Two Women Pulling a Timber-loaded Cart, Overlooking Charlottenburg

License: In Copyright

People: Zille, Heinrich
Time: 1898
Owner Organization: Tokyo Photographic Art Museum

More Like This

Three Brushwood-collectors on the way Home, Overlooking Charlottenburg

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Same (Women) Push and Pull a Handcart Together through the Sand, Overlooking the Knobelsdorrff Bridge

Tokyo Photographic Art Museum

Tokyo Museum Collection

Two Young Women in a Landscape

Pola Museum of Art

Pola Museum of Art Collection

Resting Women Next to a Twig-laden Stroller, Look at the "Konigin-Elizabeth Barracks"

Tokyo Photographic Art Museum

Tokyo Museum Collection

Woman with a Twig-laden Stroller, the Knobelsdorff Bridge in the Background

Tokyo Photographic Art Museum

Tokyo Museum Collection

Two Women in front of Clouds（Zwei Frauen vor Wolken）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Two Women Raking in a Pine Woods

Edo-Tokyo Museum

Tokyo Museum Collection

Woman and Child with a Twig-laden Stroller, the Knobelsdorff Bridge in the Background

Tokyo Photographic Art Museum

Tokyo Museum Collection

A fire engine extinguishes a burning cart set on fire by a Molotov cocktail at the Battle of the Bogside

Tokyo Photographic Art Museum

Tokyo Museum Collection

Pro-divorce Women 5: A toast to the emancipation of women, by women already emancipated with a vengeance

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Woman with a Twig-laden Stroller on the Knobelsdorff Bridge

Tokyo Photographic Art Museum

Tokyo Museum Collection

Drying rice on a rack is usually done in seven to ten rows. A boy brings the bundle of rice plants with a cart

Tokyo Photographic Art Museum

Tokyo Museum Collection

Woman with a Basket in Front of the Silhouette of the Westend Colony, Rear View

Tokyo Photographic Art Museum

Tokyo Museum Collection

写真　焼け跡-住友銀行付近荷車に材木を積んで運ぶ馬

Fukuoka City Museum

Fukuoka City Museum Collection Database

Uehidarihateboridougugenyuwohakobuseoitarukumiageyounogenbahishakukataguchitsuruhashikasshanado

Photo Archive Japan

Photo Archive Japan Database

PRACTICES OF THE MERCHANTS OF PARIS 6: She does make a fuss, that stuck up woman from the fifth floor, Wearing a hat! and two cups of milk for a sou! Damnation! Ma Capitaine, it's because we've got visitors this morning

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. －What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) －Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan