Self portait of Tomio Kondo posing bathing. The era intend a salon art photography

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Children in the neighborhood of Tomio Kondo are used to having pictures taken of them. They use the rays of the sunset skillfuly

Children in the neighborhood of Tomio Kondo are used to having pictures taken of them. They use the rays of the sunset skillfuly

Tokyo Photographic Art Museum

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"Art Photo" was written on the picture of farmer, Jinzo Suzuki to show it was a favorite

"Art Photo" was written on the picture of farmer, Jinzo Suzuki to show it was a favorite

Tokyo Photographic Art Museum

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9. In My Craft or Sullen Art from "The Green Fuse-A Collection of Poems and Wood Engravings"

9. In My Craft or Sullen Art from "The Green Fuse-A Collection of Poems and Wood Engravings"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Geisha looks at pictures in the shade avoiding the heat of late summer. This shows the luxury of the Taisho Era

The Geisha looks at pictures in the shade avoiding the heat of late summer. This shows the luxury of the Taisho Era

Tokyo Photographic Art Museum

Tokyo Museum Collection

[PARISIAN SKETCHES, - BY H. DAUMIER] (AT THE CIRCUS. She is his daughter: or the art of destroying his children and making denials of it.)

[PARISIAN SKETCHES, - BY H. DAUMIER] (AT THE CIRCUS. She is his daughter: or the art of destroying his children and making denials of it.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

My Mother Repeatedly Trying to Take a Shower at the Hotel in Hakone

My Mother Repeatedly Trying to Take a Shower at the Hotel in Hakone

Tokyo Photographic Art Museum

Tokyo Museum Collection

Geisha Studying a Foreign language for the 1940 Tokyo Olympics (1)

Geisha Studying a Foreign language for the 1940 Tokyo Olympics (1)

Tokyo Photographic Art Museum

Tokyo Museum Collection

Geisha Studying a Foreign language for the 1940 Tokyo Olympics (2)

Geisha Studying a Foreign language for the 1940 Tokyo Olympics (2)

Tokyo Photographic Art Museum

Tokyo Museum Collection

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

Sketch Taken at the Salon by Daumier: A fantastic painter: - See, look how I visualise the apotheosis of a martyr... - But I can make out only the legs of your figure. -The head's already in the sky... that proves he's a saint!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The Representatives Represented 22: Victor Considérant; Drawn from life at the Tribune on the memorable day when, decorated with all the attributes of a disciple of Fourrier [sic], and assuming the pose of anti-lion, he sought to phalansteryise all the members of the national assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 67: THE SHIRTMAKER: Sir, I’ve made everything there that’s most suitable... with a shirt of my style you can appear in whichever salon [you wish] and you’ll always be the best dressed man of the entire company..

LIFE'S HAPPY DAYS 67: THE SHIRTMAKER: Sir, I’ve made everything there that’s most suitable... with a shirt of my style you can appear in whichever salon [you wish] and you’ll always be the best dressed man of the entire company..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

EVERYTHING YOU COULD WANT 40: -For three months, your grace has been posing always like that... now the portrait's no longer a likeness... it's no longer that!..

EVERYTHING YOU COULD WANT 40: -For three months, your grace has been posing always like that... now the portrait's no longer a likeness... it's no longer that!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Yajima/Kyojima, scenic beauty of Minami Sado. Ogi Geisha swim with their hair in a Shimada

Yajima/Kyojima, scenic beauty of Minami Sado. Ogi Geisha swim with their hair in a Shimada

Tokyo Photographic Art Museum

Tokyo Museum Collection

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ;  Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ; Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Representatives Represented 1: J. Martial Bineau: Portrait drawn from life at the moment when this terrible person gives himself up to his favourite passtime, which consists of slashing pictures and breaking those objects of art which fall under his hands

The Representatives Represented 1: J. Martial Bineau: Portrait drawn from life at the moment when this terrible person gives himself up to his favourite passtime, which consists of slashing pictures and breaking those objects of art which fall under his hands

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town

Tokyo Photographic Art Museum

Tokyo Museum Collection

IN CHINA 8: A Chinese warrior patrol -having taken too literally the order given them to scout out... [the enemy's movement...]

IN CHINA 8: A Chinese warrior patrol -having taken too literally the order given them to scout out... [the enemy's movement...]

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricatures of the Day 31: A tenor’s promises

Caricatures of the Day 31: A tenor’s promises

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 20: A NATIONAL HOLIDAY EVENING: It never fails... you go out to see the fire[works], and revel in nothing but water!..

LIFE'S HAPPY DAYS 20: A NATIONAL HOLIDAY EVENING: It never fails... you go out to see the fire[works], and revel in nothing but water!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

NEWS 110: -Great Prince Muley, son of Muley, do you deign to place yourself in the shade beneath this object... the Englishman who had the kindness to make over this object to me for a hundred gold pieces told me that it was of excellent use in all the storms of life... -Let me be... it's useless... the day when the French took away my parasol, I caught sunstroke from which I shall never recover!..

NEWS 110: -Great Prince Muley, son of Muley, do you deign to place yourself in the shade beneath this object... the Englishman who had the kindness to make over this object to me for a hundred gold pieces told me that it was of excellent use in all the storms of life... -Let me be... it's useless... the day when the French took away my parasol, I caught sunstroke from which I shall never recover!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25