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NEWS 37: A STUBBORN OLD MAN. -Clerk of the court, would you be kind enough to tell me when they'll punish the individual who, at the place du Havre, put my eye in the condition in which you see it. -But sir, it's unthinkable that you should continue to wear such an eye-patch when we've proven to you that no one was punched in the place du Havre... do you know that the ex-members of the Society of the Tenth of December would have the right to demand compensation for the harm that you're doing to their reputation!

NEWS 37: A STUBBORN OLD MAN. -Clerk of the court, would you be kind enough to tell me when they'll punish the individual who, at the place du Havre, put my eye in the condition in which you see it. -But sir, it's unthinkable that you should continue to wear such an eye-patch when we've proven to you that no one was punched in the place du Havre... do you know that the ex-members of the Society of the Tenth of December would have the right to demand compensation for the harm that you're doing to their reputation!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 262: Commerce: - When then, gentlemen, are you going to finish playing that game... paying all tha costs of the party is beginning to annoy me!..

NEWS 262: Commerce: - When then, gentlemen, are you going to finish playing that game... paying all tha costs of the party is beginning to annoy me!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented / The Legislative Assembly 33: Jules, Marquess de Lasteyrie (pronounced Lasteyrie-eye): Formerly a member of the opposition, now the enemy of lights. Dazzled by the too sudden appearence of the Republic's sun, Jules de Lasteyrie has pledged himself to the eye-shade of le Constitutionnel

The Representatives Represented / The Legislative Assembly 33: Jules, Marquess de Lasteyrie (pronounced Lasteyrie-eye): Formerly a member of the opposition, now the enemy of lights. Dazzled by the too sudden appearence of the Republic's sun, Jules de Lasteyrie has pledged himself to the eye-shade of le Constitutionnel

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 50: The clemency of Minos. Happy the pale human, who in this black refuge / Arrives, while Minos reads his Charivari; / He is sure to be forgiven, for we know that all judges / Are disarmed when they have laughed (Poetic little advertisement)

Ancient History 50: The clemency of Minos. Happy the pale human, who in this black refuge / Arrives, while Minos reads his Charivari; / He is sure to be forgiven, for we know that all judges / Are disarmed when they have laughed (Poetic little advertisement)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 93: THE DEVILISH SEDUCERS: -Did you see how that little woman looked at us out of the corner of her eye as she passed... it's only at our age that you can truly please women!..

LIFE'S HAPPY DAYS 93: THE DEVILISH SEDUCERS: -Did you see how that little woman looked at us out of the corner of her eye as she passed... it's only at our age that you can truly please women!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Album des Charges du Jour: THE EMPEROR MOROCCO CONSULTING THE CELEBRATED SORCERER DESBAROLLES. -Here is a little line which indicates to me that you are destined to receive a great drubbing!..

Album des Charges du Jour: THE EMPEROR MOROCCO CONSULTING THE CELEBRATED SORCERER DESBAROLLES. -Here is a little line which indicates to me that you are destined to receive a great drubbing!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare:  -make no mistake about it, all these gentlemen are capitalists

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: -make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 56: A PAYMENT OF DIVIDEND: -Excuse me!... they're announcing in all the newspapers that the Capricorn insurance company is making arrangements to pay out a first dividend, and they don't warn that the dividend's of thirty sous per share!... then take a hackney cab; I haven't even got the means to tip my coachman!..

LIFE'S HAPPY DAYS 56: A PAYMENT OF DIVIDEND: -Excuse me!... they're announcing in all the newspapers that the Capricorn insurance company is making arrangements to pay out a first dividend, and they don't warn that the dividend's of thirty sous per share!... then take a hackney cab; I haven't even got the means to tip my coachman!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIANS TYPES 30: -My God! Missus Bombec, what hit you? -Don't mention it,dear lady, the horror! the world's become so ferocious that I'd rather be the gatekeeper at the zoo. You know that Bezuchet on the fifth floor who tells everyone that her not-so great daughter, whose filling out nicely round the waist, has become Whatdropical. Me, I just said: oh yeh! -And that's the creature that... -by Jove, flew into my face

PARISIANS TYPES 30: -My God! Missus Bombec, what hit you? -Don't mention it,dear lady, the horror! the world's become so ferocious that I'd rather be the gatekeeper at the zoo. You know that Bezuchet on the fifth floor who tells everyone that her not-so great daughter, whose filling out nicely round the waist, has become Whatdropical. Me, I just said: oh yeh! -And that's the creature that... -by Jove, flew into my face

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 385: An indispensable procaution which Parisians take when they leave their homes, even in broad daylight, since they have been told by Mr. Babinet that the sun might be extinguished from ome moment to the next

NEWS 385: An indispensable procaution which Parisians take when they leave their homes, even in broad daylight, since they have been told by Mr. Babinet that the sun might be extinguished from ome moment to the next

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 387: Mr. Coste, perceiving that by dint of taking his fish out of the water to judge their state of health, they have finished up by being severely ill..

