Front Operating Room in which are arranged Parallell with Track 24 Cameras

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Operating Track, covered with Rubber flooring, and crossed with lines 12 inches apart, over which Animals are forced to move

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A store with an abundance of wild strawberries, which only bear fruit for a shorttime in the spring

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THE EXHIBITION OF ANIMALS 3: - Look here, there are cows with a body but no legs!... - Another time they'll succeed in producing animals with legs byt no body!..

THE EXHIBITION OF ANIMALS 3: - Look here, there are cows with a body but no legs!... - Another time they'll succeed in producing animals with legs byt no body!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare:  -make no mistake about it, all these gentlemen are capitalists

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: -make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved  for the homeless and poodles without papers!..

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE UNIVERSAL EXHIBITION 36: THE REFRESHMENT-ROOM WITH SEATING - Look here... all these people eating... so they feed you on days when you pay twenty sous admission... let's go in!... - No, missis Carpolet,... those are probably the memebers of the tasting jury in going about their duties... let's not disturb them!

THE UNIVERSAL EXHIBITION 36: THE REFRESHMENT-ROOM WITH SEATING - Look here... all these people eating... so they feed you on days when you pay twenty sous admission... let's go in!... - No, missis Carpolet,... those are probably the memebers of the tasting jury in going about their duties... let's not disturb them!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 24: A RECONCILIATION (A scene from high comedy): -I embrace you, but still hold a grudge against you! - I press you to my heart, but you’ll pay for it!

NEWS 24: A RECONCILIATION (A scene from high comedy): -I embrace you, but still hold a grudge against you! - I press you to my heart, but you’ll pay for it!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 24: Cabs as stocks: It's not going well, my horse is failing, expenses consume me, I'm dying of hunger. -My poor Bertrand, how stupid you are! Exchange your turkey-hen for a thoroughbred, your old 1200 quid carriage for a tilbury, your livery misery of a jockey's silk, go to it... Capital thrrrrrree hundred thousand francs!  Doughty deeds, random tricks, will increase your out-goings, lessen your gains, you'll recoup your losses in abundance!! -In abundance of what? -In abundance of shares, fool!!

Caricaturana 24: Cabs as stocks: It's not going well, my horse is failing, expenses consume me, I'm dying of hunger. -My poor Bertrand, how stupid you are! Exchange your turkey-hen for a thoroughbred, your old 1200 quid carriage for a tilbury, your livery misery of a jockey's silk, go to it... Capital thrrrrrree hundred thousand francs! Doughty deeds, random tricks, will increase your out-goings, lessen your gains, you'll recoup your losses in abundance!! -In abundance of what? -In abundance of shares, fool!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

TENANTS AND LANDLOADS 5: -Why, madam..., I am unwise enough to absent myself from my property for some months and this is the state in which I find you... I give you twenty four hours' notice to leave... I don't even know that I don't have the right to claim damages from your husband!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25