village deep in the mountains, 22 kilometers by road from the shelters in the town of Gobi, the wind whistles through huts that were deserted whe

In a village deep in the mountains, 22 kilometers by road from the shelters in the town of Gobi, the wind whistles through huts that were deserted whe

Tokyo Photographic Art Museum

Tokyo Museum Collection

Mutual Relation of the Object and the Image in the Infinity, or the Hollow Head and the Pump Bottom

Mutual Relation of the Object and the Image in the Infinity, or the Hollow Head and the Pump Bottom

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

EVERYTHING YOU COULD WANT 48: -They said to the Government that it wasn't progressing, so naturally it got the idea of taking all the railways!... -That's wanting to go too fast!..

EVERYTHING YOU COULD WANT 48: -They said to the Government that it wasn't progressing, so naturally it got the idea of taking all the railways!... -That's wanting to go too fast!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Dr. Ceriani resting in his kitchen, after having spent the night operating. Kremmling, Colorado, USA. 1948

Dr. Ceriani resting in his kitchen, after having spent the night operating. Kremmling, Colorado, USA. 1948

Tokyo Photographic Art Museum

Tokyo Museum Collection

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved  for the homeless and poodles without papers!..

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Self-Portrait in Soft Hat and Embroidered Cloak

Self-Portrait in Soft Hat and Embroidered Cloak

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Pro-divorce Women 5: A toast to the emancipation of women, by women already emancipated with a vengeance

Pro-divorce Women 5: A toast to the emancipation of women, by women already emancipated with a vengeance

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..

Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Suddenly I felt better. Maybe it was the magic of the old woman, or the gods had pity on me

Suddenly I felt better. Maybe it was the magic of the old woman, or the gods had pity on me

Tokyo Photographic Art Museum

Tokyo Museum Collection

SKETCHES OF EXPRESSIONS 30: You'll see!...you'll see! that'll stop the blood as if by hand!..

SKETCHES OF EXPRESSIONS 30: You'll see!...you'll see! that'll stop the blood as if by hand!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

News 122: The last day for the submission of pictures:  -Heavens above! -we're already here and my picture isn’t finished... I’m annoyed at having hired my porter for the whole day, I would sooner have had him carry it by the hour!..

News 122: The last day for the submission of pictures: -Heavens above! -we're already here and my picture isn’t finished... I’m annoyed at having hired my porter for the whole day, I would sooner have had him carry it by the hour!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF SUMMER 6: THEATRES IN THE MONTH OF AUGUST. They dream that the auditorium is full to the brim and that they argue over programmes and small seats..., let's not wake them!..

SKETCHES OF SUMMER 6: THEATRES IN THE MONTH OF AUGUST. They dream that the auditorium is full to the brim and that they argue over programmes and small seats..., let's not wake them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Musicians of Paris 1: Farewell!... by the grace of God..

Musicians of Paris 1: Farewell!... by the grace of God..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

6kagetsu sobahechikazukutoaiteninattemoraitagaru

6kagetsu sobahechikazukutoaiteninattemoraitagaru

Photo Archive Japan Database

6kagetsu sobahechikazukutoaiteninattemoraitagaru

6kagetsu sobahechikazukutoaiteninattemoraitagaru

Photo Archive Japan Database

6kagetsu sobahechikazukutoaiteninattemoraitagaru

6kagetsu sobahechikazukutoaiteninattemoraitagaru

Photo Archive Japan Database

A Photograph of the Plastic Model That I Can't Put Together after Eight Years Because I Want Make a Neat Job of It

A Photograph of the Plastic Model That I Can't Put Together after Eight Years Because I Want Make a Neat Job of It

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

開設した日語学校に投石!放火! : だがわき眼もふらなかった : 張鷹相氏

開設した日語学校に投石!放火! : だがわき眼もふらなかった : 張鷹相氏

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 198: A member of the society of the tenth of December taking up the note la to bawl long live the Emperor... with two botttles as the tuning-fork

NEWS 198: A member of the society of the tenth of December taking up the note la to bawl long live the Emperor... with two botttles as the tuning-fork

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 4: Rifolaed was more charmed than ever at not having got himself killed in the June days, for that would have deprived him of the pleasure of walking in the streets of Boulogne under a rain of flowers

THE FEASTERS 4: Rifolaed was more charmed than ever at not having got himself killed in the June days, for that would have deprived him of the pleasure of walking in the streets of Boulogne under a rain of flowers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Last Updated: 2025-07-01

Uploaded: 2025-07-02