Mutual Relation of the Object and the Image in the Infinity, or the Hollow Head and the Pump Bottom

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Mutual Relation of the Object and the Image in the Infinity, or the Young Woman and the Cylinder

Mutual Relation of the Object and the Image in the Infinity, or the Young Woman and the Cylinder

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NEWS 163: THE NAPOLEONIC CONSTITUTIONNEL: The Constitutionnel places itself heroically at the head of the Frankish corps recruited from the rue de Valois and the rue de Poitiers to uphold the cause of Prince Louis

NEWS 163: THE NAPOLEONIC CONSTITUTIONNEL: The Constitutionnel places itself heroically at the head of the Frankish corps recruited from the rue de Valois and the rue de Poitiers to uphold the cause of Prince Louis

The National Museum of Western Art, Tokyo

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TRAGIC PHYSIOGNOMIES 3: ATHALIE “But I found no less than a horrible mingling “Of bone and flesh murdered and dragged throught the mire...!”

TRAGIC PHYSIOGNOMIES 3: ATHALIE “But I found no less than a horrible mingling “Of bone and flesh murdered and dragged throught the mire...!”

The National Museum of Western Art, Tokyo

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Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..

Affectation 1: There Sir!... and then after this, you're going to run off to see the others!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

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PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Chimera of the imagination: My God! What if I am going to have a child with the head of La Poire...or even a Lobeau...a d'Argout...a Soult...a Dupin... Oh! my God!! a Kératry!!!!

Chimera of the imagination: My God! What if I am going to have a child with the head of La Poire...or even a Lobeau...a d'Argout...a Soult...a Dupin... Oh! my God!! a Kératry!!!!

The National Museum of Western Art, Tokyo

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JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

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Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

The National Museum of Western Art, Tokyo

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Ancient History 11: The sword of Damocles

Ancient History 11: The sword of Damocles

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

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THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes? *

Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes? *

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and  you'll see

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and you'll see

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Musicians of Paris 5: “Where could we be better off (repeat.)” “Than in the bosom of the family - ” There three artists would find themselves better off in the bosom of the tavern, and their young associate in the bosom of a game of marbles

Musicians of Paris 5: “Where could we be better off (repeat.)” “Than in the bosom of the family - ” There three artists would find themselves better off in the bosom of the tavern, and their young associate in the bosom of a game of marbles

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

The National Museum of Western Art, Tokyo

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PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 17: (The pit at the Odéon) - The author!... the author!... the author!... - Gentlemen, your impatience will be satisfied... you wish to know who is the author of this play which has just received such a great, and I should say, such justifiable, success... the author... is meeeeee!

The Blue-stockings 17: (The pit at the Odéon) - The author!... the author!... the author!... - Gentlemen, your impatience will be satisfied... you wish to know who is the author of this play which has just received such a great, and I should say, such justifiable, success... the author... is meeeeee!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

11. And then Suddenly the Sky Was Filled with a Huge Black Hole That Resembled the Wide-opened Jaws of a Whale Raising Its Head from the Water [from "From Nine Dreams"]

11. And then Suddenly the Sky Was Filled with a Huge Black Hole That Resembled the Wide-opened Jaws of a Whale Raising Its Head from the Water [from "From Nine Dreams"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

The Blue-stockings 16: Bichette... Come and tie my bowtie!..

The Blue-stockings 16: Bichette... Come and tie my bowtie!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. - Sir, I wish you a good and happy one. The proprieter. - Very good, thank you! The door-keeper. - Good and happy for the man who wrings your neck, you miserable old skinflint!..

PARISIAN MEN IN 1852. 9: NEW YEAR'S DAY. The door-keeper. - Sir, I wish you a good and happy one. The proprieter. - Very good, thank you! The door-keeper. - Good and happy for the man who wrings your neck, you miserable old skinflint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25