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「田舎源氏五十四帖の内」 「卅一」「真木はしら」「娘巻衣 片岡我当」「一色多京記康 中村仲助」

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Art Research Center, Ritsumeikan University

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二重上場禁止問題 : 当所株禁止、先日附手形問題 : 片岡商相の答弁速記

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神戸大学附属図書館

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電気週報No55・日活超特作映画・一本刀土俵入り・チラシ、原作・長谷川伸、脚色・監督・稲垣浩、、片岡千恵蔵、伏見直江、ミドリ雅子、市川小文治、瀬川路三郎

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日活特作映画・快侠・金忠輔・後編・チラシ、雑誌「富士」所載、原作・吉川英治、脚色・伊丹万作、監督・振津嵐狭、片岡千恵蔵、香川良介、阪東巴左衛門、尾上華丈、瀬川路三郎、林誠之助、鳥羽陽之助、実川延一郎、吉野朝子

日活特作映画・快侠・金忠輔・後編・チラシ、雑誌「富士」所載、原作・吉川英治、脚色・伊丹万作、監督・振津嵐狭、片岡千恵蔵、香川良介、阪東巴左衛門、尾上華丈、瀬川路三郎、林誠之助、鳥羽陽之助、実川延一郎、吉野朝子

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日活超特作・非常警戒・チラシ、原作・長谷川伸ほか、脚色・服部泰三・木村恵吾、監督・阿部豊、夏川静江、瀧花久子、高津愛子、小杉勇、浅岡信夫

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「絵合太功記(えあわせたいこうき)」 「加藤虎之助」「中村翫雀」「鈴木孫市」「嵐璃■(王扁+王ヽ)(あらしりかく)弟重若」「片岡市作」「妻雪ノ谷」「藤川友吉」「松よひ」「嵐豊丸(二代中村翫雀の加藤虎之助・二代嵐璃■(王扁+王ヽ)(あらしりかく)の鈴木孫市・初代片岡市作の弟重若・三代藤川友吉の妻雪ノ谷・初代嵐豊丸の松よひ)」

「絵合太功記(えあわせたいこうき)」 「加藤虎之助」「中村翫雀」「鈴木孫市」「嵐璃■(王扁+王ヽ)(あらしりかく)弟重若」「片岡市作」「妻雪ノ谷」「藤川友吉」「松よひ」「嵐豊丸(二代中村翫雀の加藤虎之助・二代嵐璃■(王扁+王ヽ)(あらしりかく)の鈴木孫市・初代片岡市作の弟重若・三代藤川友吉の妻雪ノ谷・初代嵐豊丸の松よひ)」

Museum of Fine Arts, Boston

ARC Ukiyo-e Portal Database

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

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Uploaded: 2021-07-29