People Entering into the Imperial Palace by Standing in a Line (Looking at the Imperial Palace Square)

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NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

The National Museum of Western Art, Tokyo

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Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Photo Archive Japan

Photo Archive Japan Database

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Photo Archive Japan

Photo Archive Japan Database

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Photo Archive Japan

Photo Archive Japan Database

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Koukyomaehirobakoukyomaehirobadenichibeimokeihikoukitaikaigakaisaiippoukochiradeharintakuninottetanoshisougārufurendowokinishiteshouwa25nen

Photo Archive Japan

Photo Archive Japan Database

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 6: Below the upper vignette: Having succeeded in getting into the interior of the Stock Exchange under the pretext of being litigants at the tribunal of commerce. Below the lower vignette: What a company at the Stock Exchange doors!... to be sure, I'd prefer to queue at the Ambigu, it's better regulated!..

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 6: Below the upper vignette: Having succeeded in getting into the interior of the Stock Exchange under the pretext of being litigants at the tribunal of commerce. Below the lower vignette: What a company at the Stock Exchange doors!... to be sure, I'd prefer to queue at the Ambigu, it's better regulated!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

NEWS 75: THE SETTLEMENT OR YOUR LIFE: The delicate manner assumed by the English in reclaiming a debt from a friendly people: -Twenty four hours to pay the interest at twelve per cent!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 2: Below the upper vignette: SMALL-SCALE SPECULATORS. -Mrs. Chaffarou... I need to get out of MILITARY BEDS in order to get into the CRYSTAL PALACE... unless of course I get into the GAUDALQUIVIR. Below the lower vignette: OPENING OF THE STOCK EXCHANGE. How you can fall flat on your face by running too quickly after wealth

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 2: Below the upper vignette: SMALL-SCALE SPECULATORS. -Mrs. Chaffarou... I need to get out of MILITARY BEDS in order to get into the CRYSTAL PALACE... unless of course I get into the GAUDALQUIVIR. Below the lower vignette: OPENING OF THE STOCK EXCHANGE. How you can fall flat on your face by running too quickly after wealth

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Emperor's Gobenden at Hijiyama. During the First Sino-Japanese War, an Imperial Headquarters was established in Hiroshima. A gobenden (a small shrine where the emperor could rest and relax) was also built in the Western Drill Ground.  It was moved to Hijiyama in 1910. The gobenden collapsed under the blast, and the yard in front was soon filled with injured victims seeking refuge

Emperor's Gobenden at Hijiyama. During the First Sino-Japanese War, an Imperial Headquarters was established in Hiroshima. A gobenden (a small shrine where the emperor could rest and relax) was also built in the Western Drill Ground. It was moved to Hijiyama in 1910. The gobenden collapsed under the blast, and the yard in front was soon filled with injured victims seeking refuge

所有者:中国新聞社。所蔵:日本写真保存センター

Photo Archive Japan Database

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 4: Ulysses' introduction to Nausicaa. At the sight of the hero soiled with black mud, / All flee, but Nausicaa, in her naïve modesty; / Blushingly says to him, without quitting her laundry: / Which God, noble stranger, leads you to my wash-house? (Unpublished translation by Mr. Casimir Delavigne)

Ancient History 4: Ulysses' introduction to Nausicaa. At the sight of the hero soiled with black mud, / All flee, but Nausicaa, in her naïve modesty; / Blushingly says to him, without quitting her laundry: / Which God, noble stranger, leads you to my wash-house? (Unpublished translation by Mr. Casimir Delavigne)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-04-04

Uploaded: 2026-03-25