NEWS 387: Mr. Coste, perceiving that by dint of taking his fish out of the water to judge their state of health, they have finished up by being severely ill..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRAGICO-CLASSICAL PHYSIOGNOMIES 1: I saw, my lord, I saw your unfortunate son / Dragged by the horses that his hand had fed... Phedre [sic], Théromène's narrative

TRAGICO-CLASSICAL PHYSIOGNOMIES 1: I saw, my lord, I saw your unfortunate son / Dragged by the horses that his hand had fed... Phedre [sic], Théromène's narrative

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRAGICO-CLASSICAL PHYSIOGNOMIES 1: I saw, my lord, I saw your unfortunate son / Dragged by the horses that his hand had fed... Phedre [sic], Théromène's narrative

TRAGICO-CLASSICAL PHYSIOGNOMIES 1: I saw, my lord, I saw your unfortunate son / Dragged by the horses that his hand had fed... Phedre [sic], Théromène's narrative

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 278: - Yes, missis Fribochon, there was, three weeks ago, a veru big earth tremor in Bordeaux, and no later than the day before yesterday, between midnight and three in the morning I felt jolts in my bed that weren't natural... mister Potard, the herbalist, explained this Phenomenon to me... he claims that it's owing to the government that allows too much digging up of the land in California and that it'll end up by playing a dirty trick on all of us in the Batignolles..

NEWS 278: - Yes, missis Fribochon, there was, three weeks ago, a veru big earth tremor in Bordeaux, and no later than the day before yesterday, between midnight and three in the morning I felt jolts in my bed that weren't natural... mister Potard, the herbalist, explained this Phenomenon to me... he claims that it's owing to the government that allows too much digging up of the land in California and that it'll end up by playing a dirty trick on all of us in the Batignolles..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 19: Macaire inheritor-philanthropist. -You see, Bertrand, my wife is dead, my rights to the inheritance are contestable; I'll offer a third of it to the poor, on condition that they immediately advance me the rest... they'll never touch a brass farthing!... that's how I manipulate legacies!! -Well done, dear fellow! If you don't pick up the Manthyon prize, you'll have been robbed!

ROBERT MACAIRE. 2nd Series 19: Macaire inheritor-philanthropist. -You see, Bertrand, my wife is dead, my rights to the inheritance are contestable; I'll offer a third of it to the poor, on condition that they immediately advance me the rest... they'll never touch a brass farthing!... that's how I manipulate legacies!! -Well done, dear fellow! If you don't pick up the Manthyon prize, you'll have been robbed!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MEMORIES OF THE PEACE CONGRESS 1: Victor Hugo, in a lecture of three points, demonstrates the futility of military glory, and proves by example that the crown of laurels could be replaced to advantage by a crown of roses! this gives him the advantage of making a novel effect of his forehead

MEMORIES OF THE PEACE CONGRESS 1: Victor Hugo, in a lecture of three points, demonstrates the futility of military glory, and proves by example that the crown of laurels could be replaced to advantage by a crown of roses! this gives him the advantage of making a novel effect of his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The Representatives Represented 17: L. Ant. Garnier-Pagès: Ex-member of the provisional Government, ex-Mayor of Paris, ex-Minister of Finance; Garnier-Pagès has the habit of putting his hands in his pockets, which is a great proof of honesty, above all at a time when so many citizens like to dig their hands into their neighbours' pockets. --- We note besides that Garnier-Pagès is loved by all who know him, despite the fact that he has a slight wart on his forehead

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[NEWS] MR. PRUDHOMME - My son, remember this memorable day on which you have seen demolished forever the wall of the custom's post... remember that sooner or later, philosophy, the product of human reason will similarly overturn the barriers of social prejudices!... LITTLE ADOLPHE - Yes, papa!... but I say..., papa,... why are they rebuilding them a bit further away?..

[NEWS] MR. PRUDHOMME - My son, remember this memorable day on which you have seen demolished forever the wall of the custom's post... remember that sooner or later, philosophy, the product of human reason will similarly overturn the barriers of social prejudices!... LITTLE ADOLPHE - Yes, papa!... but I say..., papa,... why are they rebuilding them a bit further away?..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 105: THE REJUVENATION OF THE CONSTITUTIONEL [sic] FOLLOWING THE REJUVENATION OF AESON: I read in Mr. de Chompre's book that the aged Aeson was in earlier times perfectly rejuvenated by making him simmer in a stew-pot with a multitude of small spices, such as marshmallow roots, lizard, sticks of liquorice and toads... but the precise recipe of this stew has been lost... I have imagined new ingredients, but unfortunately they are devilishly expensive! I think I would have done better to preserve my old fellow by -having him stuffed by Mr. Gannat!

NEWS 105: THE REJUVENATION OF THE CONSTITUTIONEL [sic] FOLLOWING THE REJUVENATION OF AESON: I read in Mr. de Chompre's book that the aged Aeson was in earlier times perfectly rejuvenated by making him simmer in a stew-pot with a multitude of small spices, such as marshmallow roots, lizard, sticks of liquorice and toads... but the precise recipe of this stew has been lost... I have imagined new ingredients, but unfortunately they are devilishly expensive! I think I would have done better to preserve my old fellow by -having him stuffed by Mr. Gannat!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Conjugal Manners 30: The plea of adultery: "Magistrates, my client is sure of the fact. But this personal conviction is not enough to satisfy him; it is necessary for him to share it with your tribunal, with those listeners gathered here... with the whole of France. Such was the task taken upon myself in the intererst of my client, and I believe that I have made the issue clear before you. Now, it only remains for my client to see... his social position confirmed by a fair judgement, and you are very just. Magistrates, do not refuse him this last satisfaction."

Conjugal Manners 30: The plea of adultery: "Magistrates, my client is sure of the fact. But this personal conviction is not enough to satisfy him; it is necessary for him to share it with your tribunal, with those listeners gathered here... with the whole of France. Such was the task taken upon myself in the intererst of my client, and I believe that I have made the issue clear before you. Now, it only remains for my client to see... his social position confirmed by a fair judgement, and you are very just. Magistrates, do not refuse him this last satisfaction."

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2024-11-08

Uploaded: 2026-02-25