Entertaining guests with glamorous dances and festive hand-clapping, chanting "Ha-ryasa-sassa-"
- People
- Time
- Owner Organization

Field day at Sado Girls Secondary School was a festive event, popular among the neighbors
Tokyo Photographic Art Museum
Tokyo Museum Collection

PASTORALS 32: -Thief of a cock-chafer... so it's you who's eating away all my property... you'll perish by my hand alone!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parliamentary Scenes 7: The elector’s family We arrived in Paris just this morning and straight away said to ourselves: Let's find our Deputy, he’ll show us the interior of the Pantheon, and of the Invalides, and of the Royal Palace, and of the Well of Grenelle..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![The Blue-stockings 10: So!... They haven't noticed my novel again today! now these journalists occupy themselves each morning with the Lièvres [Hares]... with the Perdreaux [Young Patridges]... with the Bécasses! [Snipes]... and they do not think of me... it is unthinkable!..](https://search.artmuseums.go.jp/jpeg/small/nmwa/0033000001.jpg)
The Blue-stockings 10: So!... They haven't noticed my novel again today! now these journalists occupy themselves each morning with the Lièvres [Hares]... with the Perdreaux [Young Patridges]... with the Bécasses! [Snipes]... and they do not think of me... it is unthinkable!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Zairunomochiikata kakuhomomisekakeyamoushiwakedakedehanaku,aitegakatsurakushitemokakujitsunitomeurugatchirishitamonodenakerebanaranai 3 4 5
Photo Archive Japan Database
Zairunomochiikata kakuhomomisekakeyamoushiwakedakedehanaku,aitegakatsurakushitemokakujitsunitomeurugatchirishitamonodenakerebanaranai 3 4 5
Photo Archive Japan Database

JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!](https://search.artmuseums.go.jp/jpeg/small/nmwa/0036090001.jpg)
BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![Ancient History 21: Marius at Minturnae. Admire the roguishness of this great General! / Seeing that he was going to be seized; / Across the reeds [and] into the slime he slid / And laughed with certainty in this swamp of FAST COLOUR (Historical pun by Mr. de Rothschild)](https://search.artmuseums.go.jp/jpeg/small/nmwa/0031330001.jpg)
Ancient History 21: Marius at Minturnae. Admire the roguishness of this great General! / Seeing that he was going to be seized; / Across the reeds [and] into the slime he slid / And laughed with certainty in this swamp of FAST COLOUR (Historical pun by Mr. de Rothschild)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play -Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: -Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. -The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

News 122: The last day for the submission of pictures: -Heavens above! -we're already here and my picture isn’t finished... I’m annoyed at having hired my porter for the whole day, I would sooner have had him carry it by the hour!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and you'll see](https://search.artmuseums.go.jp/jpeg/small/nmwa/0037980001.jpg)
Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and you'll see
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

NEWS 59: THE INCONVENIENCE OF DINING WITH A SCHOLAR WHO LIKES MAKING CHEMISTRY AND OTHER EXPERIMENTS. - Well now, without your wuestioning it, I have just make you all eat fritillary... I'm curious to know positively if it's a safe food able to replace the potato or if it's poison
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!](https://search.artmuseums.go.jp/jpeg/small/nmwa/0036190001.jpg)
BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Last Updated: 2021-03-14
Uploaded: 2026-03-25
