Woman and Child with a Twig-laden Stroller, the Knobelsdorff Bridge in the Background

Woman with a Twig-laden Stroller, the Knobelsdorff Bridge in the Background

Tokyo Photographic Art Museum

Tokyo Museum Collection

Woman with a Twig-laden Stroller on the Knobelsdorff Bridge

Tokyo Photographic Art Museum

Tokyo Museum Collection

Resting Women Next to a Twig-laden Stroller, Look at the "Konigin-Elizabeth Barracks"

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Same (Women) Push and Pull a Handcart Together through the Sand, Overlooking the Knobelsdorrff Bridge

Tokyo Photographic Art Museum

Tokyo Museum Collection

City Scene: a Man with a Child on His Shoulders and a Woman, a Bridge in the Background

Van Gogh Museum

Van Gogh Museum Online Collection

Woman with a Basket in Front of the Silhouette of the Westend Colony, Rear View

Tokyo Photographic Art Museum

Tokyo Museum Collection

Bake bread in the shape of a clay figurine and Dokkie cookies that look like potshards! – Making a Shakochan cake using Dogu Anpan 2 (a bean-jam bun with the motif of a clay figurine)

JOMON ARCHIVES; Digital Archives of the Jomon Prehistoric Sites in Northern Japan

JOMON ARCHIVES; Digital Archives of the Jomon Prehistoric Sites in Northern Japan

LIFE'S HAPPY DAYS 75: THE RETURN FROM THE St. CLOUD FAIR: To the devil with reed-pipes and reed-pipers... how can they allow such an instrument in a country that already tolerates the Clarinet!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Friends 4: Madame Cabassol goes for a sentimental walk in the Jardin des Plantes[?] with the youngest friend of her husband. An unforeseen meeting with the latter, not far from a deer

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 6: CHINESE PROPRIETY. In this country they have a singular idea of propriety!... the most chaste young girl, the most upstanding woman do not blush, by a prodigious exaggeration of forms, to call attention to a certain quarter to which they give the appearance of a veritable air-balloon... they call that a bustle..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE EXHIBITION OF ANIMALS 3: － Look here, there are cows with a body but no legs!... － Another time they'll succeed in producing animals with legs byt no body!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 1: THE RUSSIAN QUESTION DEALT WITH ON A COUCH － Yes mister Coquardeau, the ambition of the Russian Colossus becomes insatiable... it is already not enough for him to have blown up the Black Sea and to have smashed all the seaports in the Levant, now today the same Colossus makes ready to seize the Dardanelles... I am of a mind to suffer none of it mister Coquardeau!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play －Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: －Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. －The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 67: THE SHIRTMAKER: Sir, I’ve made everything there that’s most suitable... with a shirt of my style you can appear in whichever salon [you wish] and you’ll always be the best dressed man of the entire company..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone－ And what do you call this man? he doesn't look like a villain. The Gaolor－ Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... －Not even for your hat-box... －What about in the sitting-room? －Twenty one Englishmen are in there... －In the attic?... －I've put eleven Savoyards in there... －In the celler?... －Fifteen Polish people have set up home... －Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... －That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MONOMANIACS 8: THE COFFEE-LOVER: The half-cup easily becomes second nature; one finds a number of people who, like the lover above, have made themselves an immutable law to take their coffee, in order to facilitate digestion, even though their means do not allow them to dine. It is agreed that existence would be too bitter without chicory

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 92: Sir, I despise the charlatanism of the poster, I despise the Puffs of the advertisement, I abhor everything which smells of the charalatan, the tumbler, the rope-dancer, and I limit myself to producing with all naivete and foolishness my merchandise. Read my catalogue! Scent of love, esteem and friendship, in phials from the Middle-Ages... Extract of the smile of infancy －Perfume of Adolphe's first steps－ Water of the peoples' alliance, for the handkerchief, with Beranger's song. Perfume of General Foy, a scent to strengthen the brain's fibre and to remind the French of their liberties and rights guaranteed by the constitutional charter. Surrounded by an oration given upon the tomb of the immortal deputy by one of his honourable colleagues. You see, it's impossible to be more simple

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Album des Charges du Jour: AT TANGIER －Sublime Majesty!... here come the Spaniards..., I think of anticipating your wishes, in order to inspire them with respect..., to unfurl your august parasol!... －Do not pester me, Belboul, about my parasol... at this very moment I would prefer to have a Bullet-shield!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Resting Women Next to a Twig-laden Stroller, Look at the "Konigin-Elizabeth Barracks"

Tokyo Photographic Art Museum

Tokyo Museum Collection

Three Brushwood-collectors on the way Home, Overlooking Charlottenburg

Tokyo Photographic Art Museum

Tokyo Museum Collection

絵葉書｢中国｣奉天 睡蓮咲く千代田公園

Fukuoka City Museum

Fukuoka City Museum Collection Database

棹秤で重さをはかる行商の人

Mie Prefectural Museum

Mie Prefectural Museum Collections (Photography & Video)

絵葉書「奉天名勝　三二景」睡蓮咲く千代田公園

Fukuoka City Museum

Fukuoka City Museum Collection Database

A Fish Stall

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Same (Women) Push and Pull a Handcart Together through the Sand, Overlooking the Knobelsdorrff Bridge

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Seller of Shell Fish

Tokyo Photographic Art Museum

Tokyo Museum Collection

Four Brushwood-collectors on the Way to Sophie-Charlotte Street

Tokyo Photographic Art Museum

Tokyo Museum Collection

写真（福岡・基地からの木材運搬）

Fukuoka City Museum

Fukuoka City Museum Collection Database

Woman with a Twig-laden Stroller, the Knobelsdorff Bridge in the Background

Tokyo Photographic Art Museum

Tokyo Museum Collection

Woman with a Hoe and Full Pannier

Tokyo Photographic Art Museum

Tokyo Museum Collection

November Effigies

Tokyo Photographic Art Museum

Tokyo Museum Collection

絵葉書　撫順炭礦古城子坑（露天堀）

Fukuoka City Museum

Fukuoka City Museum Collection Database

写真　明治28年5番山笠土居流当番上新川端町表

Fukuoka City Museum

Fukuoka City Museum Collection Database

Rokku, Asakusa Park (Asakusa 2-chome, Taito Ward)

Tokyo Photographic Art Museum

Tokyo Museum Collection

写真　アイスキャンデー屋さん

Fukuoka City Museum

Fukuoka City Museum Collection Database

絵葉書｢台湾の人物｣久良栖社蕃人

Fukuoka City Museum

Fukuoka City Museum Collection Database

Group of Brushwood-collectors on the Way Home, in Front of the Westend Colony

Tokyo Photographic Art Museum

Tokyo Museum Collection

写真（役者）

Fukuoka City Museum

Fukuoka City Museum Collection Database

絵葉書｢第13回九州沖縄八縣聯合共進会、第1回九州沖縄八縣聯合馬匹共進会｣正門博多人形噴水

Fukuoka City Museum

Fukuoka City Museum Collection Database

絵葉書「MODERN COSTUMES OF JAPAN KOREA ＆ FORMOSA･大日本帝国代表服装集」

Fukuoka City Museum

Fukuoka City Museum Collection Database