Reppinkan of the Faculty of Engineering to prepare for offensive and defensive battles

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Burning Reppinkan of the Faculty of Engineering, student who works hard while being wrapped in smoke

Burning Reppinkan of the Faculty of Engineering, student who works hard while being wrapped in smoke

Tokyo Photographic Art Museum

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The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

The riot police fought a fierce offensive and defensive battle toward Yasuda Auditorium in an attempt to eliminate students who resisted the Yasuda Auditorium at the University of Tokyo in a university conflict

Tokyo Photographic Art Museum

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NEWS 4: This shows you a great battle which one may believe to be commanded by General Crunch Beet! It will not enter the historical Museum of Versailles and should serve as a pendant to the Battles of Cannes

NEWS 4: This shows you a great battle which one may believe to be commanded by General Crunch Beet! It will not enter the historical Museum of Versailles and should serve as a pendant to the Battles of Cannes

The National Museum of Western Art, Tokyo

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ムYou've come to tell me of victory?... then hurry up and come and give me the details!..

ムYou've come to tell me of victory?... then hurry up and come and give me the details!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Teachers and Rascals 31: The laborious and delicate mission of the drawing teacher; to him is always reserved the difficult task of redressing the twists and inaccuracies of his young pupils!

Teachers and Rascals 31: The laborious and delicate mission of the drawing teacher; to him is always reserved the difficult task of redressing the twists and inaccuracies of his young pupils!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Studies of Hands holding a Board and Downward-turning Hands [Study for “Lex” and “Erinnyen” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Studien der Tafel haltenden Hände und unteren Hand [Studie für „Lex“ und „Erinnyen“ im Fakultätsbild <Jurisprudenz> für die Decke des Großen Festsaals der Universität Wien])

Studies of Hands holding a Board and Downward-turning Hands [Study for “Lex” and “Erinnyen” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Studien der Tafel haltenden Hände und unteren Hand [Studie für „Lex“ und „Erinnyen“ im Fakultätsbild <Jurisprudenz> für die Decke des Großen Festsaals der Universität Wien])

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 40: The Emperor of Austria and the King of Prussia deciding to fight with new weapons

NEWS 40: The Emperor of Austria and the King of Prussia deciding to fight with new weapons

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 10: The danger of wanting to visit too wild spot

PASTORALS 10: The danger of wanting to visit too wild spot

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 12: To think that Arsinoé was not happy to be the sitter for her portrait..

The Blue-stockings 12: To think that Arsinoé was not happy to be the sitter for her portrait..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 10: THE CHIEF ADMINISTRATOR OF THE EMPIRE: Deuce, deuce! I've taken advantage of Véry, Véfour, the Café Anglais, I've disappeared without paying, on the pretext of an important post I'm waiting for... here am I descended to 32 sous dinners and they give me my bill... I shall have to change my standing... I'm going to play the banker who's forgotten his purse

BOHEMIANS OF PARIS 10: THE CHIEF ADMINISTRATOR OF THE EMPIRE: Deuce, deuce! I've taken advantage of Véry, Véfour, the Café Anglais, I've disappeared without paying, on the pretext of an important post I'm waiting for... here am I descended to 32 sous dinners and they give me my bill... I shall have to change my standing... I'm going to play the banker who's forgotten his purse

The National Museum of Western Art, Tokyo

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NEWS 76: The 56 or the political Trappists. -All the same, to think of being obliged to sit facing the tomb!..

NEWS 76: The 56 or the political Trappists. -All the same, to think of being obliged to sit facing the tomb!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Studies of a Head Facing Forward and Two Hands [Study for “Veritas” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Kopfstudie von Vorne und zwei Handstudien [Studie für „Veritas“ im Falultätsbild <Jurisprudenz> für die Decke des Großen Festsaals der Universität Wien])

Studies of a Head Facing Forward and Two Hands [Study for “Veritas” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Kopfstudie von Vorne und zwei Handstudien [Studie für „Veritas“ im Falultätsbild <Jurisprudenz> für die Decke des Großen Festsaals der Universität Wien])

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Villagers sewing Senninbari (one thousand stitches belt) praying for the safety of soldiers heading to the battlefield

Villagers sewing Senninbari (one thousand stitches belt) praying for the safety of soldiers heading to the battlefield

Tokyo Photographic Art Museum

Tokyo Museum Collection

PARISIAN SKETCHES 3: - Yes, my dear mister Coffignon, it would be difficult for me to count up the number of my conquests I've always had and today still have great success with women! - To be sure [,] as for me [,] I've only ever had mine [my woman] and I still find that it's too much!

PARISIAN SKETCHES 3: - Yes, my dear mister Coffignon, it would be difficult for me to count up the number of my conquests I've always had and today still have great success with women! - To be sure [,] as for me [,] I've only ever had mine [my woman] and I still find that it's too much!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF WINTER 2: Going to sample what it is convenient to call, even in the month of December, the pleasures of the hunt!..

SKETCHES OF WINTER 2: Going to sample what it is convenient to call, even in the month of December, the pleasures of the hunt!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The conflict between the two sides intensifies amid opposition to the ProtestantRellef of Londonderry Celebrations parade passing through a Catholicn

The conflict between the two sides intensifies amid opposition to the ProtestantRellef of Londonderry Celebrations parade passing through a Catholicn

Tokyo Photographic Art Museum

Tokyo Museum Collection

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-09-07

Uploaded: 2026-03-25