The Heroine Osai, from the Play “1” by Chikamatsu
- People
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Yari no gonza kasane katabira yamazaki yojibee nebiki no kadomatsu
NDL Digital Collections
NDL Digital Collections

Fragment from the Kobori (or Hari) Edition of the Poetry Collection by the Son of Minamoto Tsugeyuki
Kyoto National Museum
Integrated Collections Database of the National Museums, Japan

Matsumoto Koshiro VII as Ikyu the Breaded, from "Portraits by Shunsen"
The National Museum of Modern Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Ofusa and Tokubei: The Izutsuya Scene from Kasane Izutsu (Love suicides at the sunken well), New Edition, Part One
Los Angeles County Museum of Art
Norton Simon Museum Collection
Accoutrements for a Bride, from the Spring Rain Collection (Harusame shū), vol. 1
Metropolitan Museum of Art
The Metropolitan Museum of Art Open Access CSV

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town
Tokyo Photographic Art Museum
Tokyo Museum Collection
The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Metropolitan Museum of Art
The Metropolitan Museum of Art Open Access CSV

The Representatives Represented 9: Félix Pyat: Convinced by the speech delivered by Félix Pyat in favour of the right to work, Daumier immediately claimed the right to work at the expense of this orator from the highlands
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 9: Félix Pyat: Convinced by the speech delivered by Félix Pyat in favour of the right to work, Daumier immediately claimed the right to work at the expense of this orator from the highlands
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Bandō Hikosaburō III in the Role of Obiya Chōemon and Iwai Hanshiro IV in the Role of Shinanoya Ohan, from the Play “Nihonmatsu Michinoku sodachi”
Metropolitan Museum of Art
The Metropolitan Museum of Art Open Access CSV
![Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him](https://search.artmuseums.go.jp/jpeg/small/nmwa/0036520001.jpg)
Double Faces 1: The Uncle-The Nephew: [On the left of the page, vertically]: (The Nephew, aloud) I've been given a little too much, that's bad -(The Uncle, aside) I'll inherit from my nephew, how strange! [On the right of the page,vertically]: (The Uncle, aloud) I'm not well, my friend. -(The Nephew, aside)Things are going well, I'm going to inherit from him
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

A scene from the tense memorial rally for Michiko Kanba. At Hibiya Park in Tokyo
Tokyo Photographic Art Museum
Tokyo Museum Collection
![SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. -A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, -the least pretty of all known rings](https://search.artmuseums.go.jp/jpeg/small/nmwa/0038330001.jpg)
SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. -A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, -the least pretty of all known rings
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
「宮城野 岩井松之助」「しのぶ 沢村訥子」「咲揃八重の花形」「おさん 中村福助」
The Tsubouchi Memorial Theatre Museum, Waseda University
The database of ukiyo-e

THE PORTERS OF PARIS 1: It's no use my letting you see my apartment... we don't let to mothers of families who have children!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parisian Emotions 1: Aren't they dreary!... see how they make off!... what it is not to live in property!!!... My little loves, when you come by again we should warn you, we'll burn pastilles from the Seraglio for you..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![The Rye Aunt (Illustration for August Kopisch Selected Poems from “Gerlach’s Youth Library” No. 13) [Die Roggenmuhme (Illustration zu August Kopisch Ausgewählte Gedichte aus „Gerlachs Jugendbücherei“ Nr. 13)]](https://search.artmuseums.go.jp/jpeg/small/momak/Ot0343-1_01.jpg)
The Rye Aunt (Illustration for August Kopisch Selected Poems from “Gerlach’s Youth Library” No. 13) [Die Roggenmuhme (Illustration zu August Kopisch Ausgewählte Gedichte aus „Gerlachs Jugendbücherei“ Nr. 13)]
The National Museum of Modern Art, Kyoto
Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE TEATRE BY DAUMIER 1: - Oh! my dear sir, you have given me a very pleasant evening, you have reminded me of Talma - Have I really reminded you of Talma? - Yes, particularly bu the shape of your nose
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![Wine [Design for Various Ideas in Vignette Form by C. O. Czeschka and M. Gerlach from The Source, Portfolio 1] (Wein [Entwurf für Allerei Gedanken in Vignettenform von C. O. Czeschka und M. Gerlach aus Die Quelle, Mappe 1])](https://search.artmuseums.go.jp/jpeg/small/momak/Ot0355_.jpg)
Wine [Design for Various Ideas in Vignette Form by C. O. Czeschka and M. Gerlach from The Source, Portfolio 1] (Wein [Entwurf für Allerei Gedanken in Vignettenform von C. O. Czeschka und M. Gerlach aus Die Quelle, Mappe 1])
The National Museum of Modern Art, Kyoto
Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![Strangers in Paris 11: A little trip by omnibus: -Are you going to the exhibition?... -Yes, Sir... look at our notice yourself... at the faubourg St. Jacques you take a connecting [omnibus] which takes you to the Jardin des Plantes... from there you go to Belleville from where they take you directly to the Champs-Élysées](https://search.artmuseums.go.jp/jpeg/small/nmwa/0032300001.jpg)
Strangers in Paris 11: A little trip by omnibus: -Are you going to the exhibition?... -Yes, Sir... look at our notice yourself... at the faubourg St. Jacques you take a connecting [omnibus] which takes you to the Jardin des Plantes... from there you go to Belleville from where they take you directly to the Champs-Élysées
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 15: Strangers stared out by those like themselves: The woman from Carpentras -It's odd...Parisian women are not as elegant as people say!... The woman from Quimper-Corentin -It's extraordinary... the women of the capital are not as daintily turned out as reputation has it!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
俄然・重視さるる太平洋外交の岐路 : 脱退後の対米外交第一石は松岡全権のル氏訪問
神戸大学附属図書館
Kobe University Library Digital Archive Newspaper Clippings Collection
Last Updated: 2023-04-19
Uploaded: 2023-08-20